Loneliness, glory, arrogance and rashness, beautiful and graceful, near the powder wall. Intentional makeup opens to the sun, and ruthless wind sweeps away the fragrance. Half a peach leaf is empty and hateful, and only cold is left. Only where there is no smoke and fog can we know that joining the WTO is the most absurd.
? As follows:
1, Seven-character Rhyme is a genre of China's traditional poetry, which belongs to the category of modern poetry. Shen Yue's new-style poems originated from Qi Yongming in the Southern Dynasties, paying attention to rhythm and duality. They were further developed and stereotyped by Shen Quanqi and Song in the early Tang Dynasty and matured by Du Fu in the prosperous Tang Dynasty.
2. Seven-character rhyme is strict, and the number of words in the poem is required to be unified. It consists of eight sentences, each with seven words. Every two sentences are a joint and a * * * quadruple, which is divided into head joint, parallel joint, neck joint and tail joint. The two couplets in the middle demand antithesis. Representative works include the Yellow Crane Tower in Cui Hao, Du Fu's Ascending, and Li Shangyin's Stabilizing Tower.
3. Seven-character metrical poetry refers to seven-character and eight-sentence poetry, which conforms to the norms of metrical poetry. Referred to as "seven rhythms", it is a kind of rhythmic poem. Metric poetry belongs to the category of modern poetry, which is named because of its rigorous meter.
4. The rise of seven-character rhythmic poetry is later than that of five-character rhythmic poetry. It originated in the Southern and Northern Dynasties, sprouted in the new style poems of Qi and Liang Dynasties, and was shaped between the early Tang Dynasty and the prosperous Tang Dynasty. In the early Tang Dynasty, Shen Quanqi, Song, Du, Li Qiao and others began to write articles. In the prosperous Tang Dynasty, Wang Wei, Li Qi, Cen Can and Jia Zhi all made efforts to master the system, while Cui Hao and Li Bai still had mixed, semi-ancient and semi-French works.
Although there are some masterpieces of Gao Hua Xiulang in the seven-character poems of this period, most of them belong to the content of giving and receiving, which is narrower than the five-character poems. At the same time, in the prosperous Tang Dynasty, most of the seven laws of poets such as Li Bai, Wang Wei and Gao Shi were wrong, sticky and emphasized. It was not until Du Fu that the seven-character rhythmic poem showed its poetic potential and opened up the artistic world.
Du Fu opened up the realm of metrical poetry in an all-round way, and current affairs, politics, life experiences, customs, cultural relics and historical sites were all integrated into strict metrical style, which raised the value of this poetic style to the level of being juxtaposed with ancient poems and quatrains.