Regular script is one of the main calligraphy styles in the art of Chinese calligraphy. It is also called Jinli, Zhenshu, Zhengshu, Zhengkai, etc. Regular script was gradually formed on the basis of official script. What I bring to you below is a soft-pen calligraphy work in regular script. I hope you like it. Appreciation of soft-pen calligraphy works in regular script
Pictures of soft-pen calligraphy works in regular script 1
Pictures of soft-pen calligraphy works in regular script 2
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Regular script soft pen calligraphy work picture 3
Regular regular script soft pen calligraphy work picture 4
Regular script soft pen calligraphy work picture 4 Picture 5 of calligraphy works
The arrangement of regular script composition
The composition is how to arrange the entire calligraphy. There are many research difficulties in the composition of European regular script. Written by Ouyang Xun The rubbings we can see of the four famous monuments are all rearranged through cutting and pasting. If we cannot see the entire paper rubbings of the entire monument, we cannot imagine the overall structure of the entire monument. Even if he could face Ou Kaiyuan's monument directly, due to the influence of the political system at that time, Ouyang Xun was not able to deal with the entire chapter from an artistic perspective. Moreover, some words had peeled off due to weathering over the years. "Ouyang Xun's Structure of Thirty" "Six Methods" mainly talks about the structural methods of characters, but it also discusses the methods of chapters, such as: small into large, small and large forming, small and large, large and small, phase management, response, etc. The structural methods of some characters are actually related to the structure of the chapter, such as covering, repeating, topding, etc. There are also some character structure methods that can be generalized and applied to the direction of the entire character structure, such as: give in, avoid, mutate, fill gaps, connect ideas, etc.
If an independent character becomes a radical, it cannot still be written in the same size as an independent character. It must be larger than smaller. Just like the "一" and "口" in the Chinese character, the "図" in the Chinese character "図".
On the contrary, where some strokes are extremely sparse, some strokes should be enlarged to write, such as the 捺 of the character 雁, the lonely hook of the character 宁, the 捺 of the character 馞, and the character 啍. ?Word point. From the perspective of composition, many calligraphy theorists believe that Xiao Cheng Da means? One point becomes one character, and one character is the master of the entire text?
"Shu Jue" should pay full attention to the first character , especially the decisive role of the first stroke. Although this stroke is small, it determines the size and thickness of the strokes written later, and even the size of the entire character. This is how the appearance of the article becomes big.
Although the ground stroke is important, the other obvious strokes are all important and cannot be ignored. ?A little loss of position is like a beautiful woman getting sick for a day, a painting loses its momentum, like a strong branch breaking? Every striking point and stroke will affect the overall situation of the entire work.
Of course, for the entire text, you must first pay attention to the layout. The general meaning of the word ? is like the wall of a house. Now that the wall is destroyed, Anwen asked about the screen windows and embroidered doors. This trend of great success and small development must not be underestimated? (Ge Shouzhi). If the layout is messed up, the entire text will be extremely inappropriate or even scattered. Think big and start small, this is what you must do to write a good word.