Bai Pu was born in a bureaucratic family, and his father, Bai Hua, was an official of the Jin Dynasty. He had a good relationship with Yuan Haowen's family. Shortly after Baipu was born, Nanjing was surrounded by Mongolian troops. Bai Pu's father Bai Hua is an important official of the ruler. He runs around for the survival of the country every day, and has no time to take care of Bai Pu and his mother. Later, the Mongols decided to shell the capital of song dynasty. Baihua and the emperor crossed the river and left, so they had to leave their wife and children in Bianjing. After the Mongols invaded the city, they robbed many things. Bai Pu and her son got lost in this war. Fortunately, Yuan Haowen saved Bai Pu and took Bai Pu to his home to raise him. Yuan Haowen takes Baipu's brothers and sisters as his own and takes care of them everywhere in his life. Bai Pu was smart and studious since childhood. Under the influence of Yuan Haowen, Bai Pu also made great achievements in literature. Later, Bai Pu's father Bai Hua defected to the Yuan Dynasty. When Yuan Haowen heard that Baihua really made up his mind, he brought the Baipu brothers and sisters back to Baihua, and Baihua was very grateful. Later, Bai Pu wrote a poem thanking Yuan Haowen for taking care of him. After the political stability, Bai Pu and his father also settled down, and Bai Pu listened to his father's guidance and studied with peace of mind. Bai Pu's attainments in poetry and other aspects are getting higher and higher. During this period, he was promoted to an official, but Bai Pu declined. Bai Pu hated the evil deeds of the Mongolian army most in his life, so he decided not to join the WTO all his life. In the process of visiting great rivers and mountains, the deeper Bai Pu feels, the more conducive he is to his creative inspiration.
Because of such turbulent times, most of Bai Pu's poems are related to reflecting realism. For example, the poem "The North Wind Blows Down the Garden Green" is about the north wind blowing down the garden green and the guests entering first frost. Looking back at my hometown in the north, I shed tears. Heaven and earth go back and forth, time flies, I am not a gourd. The ends of the earth have bosom friends, but there is no home. Wuxi fish, Li Qiancai, Jiujiang tea. Keep it from other creations and do an old career. I don't want a saint in the wine, but I hope my heart is fine and I will lie on my pillow. Remember to blow your hat at night, and the hedge chrysanthemum will gradually open. The emotional tone of this poem is very sad. Bai Pu used the scenery in front of her to express her loneliness and sadness. Looking at the changeable scenery in front of him, he felt a little bitter. Bai Pu, who has experienced the war, has already had optimistic feelings, so he issued a prayer in the poem, wishing my heart is good and my head is high. Bai Pu wrote many poems in his life, among which Jing Tian Sand is one of Bai Pu's representative works. There are four works in Tianjingsha, four in spring, summer, autumn and winter. Through the description of short sentences, the natural landscape of the four seasons is highlighted, and the poet's different feelings in the four periods are also described. Bai Pu's poems are deeply loved by later generations and are still widely circulated today.
The content of "Clear Sand in Spring" is: the spring mountains are warm and the sun is warm, the cool breeze is blowing gently, and the pavilions are dry. In the willow swing yard, the warbler sings and dances, and the bridge flows. The poetic content of Sunny Sand and Summer is: clouds collect rain and add waves, buildings are high and water-cooled and melons are sweet, and trees are shaded to draw eaves. In the mosquito net in the tent, there is a girl, wearing thin silk and holding Fan Luo, quietly enjoying the pleasant summer time. The content of "Clear Sand and Autumn Colors" is: the sunset is lonely in the village, and the old trees are in the west of Western jackdaw, and the shadows are flying a little. Green mountains and green waters, white grass, red leaves and yellow flowers. The content of the whole poem "Winter in a Clear Sand" is: a painting of a door, a crescent moon at dusk, and a waterfront in front of a snowy mountain. Bamboo fence and the hut in the fence, in an obscure village, are quiet and harmonious. In the poem Tian Jing Sha, Bai Pu pieced together four different seasonal landscapes with many images. In "patio sand spring", the poet outlined a scene of everything reviving and the sun shining on the earth in spring with the images of spring mountains, warm days and breezes. In the yard, the willows grow branches, which are floating in the wind and look graceful. In the other three works, Bai Pu depicts scenes in daily life from near to far or from far to near, taking daily landscape as the starting point. In these scenes, the author's feelings are further revealed, either happy or optimistic, or loving life and nature. These poems are all what Bai Pu saw, heard and felt when he walked in nature.
Wu Tongyu is one of the representative works of Bai Pu's zaju, which enjoys a high reputation in history. Besides, Wu Tongyu is one of the few works handed down by Bai Pu, which has high appreciation value. Park's Wu Tongyu is based on the love stories of Li Longji and Yang Yuhuan, and he depicts their touching love stories from different perspectives. The beginning of Wu Tongyu tells that Li Longji lived in the Taiping Heavenly Kingdom, when there was no war in the country, and his imperial life was very comfortable and dull. Li Longji sent An Lushan to guard the border to reward him and promote him. The second part of Wu Tongyu tells the love life of Yang Yuhuan and Li Longji in the Palace of Eternal Life. At that time, Yang Yuhuan was particularly beautiful. She danced for Li Longji alone, and her dancing moved Li Longji even more. The story developed into the third part, which ushered in the plot of "Wu Tongyu". The Anshi Rebellion left Li Longji helpless. There is no way. He ran away with Yang Yuhuan, and when he was in Maweipo, he was cornered. In desperation, he ordered Yang Yuhuan to hang himself. In order to save his life and power, he had to give up his beloved concubine. The fourth part is the crowning touch of Wu Tongyu, which is also the conclusion of this paper. At this time, Li Longji has abdicated, and he lives alone in the West Palace. Looking at this buttonwood tree in front of him, his heart is so bitter. He remembered the past scenery years, he remembered the days when he and Yang Yuhuan fell in love, and this buttonwood tree became the witness of his story with Yang Yuhuan. Li Longji often walks under this buttonwood tree. Autumn has come, and the plane leaves have fallen to the ground. Li Longji had a dream in which Yang Yuhuan met him and Yang Yuhuan invited him to the palace of eternal life. When it was wonderful, I woke up. The rain outside is beating on the buttonwood leaves, making a pattering sound, just like Li Longji's lonely and sad mood.
Bai Pu's On the Wall is Bai Pu's most famous work. It, Moon Pavilion, Romance of the West Chamber and Strange Tales from a Lonely Studio are also called the four major love dramas in Yuan Dynasty. Later generations spoke highly of his work, which was later adapted into a drama by Bai Pu, and there are still many audiences. This story is about the love story between Li Qianjin and Pei. Pei is the son of Pei Shangshu, an official in the Tang Dynasty, and Li Qianjin is the daughter of an official. At that time, Pei Shangshu ordered his son to buy flowers in Luoyang. On the way, he met Li Shijie's daughter Li Qianjin. Li Qianjin and Pei met by giving poems through a partition wall. They both had a good impression on each other, so that evening, Li Qianjin and Pei had a private meeting in the back garden. They fell in love at first sight, so Li Qianjin decided to live in Chang 'an with Pei. Li Qianjin lived in Pei's backyard for seven years and gave birth to a man and a woman. Later, after Pei Shangshu discovered it, he asked Pei Shaojun to take Li Qianjin away. Later, Li Qianjin was deeply saddened by Pei's practice and returned to Luoyang in a rage. Later, Pei Shangshu learned that Li Qianjin was the daughter of an official, and Pei Shaojun also won the top prize. Father and son went to Luoyang to apologize to Li Qianjin. Li Qianjin strongly condemned the behavior of Pei and his son, but for the sake of their two young children, Li Qianjin decided to make up with Pei Shaojun and they got married.
Up the Wall Right away is a classic comedy of Bai Pu. He borrowed the story from Bai Juyi's Silver Bottle at the Bottom of the Well. In Bai Pu's works, dramatic conflicts and contradictions are added, which makes the works more full and full of plots. In addition, Bai Pu shaped Li Qianjin into a woman who was not bound by feudal secular ethics. She has a strong excellent quality of dare to love and hate, and Pei is passive to Nuo Nuo.