Ouyang Xiu practiced lenient policies and developed production in Chuzhou, which enabled the local people to live a peaceful and stable life, with rich wealth and intoxicating landscapes, which made Ouyang Xiu feel extremely happy. But at that time, the whole Northern Song Dynasty was dark and evil spirits were in power. Some people who are interested in reform and competitive have been hit one after another. Looking at the country's long-standing ills with wide eyes, the scene of decline and decline is increasing day by day, which makes him feel heavy anxiety and pain. This is his mood when he wrote Zuiweng Pavilion, and these two aspects are mixed together and expressed in his works.
Drunk Pavilion is beautiful and poetic. This paper consists of two parts: the first part focuses on pavilions; The second part focuses on writing a travel note. But it is a piece of music that runs through the whole article. In order to understand the meaning of this drunkard, let's enjoy the beauty of the landscape of Zuiweng Pavilion.
There is a well-honed sentence at the beginning of the article, surrounded by mountains and rivers. With very little pen and ink, the magnificent mountain scenery of Chuzhou surrounded by mountains is suddenly displayed in front of your eyes, continuous and magnificent. When you are intoxicated with the magnificent mountains and rivers, the author reminds you to pay attention to the peaks in the southwest, where the Woods and valleys are particularly beautiful. When you are attracted by the southwest peaks, he tells you that from a distance, that lush, deep and beautiful mountain is Langya Mountain. In this way, you can have a panoramic view from mountain to peak to Langya, from far to near. After walking six or seven miles into the mountains, I gradually heard the gurgling sound of running water, and a mountain spring rushed out between the two peaks. This is the brewing spring. Here, the author combines the visual image with the auditory image, and the quiet mountain scenery and the dynamically brewed spring water set each other off. When you haven't had time to take a sip of fresh spring water, the peak turns around, and you suddenly see a pavilion, which is close to the spring water, and its horns are tilted up like birds spreading their wings. This is Zuiweng Pavilion. As a result, a beautiful landscape with towering mountains, flowing springs, flying pavilions spreading their wings and mountains, springs and pavilions reflecting each other vividly appears in front of people. Then, the author probes into its source, pointing out that it was a wise monk who built the pavilion and the satrap named it. The satrap calls himself a drunken man, so he calls this pavilion a drunken man pavilion. Why does Ouyang Xiu, the prefect, often come here to drink with guests? Why did you get drunk without drinking too much? Why did Ouyang Xiu call himself Weng when he came to Chuzhou to be a local official? It goes without saying that this includes the depression and bitterness that he was relegated, his talents could not be displayed, his ideals could not be realized, and he had to drown his sorrows in wine! The meaning of drunkenness is not wine, but also between mountains and rivers. Appreciating the joy of mountains and rivers, although it contains sorrow, can relieve the sorrow after all, laying the foundation for the second part of writing the joy of travel.
The scenery of Zuiweng Pavilion is very beautiful, and the mountain scenery of Zuiweng Pavilion is more beautiful and lovely because of the change of dusk and season. In the morning, the sun rises, the morning glow is brilliant, the fog disappears, and the mountains and rivers are fresh and quiet; In the evening, the sun sets, the twilight is boundless, and the caves among the rocks are dark and quiet, which is intoxicating. In spring, wild flowers are in full bloom and fragrant; In summer, beautiful trees are lush and shady; In autumn, the wind and frost are noble and clean; In winter, the truth comes out. The four seasons change, and the wonders overlap. It's fun to enjoy the mountain view of Zuiweng Pavilion.
It's interesting to see the changing mountain scenery of Zuiweng Pavilion, but it's more interesting to watch people roam in Zuiweng Pavilion and have a full meal there. Those who recite things sing while walking; Tired of walking, rest under the tree and feel comfortable. People greet each other, old people and children, coming and going. There is stillness, movement, sound and posture here, which depicts a vivid picture of the amusement of Chu people. Then I wrote the spring wine of fat fish, the satrap feast of wild vegetables and wild vegetables, and the white hair was mixed with the joy of everyone, which made people humble. In the extreme joy, the satrap's complicated mentality is also skillfully expressed.
Finally, from the comparison of the different contents and feelings of the joy of birds, guests and satrap, it is concluded that birds know the joy of mountains, but they don't know the joy of people; People know that swimming from Taishou is fun, but they don't know that Taishou is fun. When you are drunk, you can have fun with others; When I woke up, it was Ouyang Xiu, the satrap, who was able to write the article "Drunken Pavilion". Pen and ink are concise and implicit, with far-reaching implications.
Zuiweng Pavilion is indeed a lyrical prose with fresh style, swaying posture and beautiful and moving. The author's eulogy of Chuzhou's beautiful scenery, his efforts and yearning for building a peaceful, stable and happy ideal society together with the people, especially the author's euphemistic and implicit confession of depression, are undoubtedly an objective exposure of the dark politics in the Song Renzong era, and naturally shine with the light of thought. In particular, the language of this article is accurate, vivid and beautiful, and the sentence pattern is neat and varied. The full text repeats the user's sentence patterns and uses 2 1 word continuously to enhance the unique rhythm of the article. These aspects can be used for reference.