? The first writing technique is rhyme. There are a lot of rhyming poems in Chinese and foreign poetry, which means they are catchy to read. Ancient poets all had rhyming books, such as Qieyun and Pingshuiyun. For the author, the name of the epigram specifies Pingyi. Although these rules are rigid, they contribute to the beauty of the rhythm of language. Take the following song "Trap" by CNR as an example. Bold endings are marked with the rhyme of I, and adding rhyme helps writing, such as picking out all syllables ending in I, bi, ji, n I, li, ti, qi, yi, pi, ai, si, di, zi, ci and mi. When we want to describe a scene or something, we can find rhyming words through association, and there are many examples of rhyming.
Another typical example is Beyond the Mountain.
? There is a rhyming example, "The thief will go". I don't know what the reader's attitude is after listening to this song, but obviously, in order to rhyme, I wrote Breakfast with Tigers, and there are many loopholes in expression.
? The second technique is parallelism, which is a bit like the duality of couplets. In terms of improving language structure, describing things through sentences with the same structure can strengthen the sense of rhythm and emotional tone. For example, the popular square dance song "Drunk Butterfly" has a sentence "Spring goes to the mirror, Qiu Lai is in the water". In other works, such as Chen Qizhen's The Meaning of Travel, the beginning is composed of two sentences with the same structure.
? There is also a typical case, the classic is difficult to read, which can be said to find a good balance between modern and classical. The lyrics are exquisite and wonderful, and the artistic conception is far-reaching, which is very suitable as the theme song of Tianlong Babu. At the beginning, the method of parallelism was also used, and the words were appropriate The word "bury the sunset" alone is magnificent.
? Similarly, the song "Flying Wild Goose in the South" started in the same way. Generally speaking, parallelism is classified according to the aforementioned "Fu Bi trip" and belongs to the form of "Fu". Through parallelism, it has rhythmic beauty and unified artistic conception. For writing, parallelism can be seen everywhere, not only at the beginning, but also in Shu Ting's To Oak, because it describes the relationship between the two, oak and kapok, and these parallelism are appropriate here.