The whole poem consists of four sections, which are divided into two parts: scenery writing and lyric. The poem begins with a first-person narrative, and the poet compares himself to a floating cloud, lonely and arrogant, with a low and melancholy style. Next, the poet suddenly saw a large daffodil spreading in the lakeside bay, swaying and dancing in the wind. Accompanied by this happy "traveling companion", the poet is also infatuated. The second part, which is also the crowning touch of the whole poem, describes the poet's lofty spiritual comfort from the beautiful natural scenery, and the floating daffodils have become his permanent and precious spiritual wealth.
The language of this poem is fresh, without flowery rhetoric, but it is simple and meaningful. For example, an ordinary verb dance appears three times in different forms in this poem. The first dance depicts daffodils dancing in the wind under the tree; Jumped the third section (13 line) to connect the daffodils with the lake, and the lake waves fluctuated as if dancing. The dance in the last section describes the poet's soul dancing with daffodils, suggesting the harmony between the external world and the internal world, thus revealing the role of imagination.
In this reflection on nature, people enjoy the spiritual wealth left by natural beauty, and can see the natural world in memory with inward eyes, which is the realm of harmony between man and nature, and it is also the best proof of Wordsworth's poetic proposition of "natural expression of strong emotions recalled in peace". Similarly, this beautiful feeling also appeared in his Tinden Abbey: "These beautiful bodies/never forget after a long separation,/are not like blind people who can't see the beautiful scenery,/but whenever I feel lonely and tired in the noisy city,/they bring sweet feelings,/let me feel them from my blood and heart,/even enter my purest thoughts.