What is the conventional structure of modern poetry?

The most important thing in modern poetry is to condense keen perception and sublimate sincere soul. Poets must have certain expressive skills in order to capture emotional images.

The image structure of key words single sentence: emotional expression sentence, stream of consciousness sentence, rhetorical expression sentence; Image structure of compound sentences: nonstandard hypothetical compound words, selective compound words, causal turning compound words, etc. Graphic image structure.

Writing poetry is not only a language skill, but also a manifestation of intuitive perception. If a poet wants to capture these emotional images, he must have certain expressive experience skills to express the inspiration of poetry. The most important thing in writing poetry is to constantly condense keen perception in poetry and show the sublimated sincere soul. As the saying goes, poetry has no definite method. The following only introduces the image structure of single sentence, complex sentence and graphic image structure of poetry from the aspect of language skills.

First, the image structure of a single sentence:

1, sensory expression sentence: refers to a single poem that is oriented by sensory organs and has structure.

(1) Taste the sentence: "What are you selling, restless girl? /Show your breasts? " //"Sir, what I sell is/seawater." //... "Ah! What is extremely bitter is/seawater. " (lorca, Spain)

(2) Smell the sentence: When the air is full, the morning glory is fragrant (Jane Roufeng's "Mountain Moon")

Father smokes a bag of dry cigarettes/smiles hopefully (Jane Eyre's Lantern Festival short chapter)

(3) Auditory sentences: The most beautiful music is the sound of crops jointing.

(D) Visual sentence: Yin Hua is as light as water (simple and gentle wind "Mountain Moon")

(f) Tactile sentences: as warm as a mother's touch/the smell of home rises and rolls in the family/who holds it?

The skirt of the year (simple and gentle style "Lantern Festival Short Chapter")

(g) Synaesthesia sentence: Some smells are fresh if they are children's skin,/soft as oboe and green as grassland,/-Some are decadent, rich and rich. (Faber Baudelaire, inductive)

2. Stream-of-consciousness sentence: refers to a single poem oriented by the content of stream of consciousness.

(a) Associative sentence: Think of a dirt cart, a basket, cows and rice fields (there is a chicken on the Dragon Boat Festival in Yang Yang).

(2) Hypothesis: Maybe the apple trees all over the mountains will prick up their ears (the wood outside the door "Cars Passing Qixia")

(c) Presumptive sentence: In an accidental dream, I became my mother's little baby again (Shan Yue by Jane Eyre)

(d) Meditation sentence: I dreamed that I was driving around like the wind (Liu Caihong's "I feel open")

3. Rhetoric (or syntax, expression) expression sentence: a single poem composed of rhetoric or syntax and expression.

(1) Descriptive sentence: Women in mountain villages began to make up shyly ("Mountain Moon" in a simple and gentle style); (expression technique)

(2) Metaphorical sentence: According to the similar characteristics between things, compare one thing with another to make the expression more vivid and accurate. The key of metaphor in poetry lies in breaking through the bondage of "inertia" and creatively choosing appropriate metaphor to show its unique style.

Description metaphor sentence: thousands of charming flowers come out of the river (autumn wind "the wind through the forest"); (metonymy)

Judgment metaphor: Tianfu Road in 1 1 is a cowboy coat that will eventually fade (Tianfu Road in 1 1 by Di Mei); (figuratively)

A burning skirt is faster than the wind. 》; (simile)

The skirt of the grass dances at dusk (Sister by Lu Huajun); (Simile, ellipsis preposition)

(c) Descriptive sentence: How about a bag of dry cigarettes with a thinking frown (simple and gentle style "Mountain Moon"); (symbolically)

(d) True or false: Maybe they didn't think of anything/Maybe they thought of everything/This is just a storm (Ding Yan's Village Morning after a Blizzard); (assuming, jumping, judging); (grammar)

(e) Exaggerated sentence: Ten thousand arrows pierce the heart (Zhu's funeral)

(f) personified sentence: straw chooses fire/can also choose decay (another form of Shen He)

(j) Complex sentences: omit all modifications between words, abandon all grammatical rules between words, and forcibly list words or phrases or even phrases together to form a sentence pattern.

Such as: mending pots, vaccinating, refining medicine, peeling snakes and crying witches (Lin Zhongcheng's Yin Daren)

Second, the image structure of complex sentences: a complex sentence is composed of two or more single sentence forms with closely related meanings and no mutual inclusion in structure. This paper mainly summarizes the image of irregular strange associative complex sentences composed of related words and related words (using prepositions, conjunctions and auxiliary words)

1. Hypothetical complex sentence: It refers to the image clause composed of the related words "if", "if", "if" and "even if" of a hypothetical complex sentence, and then the image clause composed of the related words of other complex sentences (prepositions, conjunctions and auxiliary words) is recombined into a new complex sentence.

For example, even if humans sometimes fall silent/just hope that this paragraph will breed (abstruse fish's Late Spring)

For another example, even if there is the golden luster of autumn wind, the complete sequel is turned page by page (ditto)

2. Choose compound words: refers to the image clauses composed of related words "or", "or" and ". Objective to choose complex sentences, and then recombine the image clauses composed of related words (prepositions, conjunctions and auxiliary words) of other complex sentences into new complex sentences.

Or four swords meet. I hold the pointed cap of the blade and teach the sinker to communicate. The shade is a little ischemic.

3. Causal transition complex sentence: refers to an image clause composed of related words of causal complex sentence, such as because, so, because, even, therefore, for this purpose, and then recombined with related words of transition complex sentence, such as possible, true and then, into a new complex sentence.

Because of this, the sky is squeezed and the ground/structure is loose (Dayan's "Big Tower")

The forms of complex sentences are: joint complex sentences (including coordinate complex sentences and sequential complex sentences, that is, coherent complex sentences, progressive complex sentences, selective complex sentences and annotation complex sentences); Partial complex sentences (including causal complex sentences, hypothetical complex sentences, turning complex sentences, concession complex sentences and purpose complex sentences); Multiple complex sentences; Tighten complex sentences, etc. Using these forms to create an informal and complex sentence structure exists in a large number of poetic texts.

Third, the graphic image structure:

The chime structure is a metaphor for the image structure of "paragraph" in poetry by means of the chime image. Take the three chapters of Home in Qinghai Lake as an example;

Oh, it all started with you!

Wrinkles in the skin Shiny teeth. Sunshine. Blood.

The neglected rivers and mountains. The flame planted in my heart

Also, the lacrimal glands of fish and algae are hard to get.

The smell of suffering that resonates with my heart.

Please let me purify it in the quietest place.

Move time with the magic of pyramids

Jump out of the Millennium precipitation and let me take the sun out of the cracks in the rock.

By "Oh, everything comes from you!" Then it was born, followed by eight seemingly unrelated independent images, namely wrinkles on the skin, shining teeth, sunshine, blood, neglected rivers and mountains, flames planted in my heart, hard-won fish algae and lacrimal glands, and the smell of suffering close to my heart. The image of chimes makes Qinghai Lake shine in the thick history.

Another example: inverted ladder, step by step.

Two generations (ancient and modern)

All the grass is as warm as spring.

Or a gentle heart bound by family ties.

All become

I hope,

Fly in all directions,

Whether it's like a warm wind

Or the candlelight that illuminates others.

The ladder form of this poem reminds people of life.

It is necessary for a modern poem to use skills, but what is more important is not skills, nor emotional, plot and romantic lyricism, but to feel and capture metaphors, and poetry breaks and jumps between novel metaphors. The feeling or illusion caused by the nature and characteristics of this thing and the nature and characteristics of another thing; Or because of the role of life scenes or experiences, one thing is linked to another; The enlightenment and epiphany of life are related to the way and process of things, resulting in new metaphors. Metaphor is the flower of poetry. The poet directs the sensory organs such as eyes, ears, nose, mouth and skin with sincere and wise mind, and transforms his feelings and synaesthesia into a novel flower of metaphor.

The uniqueness of these associations is that they are not explicit, use conjunctions and adverbs less, and choose images such as synaesthesia, deformation, exaggeration, jumping, vagueness, rebellion, contradiction, banter and humor. The illusion is rich and novel, and the external structure is integrated with experience, feeling and perception, forming internal tension and shock wave, which makes the poem full of language sense, rich images and far-reaching artistic conception.