Thin curtains look at the bright moon, and the breeze blows on the chest.
Lonely in the wild, birds are singing in Beilin.
What will you see when you walk? Worry and be sad alone. Translation and annotation of 300 ancient poems, loneliness, sadness and nostalgia
Can't sleep at night, can't sleep at night.
Sit up and play the piano. Get up and sit down and play the piano.
The thin curtain reflects the bright moon and the moonlight shines on the thin curtain.
The breeze blows on my chest. The breeze blew my skirt.
Gu Hong wails in the wild, and Gu Hong (Swan) wails in the wild.
Birds are singing in the northern forest. Birds flying and circling in Beilin are singing.
What will you see when you walk? What do you see when you wander around? Worry and be sad alone.
Appreciation of 82 Poems of Ruan Ji's Five-character Poems about the Heart. This is the first song. Ruan Ji's poems (including four words and thirteen poems) are the collection of his life's poetry creation. "Biography of Ruan Ji in the Book of Jin" said: "He wrote more than 80 poems of Yong Huai, which attracted worldwide attention." This refers to his five-character poem "Yong Huai", which shows that his five-character poem "Yong Huai" has not been lost. These 82 poems were written by poets at will, and finally sorted out by feeling, not by whim. Even so, the poem still plays an orderly role, so the poet said to the DPRK, "This is the beginning of eighty-one, but on the whole, it can't be recited." ("Zhao Wei Zhan Yan" Volume III) This makes sense.
Ruan Ji lived in Wei and Jin Dynasties and had great ambitions. Biography of Ruan Ji in the Book of Jin said: "Books have the ambition to help the world. During the Wei and Jin Dynasties, there were many reasons in the world, and few celebrities were numerous. The reason for the book is that it has nothing to do with the world, so drinking is very common. " Because of the dark politics at that time, my ambition was hard to pay, so I was addicted to wine. In fact, wine can't drown out his sadness, and his sadness and anguish finally formed the poem "Yong Huai".
"I can't sleep at night, sit up and play the piano." These two sentences are from RoyceWong's "Seven Sorrow and Three Musts" (Part II): "You can't sleep alone at night, you can play the piano with your clothes on." RoyceWong couldn't sleep at night, so she got up to play the piano and express her worries. Ruan Ji can't sleep at night and plays the piano to express his worries, which is much deeper than RoyceWong's. RoyceWong's worries are only caused by homesickness, while Ruan Ji's worries are generated in a sinister political environment. Yan Yanzhi of the Southern Song Dynasty said: "Ruan Ji was always worried about disasters when he was in the Jin Dynasty, so he pretended to chant this." Shan Li said: "Being an heir to the family is often afraid of slander, so I sing." In other words, Ruan Ji lived in such a dark age during the Wei and Jin Dynasties, and he was worried about disaster, so he issued this kind of "worrying about life". A Qing Dynasty He Chao said, "Books worry more than the living, so they are not known to the family." (Secretary Yimen reads Volume 46) He thinks Ruan Ji's "worry" is more profound than "worry about life", but the annotator doesn't understand this. Of course, the average reader can't figure out what kind of "trouble" this is. However, "Biography of Ruan Ji in the Book of Jin" said: "(Ruan Ji) is willing to drive alone, not because of the bad track, but because of crying. After tasting the battle between Guangwu, Guan Chu and Han, he sighed,' When there is no hero, Lizi becomes famous!' Climb five old mountains, look at the capital and sigh. "This may be like. Historical poets are good at playing the piano, and it is with the help of the sound of the piano that they release their anguish. The words "sleepless", "sitting up" and "playing the piano" here are intended to describe the poet's anguish and anxiety.
The poet did not directly point out the "worry" expressed in the poem, but wrote: "The thin curtain looks at the bright moon, and the breeze blows on my chest." Write that the clear moonlight shines on the thin curtains, and write that the cool wind blows on the poet's skirt, creating a sad atmosphere. This seems to be about natural scenery, but there are people in the scene. Because it is the poet who lingers in the moonlight, and the breeze blows the poet's skirt. Therefore, it can be said that writing about scenery is only for writing about people. This writing is more artistic than writing people directly, which makes people feel endless and meaningful.
"In the wild, lonely Hong sings birds in the boreal forest." That is to continue to write about the scenery. This is about Gu Hong wailing in the wild, while the hovering birds wail in the forest of steles. If the poet saw the last two sentences, that's what the poet heard. People who see the cool breeze and bright moon, hear the sound of horns and the sound of birds all write about the quiet and desolate environment through moving, so as to reflect the poet's lonely and depressed mood. Affection and scenery, scene blending. However, in Notes on Six Books in Selected Works, Lv Yanji said: "At night, it means confusion." Lv Xiang said, "Gu Hong, I am alone outside. Auspicious bird, raptor, closer than the powerful minister, is called King Wen of Jin. " The scenery in the poem seems to refer to something, which is inevitably far-fetched.
"Wandering will see? I am sad. " In the moonlight, the breeze is Xu Lai, the poet is wandering, and the flying birds are also wandering in the air. The moonlight is hazy and the night is boundless. What did they see: endless night. So, "I'm sad." This shows the poet's lonely, disappointed, melancholy and painful mood, and also sets the tone for the five-character "Eighty-two Poems about Huai".
Appreciating Wei and Jin Dynasties, there are many reasons in the world, and politics is harsh, so many celebrities are worried about their lives. The troubles that have plagued people's lives since ancient times, such as the sudden disappearance of water, are more urgently placed in front of people. In the face of short-lived worries, those who take medicine for longevity have it to prolong their life; Crazy hedonists use it to increase the density of limited life. This almost became two basic life attitudes of literati who tried to get rid of life troubles at that time. But in the poet Ruan Ji's view, these two negative attitudes towards life can't transcend the brevity of life in essence. Therefore, although there are a lot of works that are worried about life, there are also works that show how to transcend the brevity of life and put forward positive opinions different from the above two attitudes towards life. These are Yong's thirty-eighth and thirty-ninth poems. They expressed the poet's great ambition to make contributions to the world and help the people. They believed that only fame and career could shake off the ups and downs of life, and only loyalty, honesty and shame could make his name immortal and fundamentally transcend the brevity of life.
The first six sentences of the thirty-eighth "Yong Huai Yan Guang Yan Wan Li" depict a "hero" image in the poet's mind by symbolic means. The opening sentence of "Yan Guang" is magnificent, rendering an extremely broad environment, which provides an incomparably magnificent space for the following four sentences to directly describe the activities of "indomitable spirit". This connection, like the first sentence, fell from the sky, laying the foundation for the whole poem to be swallowed up by the universe, including the momentum of eight famine. The activity of "bending the bow" to write "heroic" "Fusang" is a legendary sacred tree in the East China Sea. Xiong Jieshi hung the curved bowstring on the hibiscus tree. The phrase "long sword" means "Xiong Jieshi" inclined his long sword to the sky. Literally, this sentence was published in Song Yu's Da Yan Fu, but in fact, like the previous sentence, it depicts the extremely tall image of a "hero" in extremely exaggerated language. This exaggeration is obviously symbolic, so it is bold, strange and dangerous. It is in harmony with the magnificent spatial description of the first two sentences, which further enhances the grandeur of this poem. The next sentence of "Mount Tai" is about the eyes of "Xiong Jieshi". Because the image of "Xiong Jieshi" is extremely tall, in his eyes, the tall Mount Tai seems to be just a grindstone, and the long Yellow River seems to be just a belt. These two sentences were published in the "Pledge of knighthood" in the Preface to the Chronicle of Heroes of the Great Emperor Gaozu of Historical Records: "With the river as the belt, Mount Tai will be sharp (sharp). The country is Yongning, Yi and Miao. " But the oath means that the Yellow River can't be taken, Mount Tai can't be pointed, and future generations of heroes will enjoy the country forever. Ruan Ji borrowed these two sentences to give a new meaning, still to set off the tall image of "heroic".
Generally speaking, the above six sentences depict the image of a "hero", and the poet expresses a positive life proposition beyond a short life, that is, the following meaning of "fame and fortune, promising from now on". The following four sentences are based on the story in Zhuangzi Lieyu Kou: Zhuangzi is dying, and his students want to rebury him, but Zhuangzi advocates not burying him in a coffin. The students said that the celestial burial would be eaten by the black kite, but Zhuangzi said, "In the sky, it will be eaten by the black kite, and in the next, it will be eaten by insects, thus taking it away from him." Zhuangzi's answer is broad-minded, but the poem uses this argot to express the poet's own attitude towards life, that is, life is not enough to depend on whether to live ("glory") or die ("withered"). Who hasn't been eaten by kite worms? Judging from these four sentences, Zhuang and his attitude towards life seems to be no different. The rise and fall of Zhuangzi does not lie in his life and death, that is, life and death are the same, and there is no difference; Although Ruan Ji also saw "ups and downs without cause" from Zhuangzi's story, he did not regard life and death as the same nothingness as Zhuangzi. In fact, he wants to transcend the boundary between life and death and establish an eternal "fame".
So in the end, the poet ended the whole article with the theme of "If you are a hero, you will become famous from now on". He acknowledged Zhuangzi's proposition: "What are the reasons for prosperity and decline", but pointed out that life is not just a process from birth to death; Heroes continue to exist with their fame. Looking back at the description at the beginning, we can see that this image is actually a symbol of life and death beyond the body.
Ruan Ji (2 10 ~ 263) was a poet of Wei during the Three Kingdoms period. The word heir. (now Henan) Wei family. One of the seven sages of bamboo forest, the son of Ruan Yu, one of the seven sons of Jian 'an. He used to be an infantry captain and was called Ruan Infantry in the world. Worship the learning of Zhuangzi and Zhuangzi, but take a cautious attitude to avoid disasters politically. Ruan Ji is the representative of the "beginning sound", and he has written "Yong Huai" and "Biography of Mr. Adult". Ruan Ji
I want to send colored stationery and rulers. The mountains are long and there is a lot of water. In my spare time, I think in pieces, just like quantity. If you don't believe in sword cutting, please come back and look in the mirror in front of me! It is too early to teach people nowhere to send their lovesickness. Acacia can't be written, and the cold wave flies away. Acacia words are not censored, so why bother to write them on letters? It takes a thousand lines of tears. Old friends are far away. Ask who shakes Yu Pei, the eaves are * * *. Bamboo dock is clean and clear, and acacia is separated from the city. The bright moon building is high and lonely. Wine becomes sorrow, acacia becomes tears. Regret is not the best wine. It's hard to think about having a lover. Don't ask what will happen if you miss each other. I know I can't control it when spring is over. The injury is full of red lines, which annoys the film and fans. I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq. Empty plans make you feel lonely and homesick. You will pay tribute to Jiuhua in Bie Yun's room. Don't worry about white hair, don't think, but also have and think.