Empathy can be seen everywhere in poetry, especially in China's classical poems. From China's earliest poetry collection "The Book of Songs", we can appreciate the extremely rich and perfect "empathetic" poems that can be seen everywhere in China's ancient poems. For example, "government officials heard about this change and came back on vacation temporarily. Two or three miles ago, kurama's sorrow will be extinguished (peacocks fly southeast), "Horses stand on tiptoe and don't look back" (Poem of Sorrow and Anger by Cai Yan, a poetess in the Eastern Han Dynasty), and "Birds love the old forest and pond fish miss the old source" (Return to the Garden by Tao Yuanming). Alone on a tall building, you can see the whole world all the way "(Yan Shu's" Butterfly Loves Flowers ")," In spring, there is no owner, cuckoo cries, and tears are stained with rouge rain "(Chen Zilong in Ming Dynasty's" A touch of crimson lips, a touch of spring rain ") and so on. Materialism holds that any consciousness is a dynamic reflection of objective things in people's minds. Therefore, we can think that. The "empathy phenomenon" in poetry creation is the result of human consciousness's dynamic and creative reflection on objective things.
In this paper, the author intends to discuss the "empathy phenomenon" of poetry from three aspects in order to teach generous families: