Five Necessary Four Basic Formats

The five necessary four basic formats:

1, the first sentence doesn't rhyme:

Metric poem: Wang Zhihuan's In the Heron Villa;

Flat and light, flat and light. Flat and light, flat and light.

The sun sets slowly near the western hills, and the Yellow River flows into the East China Sea. By going up one flight of stairs, look further.

2. Shrink the first sentence to rhyme:

Metric poetry as usual: Yuan Zhen Palace;

Very flat, very flat, very flat. Flat and light, flat and light.

In the empty and desolate old palace, there is only the lonely brilliant red of Hua Gong. Several white-haired footmen were sitting around talking about the emperor of the Tang Dynasty.

3. Correct the first sentence that doesn't rhyme:

Li Duan's Listening to the Zheng.

Flat and light, flat and light. Flat and light, flat and light.

Jin Su's guzheng makes a beautiful sound, and the beauty of guzheng sits in front of the jade house. Trying to please Zhou Lang as much as possible, you see she deliberately dialed the wrong string.

4. Change the first sentence to rhyme:

The metrical poem is as usual: Wang Ya's boudoir is given away;

Flat and light, flat and light. Flat and light, flat and light.

Spring blossoms and willows blow in the ditch. Liu Fang waits for no one to report to Liaoyang.

Five-character quatrains are one of the genres of Chinese poetry, which belongs to a kind of quatrains, that is, five-character four-sentence short poems that conform to the norms of metrical poetry, and belong to the category of modern poetry. There are two squares, one is convex and the other is horizontal. This style originated from Yuefu poems in the Han Dynasty and was deeply influenced by Han folk songs in the Six Dynasties. In the Tang Dynasty, it was like a twin sister with modern regular poetry, and it appeared in the poetry circle with brand-new brilliance. Five-word quatrains but twenty crosses can show a fresh picture and convey a true artistic conception. Seeing the big because of the small, there are always many small ones, and short chapters contain rich content, which is its biggest feature. Representative works include Li Bai's Thoughts on a Quiet Night, Liu Zongyuan's Jiang Xue, Wang Wei's Bird Watching Creek, Du Fu's Eight Arrays, Wang Zhihuan's In the Heron Tower, Liu Changqing's Farewell Master and Yan Jiangdong's Thoughts on Clouds.