This is a poem describing the scenery in late spring. At first glance, it is just a common sight of a hundred flowers blooming, but further, it is not difficult to find that this poem is ingenious and unique. The poet doesn't write about the flowers falling and dying in late spring, but he writes about the plants staying in spring, presenting a colorful and moving scene: flowers and trees find that spring will come back, each according to his ability, colorful and flowery. Even Yang Shuhua and elm pods, which were originally full of color and flavor, were not to be outdone, and turned into snowflakes dancing with the wind, joining the ranks of staying in spring. The poem is nuanced, revealing secrets that predecessors have never obtained, opposing the feeling of ordinary poets dying in late spring, imitating the splendid situation of flowers and plants, and showing the elegance of late spring. A few strokes will give people an eyeful of scenery and a refreshing impression.
Speaking of it, it is quite interesting to renovate this poem in an ordinary way, and it also lies in the magical use of personification in the poem, combining people with flowers. Vegetation is a heartless thing, but it can know, understand and fight, and there are differences between talent and wisdom. Fantastic imagination is really rare in poetry. The last two sentences are particularly chewy, and readers can boldly imagine according to their own life experiences, which makes people think endlessly and have endless aftertaste.
After careful consideration, this collection of poems combines scenery with reason. We can understand the philosophy of life through the description of scenery: the poet describes the "known" scenery through "vegetation" and cherishes the beauty of spring, reflecting his own cherish of the beautiful scenery of spring. Facing the scene of late spring, the poet turned the common feeling of cherishing spring into subjective participation, and his mood was optimistic and innovative. You see, "Huayang Fishing Pod" does not hide from others because of "lack of talent", nor is it afraid of the ridicule of "teaching others to teach axes", which adds a lot of color to "late spring". This enlightens people that it is not terrible for a person to "have no talent and ideas". The important thing is to cherish time and seize it. "Spring" is not worth those who are willing to do so.
It takes about 200 words to rewrite Han Yu's Late Spring into vernacular. The teacher asked me to change Han Yu's Late Spring into the vernacular, about 200 words. I feel embarrassed. It's not that there is nothing to say. It is not difficult to write the lyrics of Late Spring, but it is difficult to be afraid of changing the tradition that ancient people cherish words like gold.
In fact, late spring is the most beautiful time in spring. Spring is full of flowers and colors. In late spring, it is not gradually depressed.
Flowers and trees also know that the season waits for no one, and spring is almost over, so the spring flowers, peaches, plums and pear flower falls are all over the cliff, vying for spring. This is the poem "All kinds of red and purple contend for the wild". As for colorless catkins and elm money, there is no such trouble, but there are silk clouds flying all over the sky, like snowflakes, but they lack beauty. But the idea of cherishing spring and staying in spring is also a landscape. Ah! I didn't realize that the essence of poetry can be reproduced until I finished writing my composition.
late spring
Flowers and trees know that spring is about to pass, and they want to keep the pace of spring and pay more attention.
Even the fickle elm tree without beautiful colors is unwilling to be lonely, dancing with the wind and turning into snowflakes flying all over the sky.
3. Han Yu's "Late Spring" is an article, and the grass tree knows that spring is coming back, and all kinds of red and purple compete for Fang Fei.
Even the fickle elm tree without beautiful colors is unwilling to be lonely, dancing with the wind and turning into snowflakes flying all over the sky.
Late Spring is an interesting sketch of Korean poetry, which is rarely omitted in the anthology. However, the understanding of poetry is different.
The first topic is "Traveling south of the city in late spring", which shows that the poem describes an outing visible to the naked eye. At first glance, it is just a picture of a hundred flowers blooming: spring is about to pass. It seems that all herbs and woody plants ("grass trees") have found this news, and they all want to keep her and try their best to compete for beauty. Ironically, catkins and elm pods, which were originally full of color and flavor, were unwilling to be lonely. They joined in the fun, danced with the wind and became snow flies (the word "Huayang" is a preference for "Huayang"). Just a few strokes give readers an impression of eyeful scenery.
Furthermore, it is not difficult to find that the vivid effect of this poem is closely related to personification. Grass tree is a heartless thing, but it can know, understand and fight. In particular, there is a distinction between "talent and thinking", which is rare in previous poems. The strangest thing is that the word "no talent" caused the last two sentences to be chewed. If it can be solved, it will cause different opinions. Some people think that it is to persuade people to cherish time and study hard, so that they will not achieve nothing like "Huayang fishing pods"; Some people see humor in it and think it is a deliberate mockery of "Huayang Jade Pod" without beautiful red and purple flowers, just as people have no talent and can't write a literary chapter; Others simply suspect: "The poet seems to be sarcastic after playing three or four sentences, but I don't know what he means." No matter how poetic the various theories are, only by explaining the differences can we see that this poem is really strange.
Zhu Yizun of A Qing Dynasty said, "What do you mean? However, this is just the case. " Although this statement is self-defeating, there is no lack of insight. The inspiration of the author's poetry writing is directly triggered by the scenery in late spring, so "the scenery is just like this". However, he not only saw the beauty of this "scene", but if he realized it, he just made this strange word "no talent", which should have stopped.
"Huayang Jade Pod" is less fragrant, far less than "all kinds of red and purple". Laughing at it "just to solve the problem of flying snow" is really a bit ridiculous. However, don't you think it's a pity to erase this little white from this late spring picture? Even as a foil of "red and purple", "snow" seems to be indispensable. Moreover, Xie Daowen's singing of snow has been called beauty since ancient times because of the wind. The author also has a sentence: "Snow is too late for spring, and wearing a courtyard tree is a flying flower." (Chun Xue) Beautiful as snow, but beautiful as snow, isn't it? More importantly, this snow-white Yang Shuhua is one of the special scenery in late spring. Without it, the reason why late spring is late spring will be lost. It can be seen that the poet's "Huayang Yu pod" is not necessarily just a ridicule, which should have pity. In particular, it should be noted that "Huayang Fishing Pod" is not ignorant because of "lack of talent", nor is it afraid of the ridicule of "teaching others to teach others to play axes", avoiding shortcomings and using strengths, contending for flying, adding a lot of color to "late spring". It is "Liu Cong Fang Fei Chang, regardless of the peach floating with Li Fei" (Dai Yu's "Dream of Red Mansions" funeral lyrics). Isn't this courage lovely?
If poetry has a moral, it should be the philosophy of life contained in it. As far as Han Yu is concerned, he is not only the main commander of the "decline of eight generations of literature", but also the pioneer of the strange and dangerous poetry school, full of courage. He can appreciate the courage of "Huayang Yuyue" for no reason. Apart from being unique in Yuanhe poems, he also highly praised Meng Jiao and Jia Dao, who were neglected at that time. Their eccentric and thin poetic style was also a different tune in poetry at that time, which was not among the "flowers". It can be seen that Han Yu is not necessarily unsympathetic or sarcastic about the "flower pod" image he created. It can even be said that the poet encourages "uninspired" people to dare to create. Although the two interpretations of the poem quoted above have their own insights, they have been ignored in this respect. I don't know that the poet loves "Huayang Yuyue" and knows its ugliness, so it is also harmonious to ridicule half-truths and half-truths. He didn't mean to be sarcastic. He just watched Yang Huafei dance and suddenly touched it, bringing a little humorous interest. The beauty of poetry is also here.
4. Late Spring Han Yu describes Tang-Han Yu-Late Spring
Author: Han Yu
Theme: Late Spring
Grass and trees know that spring will come back soon, and all kinds of reds and purples compete for Fang Fei.
Even the fickle elm tree without beautiful colors is unwilling to be lonely, dancing with the wind and turning into snowflakes flying all over the sky.
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This is a poem about the scenery in late spring. At this time, all the flowers are in full bloom. They seem to know that spring will come back soon, so they cherish this wonderful time, show off their beauty, compete for beauty and stretch their lives to the fullest. And those flowers and pods without talent, falling in the spring breeze, only know that they are flying aimlessly like snowflakes. Here, it seems that it only personifies the beauty of late spring. In fact, it also implies that people should seize the opportunity to make progress and create valuable things. However, it is worth mentioning that, despite the lack of vegetation "talent", Populus davidiana is not so ignorant, but adds a landscape to late spring. Although it is not beautiful, it has made great efforts, and this spirit is commendable.
5. The writing background of Han Yu's Late Spring 1. Writing background:
In the eleventh year of Yuanhe, the poet was nearly half a century old (49 years old). At this time, he is in a period of frustration in officialdom, and the author also wants to use this poem to express his regret.
2. Original works:
Late spring Tang Hanyu
Grass and trees know that spring will come back soon, and all kinds of reds and purples compete for Fang Fei.
Even the fickle elm tree without beautiful colors is unwilling to be lonely, dancing with the wind and turning into snowflakes flying all over the sky.
3. Introduction to the work:
This is a poem about the scenery in late spring. At this time, all the flowers are in full bloom. They seem to know that spring will come back soon, so they cherish this wonderful time, show off their beauty, compete for beauty and stretch their lives to the fullest. And those flowers and pods without talent, falling in the spring breeze, only know that they are flying aimlessly like snowflakes.
4. Introduction to the author:
Han Yu (768~824), a writer, philosopher and thinker in the Tang Dynasty, was born in Heyang, Henan (now mengzhou city, Jiaozuo, Henan). Originally from Han Changli, he served as assistant minister of official department in his later years, also known as Han Official Department, and posthumous title Han Wengong was one of the eight masters in Tang and Song Dynasties. After 792, he was promoted for our time and supervised the imperial history. De Zongmo was demoted for writing about the disadvantages of current politics. In Tang Xianzong, he was a doctor in Guo Zi, a historian and a calligrapher in China. In August19 (in the 14th year of Yuanhe), he was demoted as the secretariat of Chaozhou for discouraging Xianzong from welcoming Buddha bones. Mu Zong was then the son of the nation offering wine, assistant minister of the Ministry of War, assistant minister of the official department, and Jing was the suggestion. Later generations spoke highly of Han Yu, and the Ming people regarded him as the first of the "Eight Masters in Tang and Song Dynasties" and called him "Liu Han" with Liu Zongyuan. Known as "a great writer" and "a hundred schools of literature", all his works are included in Mr. Changli's anthology.
6. Writing background of Han Yu's Late Spring Writing background: It was written in the eleventh year of Yuanhe, when the poet was nearly half a century old (49 years old).
At this time, he is in a period of frustration in officialdom, and the author also wants to use this poem to express his regret. Original: "Late Spring" Tang Hanyu knew that spring was about to return, and all kinds of red and purple competed for Fang Fei.
Even the fickle elm tree without beautiful colors is unwilling to be lonely, dancing with the wind and turning into snowflakes flying all over the sky. Introduction: This is a poem describing the scenery in late spring.
At this time, all the flowers are in full bloom. They seem to know that spring will come back soon, so they cherish this wonderful time, show off their beauty, compete for beauty and stretch their lives to the fullest. And those flowers and pods without talent, falling in the spring breeze, only know that they are flying aimlessly like snowflakes.
About the author: Han Yu (768~824), a writer, philosopher and thinker in the Tang Dynasty, was born in Heyang, Henan (now mengzhou city, Jiaozuo, Henan). His ancestral home is Han Changli, who lives in dengzhou city. In his later years, he served as an assistant minister in the official department, also known as the official department of Han Dynasty, and posthumous title was also known as the Duke of Han Dynasty, one of the eight masters in Tang and Song Dynasties. After 792, he was promoted for our time and supervised the imperial history. De Zongmo was demoted for writing about the disadvantages of current politics.
In Tang Xianzong, he was a doctor in Guo Zi, a historian and a calligrapher in China. In August19 (in the 14th year of Yuanhe), he was demoted as the secretariat of Chaozhou for discouraging Xianzong from welcoming Buddha bones.
Mu Zong was then the son of the nation offering wine, assistant minister of the Ministry of War, assistant minister of the official department, and Jing was the suggestion. Later generations spoke highly of Han Yu, and the Ming people regarded him as the first of the "Eight Masters in Tang and Song Dynasties" and called him "Liu Han" with Liu Zongyuan. Known as "a great writer" and "a hundred schools of literature", all his works are included in Mr. Changli's anthology.