First, capture the artistic beauty of poetry. Artistic conception is called the highest realm of poetry creation. When appreciating poetry, we should be good at capturing the artistic conception of poetry with rich imagination and association (that is, the integration of the author's subjective feelings and the objective world), that is, turning the language of poetry into vivid and concrete pictures, and then arousing our own emotions. In this way, painting and emotion are integrated into one, capturing the wonderful artistic conception of poetry. For example, Tao Yuanming's Return to the Garden depicts a fresh, natural, quiet and beautiful picture of rural labor, which makes readers feel the poet's indifferent and quiet mind. Another example is Bai Juyi's Pipa Trip, which describes a pipa girl playing a passage. Vivid language images and novel metaphors make fleeting sounds linger in readers' ears. At the end of this paragraph, both the East Boat and the West Boat are silent, and we see that the white autumn moon entering the river center is used to describe the listener's awake state, which further highlights the wonderful performance skills of the pipa girl. Successful music reflects the feelings of the pipa girl and the author, integrates feelings into the scene, and deepens the infection to readers.
Second, taste the implicit beauty of poetry. Mr. Qian Zhongshu once said: the truth lies in poetry, such as salt in water and honey, which is invisible and tasteless. Poetry pays attention to twists and turns. We can't say what we want to say directly, but express it with the help of images, giving people a feeling of endless aftertaste. Its implied meaning needs our hearts to understand. Such as Wang Wei's "Two Ambassadors Anxi": Weicheng is rainy and dusty, and the guest house is green and willow. Sincerely advise friends to drink a glass of wine, and it is difficult to meet their relatives when they go out to the sun. There seems to be nothing difficult to understand in this poem, but if you appreciate it with your heart, you will feel that it is a masterpiece of the ages, in which the feelings are strong and sincere, and the poetry is subtle and deep. The previous sentence is about the farewell environment, pointing out the place, time and scenery. What's the moral? We can think about it, in the face of such spring scenery, what kind of mood is it to say goodbye at the guest house? The spring rain wet the dust on the ground and the author's heart. Both the guest house and the willow tree represent the image of parting, not to mention the willow tree is so green, how can you bear to break it and send it away? The implication is that you don't want to say goodbye, but you don't want to say anything else. The second sentence, at first glance, is just a sentence to persuade friends to drink, but it also contains the author's infinite affection. The simple language is full of sincere affection, and the two drink a glass and drown their sorrows. If you walk out of the sunshine, you won't have friends like today. One of them is reluctant to go, showing the poet's concern for his friends, both comforting and sketching. Only by understanding the implication between the lines can readers feel the artistic conception and charm of poetry.
Third, feel the beauty of poetry. Guo Moruo said: rhythm is the appearance of poetry. Without rhythm, it is not poetry. Therefore, when appreciating a poem, we should be good at reciting it repeatedly to feel its phonological beauty. The rhythm of ancient poetry is very regular. Generally speaking, there are three sentences in each five-character poem. For example, Wang Wei's Unknown Sword: people are idle/osmanthus/falling, and the night is quiet/spring mountain/empty. There are four verses in seven words, such as Lu You's Wind and Rain on November 4th: Midnight/Sleeping/Wind Blowing/Rain Beating, Iron Horse/Glacier/Dreaming/Coming. New poems also pay attention to rhythm, such as Guo Moruo's Market in the Sky: Far away/street lamp/clear, as if/flashing/countless/stars. The stars in the sky are like/burning/countless/street lamps.
Fourth, appreciate the color beauty and dynamic beauty of poetic language. Poets pay special attention to tempering language, making poetry vivid, concise, full of color beauty and dynamic beauty. For example, Qin Xue, whose upper and lower films are mainly composed of seven short sentences of the words "hope" and "pity", has made a breakthrough and is magnificent. Verbs are dancing, adjectives are boundless and full of images. The word "dance" is used to describe the snowy mountain as a snake, and the word "pool" is used to describe the snowy plateau as wax, which vividly brings the frozen snowy mountain plateau to life, endows the static scenery with dynamics and makes it full of vitality.