The Musical Beauty of China's Classical Poetry Language in Modern Poetry

It is a regular phenomenon in the history of literature and art that all kinds of literary and artistic forms permeate and influence each other. Among all kinds of literary forms, poetry is the most vivid and friendly. It is combined with prose to form prose poetry; Combine with drama and become an opera. Although different from the tools used in painting, the relationship between mutual penetration and influence is obvious. Szimonidesz, an ancient Greek lyric poet, said: "Poetry is a picture with sound, and painting is a silent poem." Zhang Fuxiu of our country also said: "Poetry is an invisible painting, and painting is a tangible poem." Su Dongpo said: "Shaoling calligraphy is invisible, and Han Gan Dan Qing is silent." Xiao Yan said: "Reading poetry will emerge in the picture described by the author, and writing poetry will emerge in the picture imagined by the author." They all pointed out the close relationship between poetry and painting. As for the relationship between poetry and music, it is even closer. Western literary theory holds that both poetry and music belong to the art of time, music is composed of sound, and poetry should also be recited or sung with sound, and the continuation of sound is the flow of time. China's first collection of ancient poems and the Book of Songs. Every article in the book can be sung together. Mozi? The words "300 string poems and 300 song poems" in public welfare articles can prove it. Style of the Book of Songs. The difference between elegance and praise is also the difference between dry music. Poetry and music, like twin sisters, have been closely linked since their birth. Poetry not only presents people's vision in the form of words, but also appeals to people's hearing with chanting or singing materials.

Since the relationship between poetry and music is so close, poets will naturally pay attention to the organization of sound when creating poetry. They should not only use the meaning contained in language to influence readers' sense of loss, but also mobilize the sound of language to impress readers' hearts and make poetry produce musical effects. However, how is the musical beauty of China's classical poems constituted? Based on the characteristics of Chinese, this paper discusses this problem with examples of poetry.

First, the rhythm

Repeat regularly to form a rhythm. The order of the four seasons, the alternation of morning and evening, the full moon, flowers, the ups and downs of water, the ups and downs of mountains, the breathing of the lungs, the beating of the heart, the trembling of the pole when carrying things, and the ups and downs of the arm when doing business can all form a rhythm.

Rhythm can give people pleasure and beauty, and can meet people's physiological and psychological requirements. Every time a new cycle is repeated, it gives people a feeling of deja vu, as if seeing an old friend, which makes people feel cordial and happy. There is a pavilion at intervals along the promenade of the Summer Palace, which not only provides a place for people to rest, but also allows people to stop and enjoy the surrounding lakes and mountains. And in the alternation of walking and stopping for a while, you will also feel the joy and beauty brought by the rhythm. After a new rhythm is familiar. There will also be a psychological expectation, and there will be a sense of satisfaction if you expect to win. Rhythm can also make individuals unified, different and coordinated, loose and concentrated. The chant shouted when everyone is working together and the leopard password when the team is marching have this effect.