On encouraging 48-character calligraphy poems 1. 48-word ancient poetry.
The number of words you want is not enough, only words can be used, such as Huanxisha:
Huanxisha
Su Shi
Clothes and towels rustle with jujube flowers, and cars ring in the south and north of the village. Cow clothes and ancient willows sell cucumbers.
The road was full of wine, but he was sleepy. Sun was thirsty for tea and knocked at the door to ask the savage.
Huanxisha
Yan Shu
A new song and a glass of wine, the weather was old last year. When will the sunset come back?
There is nothing to do, flowers bloom and fall, and it seems familiar that Yan returns. Wandering alone in the small garden, fragrant path.
And:
Osmunda japonica
The upper and lower parts are 48 words with two tones, four sentences and four rhymes.
Meirui snow is thin and the curtain is light and cold. Affectionate is just a spring willow, occupying a poor time.
Xiao Niang advised me to have a drink and make a tea. The golden jade rabbit flew away and won the same face.
-Song Yan Shu
The above answer comes from ★ Gao Diao ★ Novel Group @ Sitting and watching maple at night.
If you are satisfied, please adopt it as a satisfactory answer. Oh, thank you!
2. Encourage students to stick to the famous saying of practicing calligraphy.
1. Silence is better than sound, and there is no invisible phase-Zhang
2. Words must have bones, meat must be wrapped in tendons, tendons must hide meat, and posts must be beautifully decorated-Mi Fei
3. A minute into a word, it's a deal-Sun
4. Bare pen and ink grind thousands of ingots-Su Shi
If you are a silver hook, you will be surprised if you drift. Suo Jing
6. Learning books should be self-contained. —— Ouyang Xiu
7. Angry and eager to rush to spring. —— Ouyang Xiu
8. Floating like a cloud, agile like a dragon. Yiqing Liu
9. Rowen is a tiger, and the atmosphere is tense. -Yuan Ang
10. Make an idea first, then write. —— Wang Xizhi
1 1. Tell the truth and draw the heart of a book-Yang Xiong.
12. Silent voice, invisible phase. Zhang Huaiguan
13. The Book of the Old Man can't be written. —— Huang Tingjian
14. There are pictures in the book and books in the picture. Yu Fang
15. The beauty of calligraphy is mostly the voice behind it. Zhang Huaiguan
3.48-word verse
First, "send thousands of ministers"
Author: Lu Lun in Tang Dynasty
1, original text
Who can be eccentric at the end of the year?
Frost leaves fall without wind, and autumn clouds are empty and cloudy without rain.
People are worried about the shortage of roads, and horses are afraid of the cold.
I hope Qingshan is independent and know where to find it!
2. Translation
Holding a glass of wine, I invited brother Wan Chen to stay and listen to the piano. The new year is coming, that is, it will be cold in winter nights. Who can bear the sadness of leaving alone?
We are not frosty dead leaves, falling without wind, nor thick autumn clouds, and it is still dark without rain.
Sad people struggle step by step in desolate villages and wide avenues, and vigorous horses are particularly timid about the water depth by the cold current.
Looking at the towering peaks, I don't know when to say goodbye to you and me. I don't know where to meet again.
Second, "send a child across the Han River"
Author: Tang Dynasty Yu
1, original text
Looking forward to sorrow in the north and south of the Yangtze River, yearning for empty songs.
Yuanyang lies warm in Shapu. Fly to orange forest.
The songs in the kitchen smoke are faint, and the moonlight on the ferry is heavy.
Love is thousands of miles away, love is thousands of miles away from the anvil.
2. Translation
The raging river separates us. I'm here and you're there. We look across the river, and our hearts are full of homesickness. I think we once fell in love and recited our favorite poems, but now we can only recite to the river alone.
Watching a pair of mandarin ducks lying on the beach by the river, snuggling up to each other and keeping warm. See the other pair? I am flying leisurely over the orange forest, laughing and singing. How can I not want to get up from you in a foreign country?
In the evening, kitchen smoke rises from the river, and the river is full of smoke. There are faint songs about lovesickness in this smoke. Can you hear me? At this time, the thick moonlight has risen on the river, just like my gloomy mood at this time.
Even if two people in love are close at hand, if they can't meet, they are still thousands of miles apart. What's more, I heard the banging of cotton-padded clothes from every household, coming from a distance.
Third, "Tiaoxi rewards Liang Geng, see you later."
Author: Liu Changqing in Tang Dynasty
1, original text
What is the pole of Qingchuan Lu Yong? The sunset is lonely.
Birds fly far and near on the flat Ye Yuan, as if they were running with the water.
May Baiyun bring my thoughts to friends thousands of miles away, and may the moon bring my sad thoughts to friends with the water.
Disappointed that Changsha is gone, the grass on the river beach is growing.
2. Translation
The clear river is very long, where is the end? When the sun sets, the boat is alone.
For a while, birds are flying in the fields, and for a while, idle people are listening to the stream floating in the boat.
White clouds are floating in the air of Wan Li, and the bright moonlight shines on the mountain stream in front of the mountain and the mountain stream behind the mountain.
Being demoted to Changsha again, I was very sad and depressed, and people's feelings were as strong as vanilla on the riverside.
Four, "Begonia spring, red patches such as mud and fog"
Author: Nalan Xingde in Qing Dynasty
1, original text
The red patches are muddy as fog, so you have to find the way to Taoyuan without teaching. The fragrant path is cold at night, and the moon is where flowers fly.
The shadow of a rose is dark and empty. Ren Bishi's light shirt lingers. The early crow flies over the swing.
2. Translation
The falling flowers are so ethereal that people can't help looking for that paradise. The path between the flowers, the evening breeze is light and cold, blowing the fallen flowers into the moonlight.
In the beautiful image of roses on the wall, someone stood quietly staring at all this, letting swaying flowers and leaves hang on clothes. The early crow was suddenly startled, flapping its wings over the swing and flying far away.
Five, "Chuan Huan Xi Sha Han Xiao Cui"
Author: Li Jing of Southern Tang Dynasty
2. Original text
The fragrant lotus leaves are withered, and the west wind worries about the green waves. With the light * * * gaunt, ugly.
The chicken is far away in the drizzle dream, and the small building blows through the cold. How many tears are hateful to lean on.
3. Translation
Lotus leaves fall, fragrance dissipates, lotus leaves wither, and the west wind in late autumn blows green water, which makes people full of sadness. The good times in life are fading away. People who are haggard with youth can't bear to see it (this bleak scene).
It's raining in Mao Mao, and the scenery beyond the Great Wall in my dream is far away. Cold sobs echoed in the small building. (Thinking of an old friend's past), (she) leaned against the bar with tears in her eyes and endless bitterness.
4. Forty-eight ancient poems
You don't need enough words, you can only use words. For example, Huanxisha, Su Shi's rustling clothes and towels fall on jujube flowers, and the village in the south rings in the north. Cow clothes and ancient willows sell cucumbers. People are thirsty for tea when they are sleepy with wine, so they knock at the door and ask wild people. Huan Xi Sha Yan Shu's new song, a glass of wine. Last year, the weather got old. When will the sunset come back? Helpless, I let the flowers fall, but I feel that Yan has returned from deja vu. The fragrant path in the small garden lingers alone. There are 48 words, four sentences and four rhymes in the first and second chapters. Meirui snow is thin and the curtain is light and cold. Affection is just a spring willow, which takes up a poor time. Xiao Niang advised me to have a drink and turn the black tea over. The golden jade rabbit flew away and won the same beauty. -Song.
5. What are the classic sentences that encourage people to keep practicing calligraphy?
1, practice calligraphy, practice your mind, it's too difficult to meditate now.
2, impetuous, nothing can calm you down, only if you have something in your heart and concentrate on doing something that makes you feel hopeful will calm you down.
3. practice writing. Anything that can make you devote yourself wholeheartedly can make you calm and stable. Try to get involved.
4, flowing, writing like a cloud.
5. Pick up the pen and daub it a few times, and a flying dragon will pop up on the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said). 6. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
6. Gu Mo grinds a few perfumes lightly, and the new bath in the inkstone pool is full of light, either thick or tactfully, or graceful and graceful beauty, or vigorous and brave, or spring breeze, or deep and cold when the north wind enters the customs.
7. The brushwork is magnificent and the posture is changeable. Out of carelessness, I forgot his palm, which has the most vital perfusion characteristics.
8. From elementary school to many things, I have high aspirations in life; Others have swords, and I have pens like knives. -"The Poetry of a Prodigy"
9. I have been lazy in writing books all my life, and my books are fast. The wind is howling day and night, and people can live everywhere. -Li Mingzhi's "Continued Burning Books"
10, the paper falls into the wind, and the dew is thick when it is shaken. Dan Qing and Shi Wen, what should we do without this? -Tang Gengkun's "Yong Xuanzhou Pen"
1 1, when I put pen to paper, I was shocked by the wind and rain, and my poem turned into tears. -Tang Du Fu's "Send Li Twelve Whites and Twenty Rhymes"
12, there is nothing wrong with the brow, and it has been written for thousands of years. -Song Shaoding, "In the Mountains"
13, learning is an extremely precious thing, and it is not shameful to absorb it from any source. -Abu Ri Faraz
14, learning is labor, full of ideas. -ushinski
15, intelligence comes from diligence, and genius lies in accumulation-China
16. It is a good scholar to be eager to learn and not to ask questions frequently.
17, there is no way to go in Shushan, and there is no end to learning.
6. What are the sentences that encourage people to learn calligraphy well?
1. Wang Xizhi has high attainments in original calligraphy, cursive calligraphy and calligraphy. His real calligraphy, ingenious and dense, has opened up a new realm. His grass is long and thick; His running script is very attractive and energetic. (classic quotations www. People call his writing "floating like a cloud, agile like a dragon"; "Yue Long Tianmen, the tiger lies in the phoenix pavilion." .
2. Writing is like writing about a person, no matter whether it is vertical or vertical, no matter what you do, remember to keep in mind when you start to collect three strokes, and go back to the front when you start to write. The front and back are round, convergent and modest. Nor is it too sharp-edged, nail head and nail tail, which makes people look like people who are puzzled and arrogant about the past. The center of the stroke adopts the best and thickest ink in the middle, which makes the stroke vigorous, thick and imposing.
3. The genre of cursive script is related to almost every word. Although there is occasional disconnection between words, the upper and lower strokes run through, echoing, caring and connected by blood from beginning to end, and there is a kind of momentum of dancing with pen and ink in one go. In the process of writing, the standing position of each word seems to be full of danger, but it is wonderful to buckle firmly in danger, so that the font is not suspected of being skewed and soft, but has a delicate flying posture.
4. Its Shen Feng is swaying, the long wave is big, Teton is ups and downs, full of meaning and rhyme, and it does not reduce Lanting, which is as good as Yan's "Sacrifice to My Nephew", which is a masterpiece of running script.
5. The cursive script is as light as a feather, flying like a dragonfly and dancing like a phoenix. Block letters are vigorous and straight.
6. One trick, take a look, take off your horse and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
7. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
8. Chen Rong has adopted a dangerous position. His writing style is oblique or positive, heavy or light, with the beauty of "she started like a thunderbolt and vented her anger". He writes quickly, with a strong pen and great effort.
9. The glyphs are staggered, big and small, open and closed, and the line thickness changes obviously, with ups and downs.
10. Show the paper with a pen, and the pen will go away. Draw straight like a sword, bend a pen like a vine, fall to the tip of a dangerous peak, and leave green leaves like the wind. It is a clever combination of points and lines, creating a new road, writing life to the fullest, and blending the joys and sorrows of life.
1 1. The charm of Mao calligraphy lies in its boldness, its revolutionary passion and strength, and its essence.
12. If it's Liu Gongquan's style, it's strong as bones and magnificent-vigorous and rigorous. Thin and powerful, regular script is attractive, strong and powerful, beyond the dust and refined. The horizontal elders are thin and stretched, and the short ones are strong and powerful.
13. If it's Yan Zhenqing-style, it's thick and round like a rib-with the brush strokes of seal script, it turns fine and hard into plump and vigorous, with broad and magnificent structure, vigorous and awe-inspiring, vigorous lines and refined atmosphere.
14. If you are a silver hook, you will be surprised if you drift.
15. Words should have backbone, meat should be covered with tendons, tendons should hide meat, and posts should be beautiful and moist.