Bao Zhao imitated and learned Yuefu, which was created by Bao Zhao in the Southern Song Dynasty. After full digestion, absorption and casting, he not only acquired his own style, but also developed seven-character poems and created a seven-character style.
The appearance of "Moonlit Night on a Spring River" by He Zhang can be said to be a sign of the formal formation of this genre.
Extended data:
Characteristics of ancient poetry in singing style
1, which can be short or long.
There are eighteen sentences in Cen Can's Bai Xuege Farewell Field-Attendant Wu Comes Home, twenty-four sentences in Du Fu's Autumn Wind Breaking the Cottage, and one hundred and twenty sentences in Bai Juyi's Song of Eternal Sorrow. There are thirty-seven lines in Du Fu's Chedian and eighty-eight lines in Bai Juyi's Pipa, among which the longest Song-style poem in the Tang Dynasty is Wei Zhuang's Ode to Fu Qin, with as many as 238 lines.
2. Retained the narrative features of ancient Yuefu.
It integrates remembering people, talking, discussing and expressing feelings, and the content is full and vivid.
For example, Du Fu's "Car Shop" contains the narration of "pedestrians" when they go out to war, the question and answer between "passers-by" and "pedestrians", and the sigh that "we have learned that it is unlucky to have a son, but it is much better to have a daughter". It's really devastating after reading it.
3. Rhythm and rhyme are relatively free
Flat and informal, you can change the rhyme.
"Gexing" style poetry breaks through the shackles of metrical poetry in terms of meter and rhyme. Because it takes a long time to express feelings and there are many sentences, it is difficult to pay attention to balance when it rhymes to the end.
For example, there are some rhymes in the twenty-four sentences of "The Hut is Broken by Autumn Wind". The form of singing style is relatively free, which is determined by the content.
Baidu Encyclopedia-Song Ti