In the first chapter, Light on the Earth (1400), the poet wrote the peace and tranquility of the American land before the European colonists came to the New World in an epic style:
Before skirts and wigs appeared,
Only big rivers, rolling rivers,
Only steep and rolling mountains,
The eagle or the snow seems to be still,
Only moisture and dense forests, no name yet.
Thunder, and the Bombas grassland under the stars.
The second chapter is Machu Picchu Highlands. In western poetry circles, Mangueji is regarded as Nie Luda's masterpiece, the most important of which is the 500-line long poem "Highland of Machu Picchu". This poem expresses the brilliant and mysterious demise of the ancient Inca Empire by surrealism, which has a profound Indian cultural heritage and embodies the integration of nationality and world. When writing this great poem, Nie Luda was only 4 1 year old.
The third chapter, The Conqueror, tells the painful history of European colonists' slaughter and plunder of American Indian nations in the past 300 years. These genocides full of blood and tears have long been sheltered and avoided by western civilization. Nie Luda presented them one by one, and it was thrilling to read these long-forgotten world events all the way. The fourth chapter "Liberator", the fifth chapter "The Sand of Betrayal" and the sixth chapter "America, I didn't call your name for nothing" continue to write about American history and geography. The seventh chapter, Chilean poetry anthology, is the poet's praise to his motherland Chile. The eighth chapter "The Land Named Juan" eulogizes several laborers he met in Chile and Latin America. Chapter 9, Who Woke to Cut Wood to Make a Fence, is a famous political lyric poem. Chapter 10 "Fugitives" and Chapter 11 "Flowers in Wentaki" are what the poet saw and heard during his escape. Chapter 12, River of Songs, is a letter (poem) written by the poet to friends all over the world. Chapter 13 "New Year Chorus" was dedicated by the poet to the motherland in the dark on 1979. Chapter 14 "Ocean" is a significant turning point in the structure of poetry. The long side of Chile is the vast Pacific Ocean, and the Black Island where Nie Luda's home is located faces the blue Pacific Ocean. This chapter is about the wind and light in the Pacific Ocean, including Easter Island and Antarctic, which shows a broad sense of time and space and gives people eternal thinking. This is really a big deal. The last chapter, I am, takes Nie Luda's first half life as the theme, and summarizes the poet's life in a dangerous situation.
This is a high summary of the Swedish Academy Literature Award in its "acceptance speech": "Because of his poems with natural power, the dream and destiny of a mainland have been revived."
Note: "Mangoji" means "poetry collection".