The poem adopts the form of overlapping sentences, and the contents of the second and third chapters are basically the same as those of the first chapter. The conversion of individual words avoids the stagnation of poetry, increases the harmonious beauty of rhythm, and makes poetry progress slightly. At the same time, repeated singing makes the feelings expressed in the poem stronger and stronger. For example, in these three sentences, the color of reed changed from green to blue, from blue to white, and the desolate atmosphere of late autumn became more and more intense step by step, which showed the poet's environment at that time. The three sentences "White dew is frost", "White dew is not wet" and "White dew is not full" capture the gradual process of dew forming frost, frost flowers melting into water, and water evaporating continuously, vividly depicting the track of time development, indicating that the poet came to the river at dawn and stayed until the end of dawn, and the sun was about to rise. Imagine that he wandered in the cold and lonely wilderness for a long time, facing endless autumn waters, waiting for people to disappear, thinking about people, and how anxious and melancholy he was! Another example is the description of the location of the Iraqi people in the poem, which is more clear and specific chapter by chapter. The first chapter says "by the water", which is more general, the second chapter says "on the water Mae", which is more specific, indicating that there are aquatic plants there, and the third chapter says "by the water", which means that Iraqis are at the water where aquatic plants meet. Presumably the Iraqis may be on the other side at this time, waiting for the arrival of the poet. In this way, it not only expands the artistic conception of poetry, but also makes it more urgent for poets to meet the wishes of Iraqis. In addition, for example, write a road that follows it, first of all, "the road is blocked and long", then "the road is blocked and connected", and then "the road is blocked and connected to the right". The transformation of the words "long", "pass" and "right" shows that this road is not only long, but also steep, tortuous and difficult. This shows that it is really difficult to find Iraqis. The harder it is to write the road here, the more the poet is eager to see the Iraqis. As for the description of Iraqis, it is "in the middle of the water", "in the water" and "in the water", and it is also more specific step by step. Write down the direction first-the middle of the river, then point out that it is an island, and finally say it is a small beach in the water. Although this is the poet's illusion, it makes people feel very real. Through this form of overlapping singing, this poem expresses profound meaning and can be chewed and appreciated by people.
This is a poem with a blend of scenes. The beginning of each chapter adopts the brushwork of seeing things in Fu. By writing what you see, you create an ethereal and lyrical artistic conception, covering the whole article. Jiaxu and Bailou are two natural scenery that can best express the bleak atmosphere in late autumn. The poet does not hesitate to describe them repeatedly with strong colors, which makes the whole poem full of "cool" meaning and effectively sets off his sad and melancholy mood. At the same time, because of the sad mood, it is even more sad and lonely in the late autumn scenery. This expressive technique of expressing emotion with scenery and empathizing with scenery not only deepens the role of poetry, but also increases its artistic influence.