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The background of Vienna Music School, the new music in the form of main melody melody that rose in Italy after the Renaissance, flourished in Germany and Austria with the background of aristocratic society.
There were mainly three schools of music in the early days: Bach's second son card? Fi. Huh? Bach-centered Berlin School of Music; With John? Mannheim school centered on Johann Stamitz (1717-1757); The early Vienna Music School was centered on Vagenzar and Munn.
Although opera is an important part of classical music, in general, classical music is characterized by instrumental music, especially sonatas and symphonies. The chamber music and symphony of Mannheim School not only influenced Vienna Music School, but also directly influenced Beethoven in Bonn.
Sonata is a very representative form of classical music. Its presentation part has the contrast between the first and second themes, the development part is in the middle, and the reproduction part is between the two themes. Mannheim Music School had a fairly complete sonata form at that time, and they also added minuets to the symphony. In the symphony orchestration of this music school, woodwind instruments are also made of two pipes. Mozart added clarinet to his symphony, which was also influenced by Mannheim School.
Vienna Classical Music School? Father of symphony? Haydn? Musical genius? Mozart and? Le sheng? Vienna Classical Music School, represented by Beethoven, erected an immortal monument in the history of music. The main feature of this music school is to reflect the universal ideological requirements of human beings. They pursue the concept of beauty, emphasize the elegance of style and give people an optimistic and enterprising spirit.
The development of Vienna Music School The history of human music before Schoenberg was from disorder to order, and the most brilliant chapter was tonal music since the end of 17. However, since Schoenberg, the pioneer of the Second Vienna Music School, began to write a new chapter in atonal music, the history of human music has added a lot of color.
? The disintegration of tonality? It has always been regarded as the most important step taken by music at the end of 19 and the beginning of the 20th century. People often regard Wagner's extreme ambiguity about tonality, scriabin's mysterious chords, Schoenberg's fourth overlapping chords and free atonality, and the establishment of twelve-tone technique as the ideological pioneers of music at the end of the 20th century.
The contribution of atonal music to the development of sound and the emancipation of musical thoughts can not be ignored. The atonality (including free atonality, twelve-tone technique, full sequence, figurative music, occasional music, most electronic music, etc.) fundamentally changed the way of thinking in music creation. Is this the second Viennese music school? Revolution? what's up Leadership? .
It is often said that Schoenberg's greatest contribution to music in the 20th century was that he founded the twelve-tone technique. Disharmonious liberation? . The average law of treating twelve tones equally has changed fundamentally for hundreds of years? Taking harmony as the center, disharmony must be solved to harmony? This stereotype. George? George Pearl and Paul? Paul Lansky's New Grove Dictionary of Music and Musicians points out:? Perhaps the most important influence of Schoenberg's method lies not in the concept of twelve tones itself, but in some unique concepts, such as the arrangement of reflections, symmetry and complementarity, invariance under displacement, set structure, closed system, the characteristics of adjacent relations as the decisive factors of works, and the displacement of music surface promoted by predetermined applications. In the music of different composers, such as Bartok, Stravinsky, Schoenberg, Berger, Weber, Valase, etc., different degrees of sharpening make each concept itself or combined with many other concepts become the focus. In this sense, the development of sequence thought can not be regarded as a complete break with previous music thoughts, but a particularly outstanding cooperation with various music thoughts in the history of modern music development. ?
The influence of Vienna Music School may be in the lifetime of these three composers of the Second Vienna Music School, who did not feel that they could leave a lasting impression on the music of this era. Berger died at 1935, Wei Boen at 1945 and Schoenberg at 195 1. In the 1950s after the death of these three composers, their achievements were recognized worldwide. Their music has not only been performed in public, but also recorded into records and tapes. Books devoted to analyzing their works have also been published, and many old and young composers have become? Twelve tones? Composer. The music of the Second Vienna School became the first great discovery in the music industry after the Second World War.