Comparison between misty poems and returning songs

The spiritual connotation of "misty poetry" has three levels: one is to expose darkness and social criticism; Second, seeking light in the dark, reflecting the sense of exploration and strong heroism; Third, based on humanitarianism's special concern for "people". "Misty poetry" rewrites the traditional model of describing "reality" and illustrating policies in the past, and regards poetry as an important way to explore life, which has reached an unprecedented height in philosophical significance. In a sense, the rise of "misty poetry" is also the rise of the life tree of China literature. "Returning" is a poet phenomenon in this period, and it is also a universal theme of poetry. There are mainly some poets called "Return" (or "Return") here:/kloc-Rightist poets in the anti-rightist movement in the 1950s, such as Ai Qing, Gong Mu, Lv Jian, Su Jinsan, Gong Liu, Shao Yanxiang, Liushahe, Changyao, Zhou Liangpei, Sun, Gao Ping, Liang Nan and Lin. 1955 "Hu Feng Group" victims, such as Han Niu, Luyuan, Ceng Zhuo, Ji Long, Lu Li, Peng Yanjiao, Luo Luo and Hu Zheng; Poets who "disappeared" from the poetry circle in 1950s due to their artistic concepts related to politics, such as Xin Di, Chen, Tang Shu, Tang Qi, Du Fu, Mu Dan and Cai Qijiao. (Note: Mu Dan joined the China Anti-Japanese Expeditionary Force in February 1994, first as an interpreter in Du Headquarters, and then to the 207th Division. At the end of 1958, it was declared as "historical counter-revolution" and "controlled by organs" and went to the library of Nankai University for labor supervision. See A Compendium of Mu Dan's Chronicle in Mu Dan's Poems, China Literature Publishing House, 1996. In fact, Mu Dan died in February of 1977 and did not participate in the writing of the theme of Return. Tang Qi and Tang Shu of "Nine Leaves" Poetry School were designated as Rightists in 1957).