How I wish I had a door.
In the morning, the sun shines on the grass?
Are we standing?
Hold your door leaf?
The door is low, but the sun is shining?
Has the grass seeded?
Is the wind shaking its leaves?
We stand without talking?
Is it beautiful?
There is a door. You don't have to open it?
It's ours, so it's beautiful
Do you still wander in the morning and evening?
Shall we give him the lyre?
We're not leaving. We need.
Land, need land that will never be destroyed?
Are we going to ride it?
Spend your life?
The land is rugged and sometimes narrow?
But does it have a history?
With the sky and the moon?
A drop of dew and a morning?
We love this land?
We stand and dig with wooden shoes?
Dirt, is the door hot?
We lean slightly?
Beautiful?
Grass behind the wall?
Will not grow up again?
It just touched the sun with its fingertips.
Extended data:
The language of Gu Cheng's early fairy tales is concise, with the characteristics of children's language, ethereal and pure, short sentences and beautiful artistic conception. The delicate artistic feeling mixes all sounds, sounds, lights and tastes into a wonderful world. Children can be said to be a unique image, and the image of children in Gu Cheng's poems has its own unique meaning.
The creation of such poetic images should be said to be quite successful. Image-building in performing arts, as a different style in art categories, sometimes has the same effect. Gu Cheng wrote fairy tale elements such as animals and plants in nature in his poems. Technically, personification is often used; From the perspective of writing, it is a childhood perspective; But in artistic style, simplicity comes from a childlike innocence.
Gu Cheng's poems are very natural. Although his poems are far from the appearance of complicated social life, they are close to the real state of quiet and complacent cosmic life. This is precisely the truest and best state of poetry. Gu Cheng's poems are easy to read, and there are no obstacles in image, language and form.
Gu Cheng's poems are generally short in sentence structure, uncommon in language, ordinary in words and pure and simple in words. In "I am a wayward child", the poet constructed a fresh and beautiful fairy tale world, and with the poet's unique imagination, he broke the shackles of the real world and realized his spiritual freedom.
In The Lonely Man in the North and The Snowhouse of Eskimos, Gu Cheng not only realized the true meaning of marriage and love in the art world, but also devoted his life to pursuing it in real life, even fighting against secularism and morality for the true love in his heart.
References:
_ Baidu Encyclopedia Front