Layout is the essence of this poem, and the plot structure of classical narrative poetry is developed according to the natural order of the story. In this poem, narrative order is also regarded as one of the means of artistic conception, and the plot structure is arranged through reverse narrative, narrative tracing and narrative insertion. Through these careful arrangements, the theme is more eye-catching, while the story changes twists and turns, and the plot ups and downs. The use of thimble lattice makes the time-space transformation of the plot smooth and not too abrupt.
The first eight sentences are the first paragraph and the most successful part of the layout. First of all, the opening is extraordinary and the voice is superb.
Dinghu abandoned the world that day and defeated the enemy to take Yumenguan to Beijing.
Dinghu Lake, namely Jingshan Mountain, is the legendary place where Xuanyuan Huangdi cast a tripod to ascend to heaven (Historical Records: "Huangdi took bronze wares from Shoushan Mountain and cast a tripod at the foot of Jingshan Mountain." ), here refers to the emperor chongzhen. Guan Yu originally referred to Yumenguan in Dunhuang City, Gansu Province, and here refers to Shanhaiguan. In the words, two earth-shattering events during the Jia period were pointed out, namely, the death of Chongzhen and the entry of Qing soldiers into the customs. Major historical events have a natural attraction to people and stimulate readers' interest.
It is beautiful to lose all six armies and get angry at the crown!
This couplet is neat and neat, with strong contrast, huge contrast and full of irony. "Six Armies" refers to the armies of the Ming Dynasty. Although the figures of "Mourning Six Armies" and "Rushing to the Crown" are different, their emotions are very similar, but "Essence" and "Beauty" are not only in sharp contrast in color, but also in different meanings. Judging from the history of eight years after Shunzhi, "white mourning" symbolizes the sorrow for the demise of the Ming Dynasty and the Han nationality, while "beauty" clearly points to extreme personal desires. An important passage hit home, making the traitors in Wu Sangui's works look extremely ugly, which makes people happy. It is true that the author didn't mention the Manchu Dynasty, but the battle of Shanhaiguan was a historical event in which Qing soldiers entered the customs. The significance of this historical event has not changed because of the author's taboo. Then imitate the tone of Wu Sangui to defend it, the effect is getting darker and darker, which is actually an allusion.
Beauty is not my love, but the thief died of famine.
Electricity wipes down Montenegro, crying and seeing relatives.
"Crying, kissing and meeting", it seems that Wu Sangui is loyal to the Ming Dynasty, so he doesn't talk to Li Zicheng, so he looks like a gentleman. Actually, Li Zicheng was saved by Wu Xian. In March of Shen Jianian, Wu Sangui surrendered to Li Zicheng, handed over the defense of Shanhaiguan to Tang Tong sent by Li Zicheng, and led his men to Beijing to "meet the new master", which was said by Wu Sangui on a notice posted in Yongping House (governing lulong county, Hebei Province). When Wu Sangui arrived in yutian county, Hebei Province, he suddenly learned that his father was arrested and his concubine Chen Yuanyuan was taken away by Liu Zongmin, especially the latter made him change his mind. "A gentleman can't keep a woman, how can he see people!" So he immediately returned to Shanhaiguan and wrote back to Wu Xiang, claiming that "the father can't be a loyal minister, but the son can be a dutiful son?" Thus, Wu Sangui is a double traitor and a rebel, but the author arranged for him to cry for his relatives, which is really beautiful.
Some people deny the significance of beauty to Wu Sangui's decision-making, and always feel that the weight of beauty seems too light compared with the fate of the country and the nation. Unfortunately, history does not always pursue a balance of great values. History cannot be changed, but it does not mean that history is always inevitable. Before major historical events come to an end, there are many possibilities, and history can only realize one possibility. In this sense, history is also accidental. Otherwise, people will lose any initiative and creativity, including evil initiative, which is why Wu Sangui must be responsible for the tragic historical ending. It is not unique in human history that "rushing to the crown and being angry as a beauty". The stories of Fu Cha, Wu Wang and Shi are all similar, and this poem is compared in many places. Especially when writing this poem, the ferocity of the Qing Dynasty made the Han nationality experience unprecedented catastrophe. Wu Sangui was a hard-luck man, and his guilt was inescapable.
This description of Wu Sangui's triumphant return from the Shanhaiguan War is vigorous in writing and magnificent in scene, which has the advantages of extraordinary opening, touching the whole body and hitting the nail on the head. But these two points alone can't be called success, because this is a round song, but when it comes to Wu Sangui in this paragraph, it seems to be beside the point if there is no significant connection with the theme. Mei Cun's writing is ingenious and often unexpected. The creative intention of this passage is to fight with beauty and return to the Sect with curve, which is the third and most important success of his prose.
It is a common artistic technique to express beauty with the influence of beauty. It is rare to show beauty by war. Yuan Yuanqu talked about the battle of Shanhaiguan at the beginning of the article, which seems to be beside the point. In fact, it is to shape and render the beauty of Chen Yuanyuan. Apart from this passage, the poem only describes Chen Yuanyuan's appearance with the phrase "Gong E holds the king", whose direct purpose is to connect with the story of history. Obviously, the author thinks that he has explained this indispensable task. The effect of the first paragraph is very remarkable. Try it, for a Chen Yuanyuan, hundreds of men are fighting to the death, and their beauty can be imagined. The Shanhaiguan War was indeed related to the Chen Yuanyuan War. After Wu Sangui returned to Shanhaiguan, Li Zicheng released Wu Xiang. If Chen Yuanyuan is released, the Shanhaiguan War can be avoided. But Li didn't do this, which was tantamount to declaring Chen Yuanyuan's determination to win, and the two families fought. To be fair, Wu Sangui's responsibility in this battle is not the greatest. If he witnessed the brutality of the Qing Dynasty in the future, he could repent. Anyway, people can forgive him in time, but he spared no effort to kill the anti-Qing forces for the sake of prosperity. It was too late to show the anti-Qing banner until the rabbit died and the dog boiled. Li Jun robbed Chen Yuanyuan, forced Wu Sangui, and refused to return it. This was a major mistake, but his biggest mistake was that he didn't estimate that Manchu was a potential enemy. It will take a long time to see the effect, but the military changes are short. Li Zicheng is mainly distributed in Shaanxi, Huguang, Henan and other places, and Beijing has few troops, so it is not dominant compared with the Qing army. Only by combining Wu Sangui's Ning Guan fighters can the defense of Manchu be foolproof. Li Zicheng sent Wu Sangui south and Tang Tong led 8000 soldiers and horses to defend Shanhaiguan, which is really hard to understand. If Li Jun could think that the Qing Dynasty was a potential enemy, he would never do so. He even dared not rob Chen Yuanyuan. In fact, Li Zicheng regarded the Qing Dynasty as a friendly army. It would be incredible if it was just Li Zicheng's wishful thinking.
According to Gu Cheng's History of Nanming, in the first month of the first year of Shen Jia, Dourgen heard that Li Zicheng had occupied Shaanxi. On the 27th of the first month, he sent messengers to northern Shaanxi to contact Dashun Army. The letter said: "The Qing emperor wrote a letter to the commander-in-chief of the Ming Dynasty in the west, and I also wrote a letter to them, hoping to work together with them to take the Central Plains. If you mix a district, you will be rich. " I don't know what you mean. However, it is sincere and willing to rush to the book to tell it. "As for the relationship between Li and Manchu since then, because Manchu is good at tampering with history, there is nothing to test. However, it was not until all the soldiers died in their own array that Li Juncai was convinced that he was the enemy.
Sentences 9 to 42 are the second paragraph, describing the process of Chen Yuanyuan's return to Wu Sangui. This process is very long, full of twists and turns, and extremely dramatic. According to the change of the plot, it can be divided into four small fragments.
Sentence 9- 12 is the first paragraph, which describes the first meeting in Chen Wu.
The first and second paragraphs mentioned above, in addition to the meaning of the text, also undertake the task of building the plot structure, which should be skillfully connected with the following text. "Sweep the yellow towel down to Montenegro, cry, and see your loved ones again." This goal has been achieved very well. It borrows Wu Sangui's words and introduces the suspense of Chen Wu's meeting according to the natural sequence of plot development, which makes readers eager to know the meeting scene. However, the poet did not describe how Wu Sangui regained Chen Yuanyuan and reunited with him in the natural order, but described the first encounter between Wu and Chen in reverse order. This plot change has a huge gap between time and space, and the transformation is extremely sudden. It makes the narrative structure of poetry open and close, jumps suddenly and greatly enhances readability. At the junction of this transformation, the last two words of the eighth sentence are the same as the first two words of the ninth sentence, both of which are "meeting". This is the so-called "thimble lattice", which has the abrupt feeling of gentle time sequence inversion and the function of making syllables turn smoothly. "Garden Song" uses "thimble lattice" in many places, and it is the tightest here. This change also makes the narrative of the whole poem shift from the small line of Wu Sangui to the main line, that is, the narrative of Chen Yuanyuan's deeds.
When we first met, we passed Tian Dou's house and danced with Hou Sang Men like flowers.
Xu Jiang will prostitute in seven miles, waiting for the general oil wall car.
"Tian Dou" is the famous consort of Hou Tian and Wei Qihou in Wu 'an in the Western Han Dynasty, referring to Tian Hongyu, the consort and father of Tian Guifei at that time. At this time, the protagonist is still Wu Sangui, watching songs and dances at home. In the last two issues, the protagonist Chen Yuanyuan was betrothed to Wu Sangui. When they met for the first time, they were accepted as concubines and couldn't wait.
After introducing Chen Yuanyuan, you can naturally introduce Chen's life and experience. 13 to 18 is a further flashback, which is the second paragraph and becomes a description of Chen Yuanyuan's life experience. Explain her original identity first.
Among the flowers in Suzhou, Luo Qi's fine print is round.
Sleepwalking to Fu Tea Garden, Gong E hugged the king.
I used to be a lotus picker, and there was a pond in front of the door.
In the poem, Yuan Yuan is his nickname, "Huanhuali", implying his status as a famous geisha. Yuan Xin's biography of Tang Caizi Xue Tao: "Tao is rich in words, and Chengdu is also a prostitute. Live in the flowers. " Lu Ciyun's Biography of Yuan Yuan called it "the sound is the best in the world, and the color is the best in the world". He also wrote a good hand, including "Dance Words", which has been lost. There are three biographies in Quan Xiang Ci. One is Thinking: "Laughing at yourself and worrying more than being happy is crazy. After all, you get drunk after a round of drinking. Can't push, can't push. " Written naturally and beautifully, powerless and sad, euphemistically lamenting the helplessness of fate.
"Sleepwalking in the tea garden of Fu, Gong E hugged the king." One couplet used stones to describe Chen Yuanyuan, which was a metaphor for the beauty of roundness. This is a dark irony. Sangui is a lecherous and barren blessing. Fu Cha couldn't sit still, but Sangui went further and took a concubine, which made it even worse. "Lotus Pickers" borrowed the story of a poem, Li Bai's "Midnight Summer Song": "The mirror lake is thousands of miles away, and the lotus is in full bloom. Laugh in May and watch by the fishing leaf stream. " . Hengtang is in the southwest of Suzhou. These two sentences are marked by "lotus pickers" and "water in a horizontal pond", and compared with the following with the heroine's pure identity, elegant residence and not bad fate, forming a "thimble lattice" to lead to the following.
19-34 is the third paragraph, and then describes that Chen was brought to Beijing by nobles, and was reduced to Houmen Geji and became Wu Sangui's concubine.
"Cross pond sculls fly away, where is the strong home?"
The wind and cloud suddenly changed, and the originally calm and elegant days suddenly expanded. Causal inversion makes people suspense and leaves a deeper impression on readers.
At this moment, I am not unlucky. At this time, only tears touched the clothes.
Smoked days are full of enthusiasm, and no one cherishes bright eyes and white teeth.
Catch back to Yongxiang's house and teach the new voice to be crooked.
When the guests fly to the red sunset, who does a sad string appeal to?
This is a major turning point in Chen Yuanyuan's life experience, which can be described as a cloud of beautiful women. At the end of the Ming Dynasty, Jiangnan poets had great autonomy in marriage. Most of them were married to famous literati, but Chen Yuanyuan was robbed, and she couldn't help it. Isn't it fate? "Smoked the sky" is a powerful sentence, which sent Chen Yuanyuan to the imperial court, but the harem also bullied others. Although Chen Yuanyuan is the best in the world, nobody cares. "Smoked Heaven" and "Lv Chunqiu and Li Shuo" all have "discrediting the Party and making the whole people smoke the sky", describing the magnitude of evil forces. The four sentences of "take home" describe the tragic situation of Chen Yuanyuan as a family geisha. "Yongxiang" is a long lane in the palace, where concubines in the Han Dynasty were restricted in power and influence or fell out of favor. Historical Records of Lv Hou: "Lv Hou complained most about Mrs. Qi and her son, so Yongxiang imprisoned Mrs. Qi and called." During the Ming and Qing dynasties, it was also a place where maids who were not assigned to each palace lived in concentration.
"Good family" refers to the Tian family. "Flying" describes drinking and having fun. "Dump", dump, refers to the guests dumped by Chen Yuanyuan debauchery. Chen Yuanyuan was taken from the palace to Tianjia again and became a geisha for fun. Her inner pain has nowhere to tell. Here, in order to play up the sad atmosphere, the author deliberately downplays the incident of entering the palace, which is very brief, but the arrogance of the consorts is very arrogant. So Chen Yuanyuan entered the palace with different details, saying that Tian Hongyou bought it and entered the palace. It is said that Zhou Zhou's father Zhou Kui bought it and gave it to the palace. There is also a saying that Zhou was presented to the court and the court gave it to Tian. Because this matter has little to do with the main story, it is omitted.
White is the smallest, pick flowers and branches and review them repeatedly.
Take the charming bird out of its cage early, and when can it stay in the Milky Way?
I hate killing military books and urging them to die. If I continue to work hard, I will make mistakes.
A lover like Wu Sangui appeared among the guests and took a fancy to Chen Yuanyuan at a glance. Looking Back When Picking Flowers is the only poem that the poet describes Wu Sangui's love action, and it looks like a pair of beautiful women. The word "sword" is very subtle. In Tang Du Qiuniang's "Witch Clothes", there is a saying that "flowers can be folded straight, so don't wait for no flowers to be folded." Taking flowers as a substitute for love, there is a difference in words, and there are different opinions. "Tonghou" was originally a title in the Han Dynasty, and was later used as a military attache. A soldier can't communicate by microwave, so he has to pick flowers and peep. "Charming bird" refers to "Yinhe" Chen Yuanyuan, who weaves a story with a cowherd and a girl. Wu wants to take Chen home as soon as possible, which is a good thing. Only hate military orders repeatedly urged, just meet with Chen Yuanyuan and don't.
Sentences 35 to 42 are the fourth paragraph. Re-write Chen's experience of being plundered by the invading army.
"It's hard to meet each other, once an ant thief filled Chang 'an. "
"Meet" is the thimble, "Ant thief" refers to Li Zicheng's army, and "Chang 'an" refers to Peking.
"A poor woman's head is a willow, which is regarded as a powder in the sky."
This sentence is written delicately and elegantly. From the perspective of "Ant Thief Man Chang 'an", it must be a scene of open fire, but the poetry is so beautiful and elegant, which shows the luck. "Loutouliu" is translated into Wang Changling's in my heart forever: "Young women in boudoir don't know how to worry, so spring comes to make up and go to the brothel. Suddenly I saw the willow color on the stranger's head and regretted teaching my husband to find the marquis. "Emphasizing the chastity of ideological women," Tianbianfenqun "and Liuqun falling all over the sky all mean frivolity.
"Surrounded by green beads, I call the crimson tree out of the carving hole."
"Green Pearl", Jin Shichong loves Ji, and the powerful minister Sun Xiu takes advantage of the situation to rob. If he doesn't obey, he will fall to his death. Du Mu's "Golden Valley Garden": "Prosperity scatters fragrance and dust, running water is ruthless, grass is spring, the east wind complains about birds at dusk, and falling flowers are still like falling from a building", which refers to Chen. The crimson tree is the favorite of Wei Wendi Cao Pi, and it also refers to Yuan Yuan. The antithesis of this couplet looks neat, but in fact it is repeated. Maybe the poet wants to aggravate the seriousness and urgency of the situation.
"If it weren't for the victory of all the brave men, why did you win back the moth?"
Good sentence. The clever use of the word "if not" leads people's thoughts back to the first paragraph and neatly ends this long story closely related to the above. This sentence echoes "mourning for the six armies, rushing to the crown and being angry is beautiful", and "rushing to the crown and being angry" will eventually become a "positive result". The great contrast between "being a teacher" and "being a horse" has deeply impressed Wu Sangui's selfish behavior on readers' minds. The "strong man" who picked flowers is too powerful. This couplet is not only fascinating, but also has a wonderful position in the whole poem and its role in the overall plot structure. It can be called a structural key sentence.
If it weren't for, a pair of couplets also omitted the plot of invading the army and robbing, which is very important. Because "Man Jiang Hong" and "Strong Call" have pushed sadness to the extreme, it is very likely that the continuation of writing will gild the lily and offset the appeal of poetry. Although there seems to be a lot to see here, the author flatly cuts it out, and the nuances reflect the poet's values and artistic conscience of not following the crowd. But in this way, it also makes people misunderstand historical facts. For example, Lu Ciyun's Biography of Yuan Yuan said that Li Zicheng robbed Chen Yuanyuan, but it was actually Liu Zongmin. Quan told the account of Yang Wan, a famous prostitute who was snatched away by Zongmin that day: "According to Yang Wan's account, I saw Yuan tied together, and then Yuan was taken away by Zongmin, and I don't know where to go." .
There are different opinions on how Wu Sangui can recapture Chen Yuanyuan. According to Kuang Zhouyi's "Chen Yuanyuan Incident" and the "Diary" of the Ming Dynasty's internal reference king who was captured by the invading army, "On the ninth day of April, I personally levied Sangui on the false imperial edict. /kloc-depart on 0/2. Prince Wang Ding, Dai Wang, Qin Wang, Hanwang, Chen Wu, Wu Shi, Wu Shi, Wu Li and the pseudo-queen concubines all followed suit. It's round, and Wu's two are sisters. After playing on the stone for five days, I was defeated and retired. From the tone of this couplet, the Prince and Yuan Yuan went to three Gui Jun. Wu Sangui won the first world war, and the beauty returned. The eyewitness's account is very consistent with the tone of this poem.
Here, the poet narrates the heroine's life experience, experience, the relationship between Wu and Chen, and then goes back to the plot at the beginning of the poem, and continues to write about the reunion of Chen Yuanyuan and Wu Sangui and their army in Hanzhong. This is the end of the whole poem narrative.
Sentences 43 to 50 are the third paragraph. Write about Chen Yuanyuan's happy life.
The moth's eyebrows immediately came in, and the clouds were not full of shock.
The wax torch ushered in the battlefield, and the makeup was covered with red marks.
Specially recruited snare drums get on Qinchuan Road and Jinniu Road.
Xieguyun rises from the painting building, and turns on the cosmetic mirror after sunset.
Chen Wu met again, "the cloud is not complete" and "the shock is at the beginning", and traces still exist. It is said that Wei Wendi married Xue Lingyun and lit candles for dozens of miles, which is recorded in Taiping Guangji. The scene is not small. "Special expedition" refers to self-special expedition, and those who have made great contributions can decide their own expedition without obeying the orders of the Emperor. In September of the eighth year of the Draft of the History of the Qing Dynasty, Wu Sangui, the king of the day, was ordered to enter Sichuan. "Small Drum" is a ceremonial band of senior officials, which also refers to Wu's army. "Qinchuan" also refers to Shaanxi and Sichuan. Jinniu Road is the trunk line of the ancient Shu Road, also called Shi Niu Road. According to legend, King Hui of Qin gave dung gold to the king of Shu, and Shu sent five golden bulls to become monks, which was named Jinniu Road. "Gu Jie" is in Meixian County, Shaanxi Province, and "Three Views" is in Baoji City, Shaanxi Province. Looking at this passage alone, it may be interpreted as an attack on Wu's arrogance and extravagance, but when it comes to the latter two paragraphs, it can only be understood that Chen Yuanyuan's fortunes have changed and he has lived a prosperous life.
At this point, all the main parts of the story have been narrated, and it seems that this poem can end. I didn't expect the poet to arrange two episodes. One episode is about the feelings of technicians and female companions who write teaching music.
It is reported that Sapium sebiferum has a frost of 10 degree.
The pity of the music technician is still there, and Huansha's companion still remembers her peers.
The lair * * * is a mud swallow, which flies on the branches and turns into a phoenix.
A long time ago, I felt sorry for my boss. Some husbands were good at being princes.
These eight sentences are the fourth paragraph. It has been ten years since Jia Hao forced her to join the army in Sichuan, and the news spread to Suzhou in the south of the Yangtze River. The "singing technician" was very happy to learn that she was still alive. The "dancer" actually refers to a famous Suzhou geisha who recalled the past of her peers. Chen Yinque thought that "Huansha female companion" only refers to the frontier fortress, but Taoist Yujing angrily entered the Taoist temple with the worry of his old country. Since he would not envy others that their husbands were princes of Jianzhou, he was afraid of referring to it in general. "The lair * * * is a mud swallow, flying on the branches and turning into a phoenix." This couplet is well written, flying with a swallow on a branch in the mud, which not only improves the status, but also changes the image and becomes a phoenix. Double-layer metaphor, with appropriate image and pun intended, is now widely spread and frequently used, and has become an idiom. "It was sad to be the boss in the past, and some husbands were good at serving the king." This connection is not good, sour.
The fifth paragraph is interspersed with Chen Yuanyuan's own feelings, which are 59 to 64 sentences.
At that time, I was just tired of fame.
A bead of sorrow, a mountain falling and a thin waist.
Strange wind _ falling flowers, endless spring scenery to heaven and earth.
As the saying goes, it is very difficult. Famous, but became the hunting target of nobles, Chen Yuanyuan drifted with you. The priceless value has brought her infinite sadness and pain. "A bead is connected with a thousand sorrows, and the mountain is falling with a thin waist." This couplet is full of philosophy, interesting and intriguing. Pearls are connected with sorrow, and fortunes depend on each other. Pearl sorrow almost makes you stranger, and the text is novel and unique; The waist is thinner and the belt is gradually widened, which adds beauty to the darkness. Among them, Welcome Beads tells the story that Mei Fei, Emperor Xuanzong of the Tang Dynasty, received a welcome bead from the Western Regions. "Complaining about the wind _ falling flowers, endless spring scenery comes to heaven and earth." -What's wrong with saying that, the wind _ fallen petal. How can you talk about spring scenery with such a cheap person?
The fourth and fifth paragraphs installed a luxurious and happy ending for Chen Yuanyuan's story, but these two paragraphs are not only completely opposite to the tone of the previous paragraph, but also completely different from the tone of the latter paragraph, just like isolated chapters and fragments outside the whole song. The writing of the two paragraphs is also very special. What determines the meaning is the last couplet. If you change these two couplets, the meaning will be completely different. It is inferred that the author wants to increase the romantic concentration to dilute the political color of the whole poem. The author has a bad opinion of Wu Sangui and has scruples about the Manchu regime.
The last paragraph, imitating the biographical style of historians, contains both comments and praises.
Taste the country and the city, and make Zhou Lang famous.
Should wives make a mountain out of a molehill? The hero is helpless and affectionate.
The bones of the whole family turned to ashes, and a generation of red makeup shone in history!
The poet tells his own story by writing an allusion to satirize the present. "Taste this country and this city and turn Zhou Lang into a famous name." With the story of the Three Kingdoms. "The History of the Three Kingdoms Wu Shujiu" Pei Songzhi Note: I am afraid of breaking Wei Jun, and Cao Gong said: "I am not ashamed to go alone." After Shu, Quan said, "Battle of Red Cliffs deserves to get sick, burn his boat alone, settle for second best, and make his name famous all over the world." Zhou Yu's name comes from Battle of Red Cliffs and has nothing to do with falling in love with the country. However, scholars often accompany beautiful little Joe. Du Mu's poem "Red Cliff" said: "I washed my hands of the former dynasty. Dongfeng does not follow Zhou Lang, and Tongquetai locks Er Qiao in spring. " Su Shi's "Niannujiao Chibi Nostalgia" also said: "In the past, Xiao Qiao got married for the first time and became heroic." The beautiful Xiao Qiao really adds a lot of color to Zhou Yu. Wu is not as romantic as the two of them, but his story is purely borrowed to satirize Wu Sangui's Millennium crime of fighting for Chen Yuanyuan. The felony theory is "the same name and surname", which not only increases the interest of the language, but also aggravates the ironic tone.
"The wife should be a big deal? The hero is helpless and affectionate. The bones of the whole family turned into dust, and a generation of red makeup shone. " The first two sentences are straightforward. "Grand vision" is really a choice about the rise and fall of a nation. How can lust dominate, not to mention the national survival crisis? But Wu Sangui was led by sexual desire at this critical moment. The good use of "deep affection" and "helplessness" seems romantic, but in fact it is painful. Or "the hero's helplessness is sentimental" is a compliment to Wu Sangui's love spirit, which is inappropriate. In order to fulfill one's lover complex, one can ruin and humiliate one's own nation, regardless of the lives of millions of compatriots? In order not to cause misunderstanding, the poet commented on "sentimentality" from the other side in the latter couplet. "The bones of the whole family have turned into dust, and a generation of red makeup is shining!"
This kind of association is in line with "mourning for the six armies, rushing to the crown is beautiful!" Are comments on Wu Sangui's choice. The sentence of "mourning" is from the national perspective, and this couplet is from Wu's family and relatives. The poet wrote sadly about the countless bones of Mr. Wu's family. After the Shanhaiguan War, 34 members of Wu Xiang's family were killed, corresponding to the red makeup dispute in Wu Sangui. The confrontation between white bones and red makeup, with strong visual contrast and strong emotional contrast, lashed Wu Sangui's despicable lust choice from another side. There is an article about the word "according to history". Because of the Shanhaiguan War, Chen Yuanyuan gained a great reputation and left a name in history, but the lighting history is far from enough. Obviously, the word "photo" is reserved for Wu Sangui.
The last eight sentences are compliments, and the poet expresses his feelings, but even if it is purely personal feelings, he is still thinking about Wu Sangui.
If you haven't noticed, the Yuanyang Tower rises in the pavilion, and Yue Nv can never get enough of it.
Birds sing in the dust of the incense trail, and the people in the gallery remove the moss and leave the green.
Wan Li moved to the palace in sorrow, and Guliangzhou danced pearl songs.
I won't sing martial arts songs for you, and the Hanshui River flows southeast day and night.
"Guanwa Palace" was built by Fu Cha, the king of Wu. "Xiangdao": Xiangdao, according to legend, is the place where Wu Wang planted flowers, now known as Jiandao, located in Xiangshan, Suzhou. "_ Gallery", namely _ Gallery, is a hollow wooden soled shoe. Ring _ corridor, catalpa floor, stone _ walking on it, step by step sound. The poet felt that all the luxurious facilities of the stone beloved by Fu Cha, the king of Wu, had been forgotten. Needless to say, it's about Wu Sangui for beauty. Obviously, this is not just a general sigh of ups and downs. Fu Cha, the king of Wu, was killed, implying that Wu Sangui would die a natural death. This shows how much the poet hates Wu Sangui. Comparing Guanwa Palace, Picking Fragrance Trail, Sound Gallery with Riding the Golden Bull, Painting Building in the Inclined Valley, Dispensing Cosmetic Mirror, etc., it can be seen that the poet is sincerely critical of Wu's arrogance and extravagance.
The intention of the fourth and fifth paragraphs goes beyond the poem. Both "molting one's feathers and worrying about Wan Li" and "molting one's feathers and worrying about" mean tone sandhi, and "worrying about Wan Li" is difficult to be associated with tone sandhi, so this sentence should have another sustenance. Changing the dynasty was alluded to as "changing feathers and moving the palace." So the world was sad, and Wu Sangui, who took refuge in prostitution, benefited a lot, and the official was extravagant. "Guliangzhou" refers to Hanzhong, Shaanxi. Wu Sangui moved from Jinzhou to Hanzhong in the fifth year of Shunzhi, and has been stationed here since the eighth year of Shunzhi. The poet said to Wu Sangui, "Don't sing Song of Wu Gong for yourself. I'm afraid you're tired of listening to those Zhuge Cui dances. I'll sing you a new song "Yuan Yuan Qu". "Hanshui River flows to the southeast day and night", Li Bai's Song on the River: "If fame and fortune are long, Hanshui River should also flow to the northwest." Here, Southeast Stream uses its meaning rather than its words to assert that your fame and fortune will not last long.