Source: untitled time was long before I met her, but it was even longer after we broke up.
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing, and a hundred flowers are blooming.
Silkworms in spring will weave until they die, and candles will drain the wick every night.
In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! .
Interpretation of vernacular:
The opportunity to meet each other is really hard to get, and it is even more difficult to part when we break up. Besides, the weather in late spring, the east wind is about to close, which makes people feel sad. Spring silkworms don't spin silk when they die, and wax oil like tears can drip dry when candles are burned to ashes.
Women dress up in front of the mirror in the morning, only worrying that the plump bangs will change color and the youthful appearance will disappear. Men can't sleep at night, so they must feel Leng Yue's aggression. The other party's residence is not far from Penglai Mountain, but there is no road to cross, but it is out of reach. I hope a messenger like a bluebird will visit my lover diligently for me.
Extended data writing background:
In the Tang Dynasty, people advocated and believed in Taoism. At the age of fifteen or sixteen, Li Shangyin was sent to Yuyangshan by his family to learn Taoism. At the same time, I knew and fell in love with Song Huayang, a woman from Ling Du Temple in Yuyang Mountain.
However, the feelings of the two can't be known to outsiders, and the author's heart is surging with irresistible love tide, so he can only remember the feelings with poems and hide the topic, thus making the poems appear hazy, graceful and affectionate. Most of Li Shangyin's untitled poems are about their love stories. This poem is one of them.
Appreciation of articles:
This poem expresses the love psychology in a feminine style. It contains burning desire and persistence in sorrow, and its emotional realm is profound and rich.
The more concrete you imagine, the deeper you miss, and the more you will ignite the desire to meet. Since there is no hope of meeting, I have to ask the messenger to pay tribute to myself and visit him in person. This is the last two sentences.
Poems often compare immortal couples. Jade bird is the messenger of a goddess, the Queen Mother of the West. Pengshan is a fairy mountain in myths and legends, so here Pengshan is regarded as the symbol of the other party's residence, and Jade Bird appears as the messenger of the lyric hero.
This hope at the end of the messenger has not changed the painful situation of "meeting each other late", but it is a hopeless hope and the future is still slim. When the poem is over, the pain and pursuit of the lyric hero will continue.
This poem is full of pain, disappointment, lingering and persistent feelings from beginning to end. Every couplet in the poem is a reflection of this emotional state, but the specific artistic conception of each couplet is different.
They repeatedly show the complex emotions throughout the poem from different sides, and at the same time reflect the psychological process with this complex emotion as its content vertically with their close connection. This continuous, implicit and profound lyricism successfully reproduces the deep affection in my heart.