Six-character poetry is an ancient Han poetry genre and belongs to old poetry. The whole poem has six characters and one sentence, which is not very popular. It has already sprouted in the Book of Songs. Later poets also occasionally wrote short poems of six words and four sentences, such as Wang Wei's "Pastoral Music": "The peach red contains the lingering rain again, and the willow threads carry the morning smoke. The flowers have fallen, the children have not returned, the birds are still singing, and the mountain guests are still there. "Sleep." A Yuan (ie Chen Zhongyuan) "The poem after the poem has a unique title": "The intention must be precise, and the words must be full of charm. Why bother to talk about spring love, and work hard in the summer?" Eight-character poem: Each sentence. An eight-character poem. There are very few people who wrote eight-character poems in history. The total number of eight-character poems handed down from generation to generation is very small, probably less than 100. This is probably because it is difficult to escape the shadow of four-character poems and seven-character poems. It is too difficult to write a true eight-character poem. It’s a thankless job, so writing is rare in history. For example: Tang Luqun's "Wu Shaocheng's Work at the Banquet": Auspiciousness does not exist in the phoenix or unicorn, but peace requires loyal ministers on the border. Benevolence has the courage and courage of the commander-in-chief of Bailiu, and he does not need the gold and silver of the three armies.