1. Poems about the source
1. "Impressions from Reading the Book"
Era: Song Dynasty Author: Zhu Xi
Half an Acre As soon as the Fangtang opens, the skylight and cloud shadows linger.
Ask the canal how clear it is, because there is a source of living water.
2. "Speaking of Poems"
Era: Qing Dynasty Author: Song Xiang
Three hundred poets have no poems, but they all become masterpieces to refresh the heart and spleen.
People today don’t talk about the source of water, but only ask who the branch schools are.
3. "Miscellaneous Poems of Ji Hai 48"
Era: Qing Dynasty Author: Gong Zizhen
The source of everything must be corrected, and it is not the same as the Han Gongqing.
The flow of time is not suppressed, and there are crazy discussions, and the sound of the Donghua Temple is standing side by side.
4. "Li Shenzheng's Birthday"
Era: Song Dynasty Author: Wei Liaoweng
After the Qingming Festival, everyone was drunk and woke up, and everyone flicked their fingers to wish the stars in front of them.
Who can tell me that the Six Classics are needed to govern a country and regulate a family.
5. "Odd Titles"
Era: Song Dynasty Author: Zhu Xi
Follow the flowing water to find the source of the stream, but when you reach the source, you are at a loss.
When I first believed in the true source, I couldn’t reach it, so I relied on the water to murmur everywhere. 2. Poems about the word "source"
Wei Xiang
The corner of the palace is full of water, the source is as high as the earth. Thirty-two chants of Langxie No. 17 Bailongquan
Zhang Yaotong
Quietly practicing outside Mingtian, the source is Li Zetong. Jiahe Baiyong No. 8 Mu Xi
Su Shen
The source is deep and the river is narrow. Shao Gongji's Ten Poems on Seeking Taiding Shanfang Part 2 Shao Gongquan
Jiang Teli
The best of the Four Beginnings of Poetry, with its origins and the sound of governing the world. Reciting Poems Part Two
Zhao Bilian
It rains heavily at night at the source, and the fallen flowers are wet with dew①. Washing the Foot
Zhao Jiong
The source knows the warmth and cold well, and the roots are all in time and space. Yuanzhi No. 18
Zhao Fan
He's learning has a long history. I wrote fourteen short poems with the rhyme of "Po Gongjun is like a great river, the sun is thousands of miles away, I am like the water at the bottom of thousands of mountains" and sent it again to Bo Gai. I was deeply touched by this sentence. The second one
Guo Xiangzheng
How can the most precious treasure have no source? The source is deep. People's surname is Qian. He Yang Gongji's Hundred Questions on Qiantang West Lake, Thirty-three Qian Yuan
The source is shallow and cannot reach the sea, and the light is cold and slightly reflects the lake. He Yang Gongji's Hundred Questions on the West Lake in Qiantang, fifty-four of them, Xiwu Yang
Xiao Guan
The place is so good that people can hide in it, and the source is so deep that the guests are confused. Qingxi
Yu Liangneng
The article has no formal content, but the source is dredged and the stream is deep. Mr. Huai Dongjia wrote one of the ten short poems written by Jing Jian and sent it to Zhang Xu because of his recitation of Lao Po Jin's character Gonghe.
Zhang Xu
One after another, Jin Ao Zhang's eyes . Double Eyed Well
Pang Song
The spring rain breaks at the beginning of the night, when the source of the spring emerges at dawn. Four Scenes of Fangtang 1. Spring Scene
Hu Yinglin
?Youyan Spring originates from Donglu. I have already composed ten scenes of Zhantang, but there are still three unfinished quatrains written in it. The second one is Rock Spring
As clear as water
The source is blocked by clouds, so what does it look like at the bottom of the mountain? One of the Eight Scenic Spots of Doutan is Guanlan on the Wei
In Guanguan Valley, the spring has not forgotten Guan. The Five Scenes of Guanyuan are the five poems by Hong Shi Yujun. The third is Guangu Spring
Cheng Minzheng
A mirror contains skylight, where does the source come from. The Ten Scenes of Li Yuan No. 3: Jiantang Living Water
Pan Xizeng
The earth's veins return to the sea, and the source flows down into the Bishan Mountains. Eight Scenes of Nanzhuang inscribed eight poems for Sun Fengjun. Second, the source of living water. 3. Where is the source of poetry?
"The Book of Songs" and "Chu Ci" are the two actual sources of Chinese poetry.
The Book of Songs is a group of poems produced mainly in the Yellow River Basin from the early years of the Western Zhou Dynasty (11th century BC) to the middle of the Spring and Autumn Period (6th century BC). It may be due to political or practical reasons. purpose, collected and protected. At that time, it was called "Poetry" or "Three Hundred Poems". It was not until the Han Dynasty that it was respected as one of the "Five Classics", called "The Book of Songs".
The origin of "The Book of Songs" can be described as a mystery, because there is no clear record in history. However, in the pre-Qin Dynasty's "Guoyu. Zhouyu", there is a saying that officials and scholars presented poems; "Book of Rites. Five" There is also a chapter called "Zhi", which ordered the grand master to write poems to observe the folk customs. Although it is not reliable to collect poems, it is possible to present poems and present poems. If the officials and scholars at that time, in addition to writing their own poems, also paid attention to recording and passing on poems from all over the world, then we can get a rough idea of ??the formation of the Book of Songs.
When it comes to the content of "The Book of Songs", there is a traditional theory of "Six Meanings". The so-called "Six Meanings" refer to: Feng, Ya, Song and Fu, Bi, Xing. Kong Yingda's "Five Classics of Justice" explains: "Feng, Ya, and Song are different styles of poetry; Fu, Bi, and Xing are different styles of poetry." The so-called variant style refers to different poetry styles; different words refer to different styles. method of expression.
Regarding the meaning of Feng, Ya, and Song, there are many opinions in the past, usually according to Zhu Xi's explanation in the Song Dynasty: "Feng refers to the poetry of folk songs; Ya refers to Zheng, the song of Zhengle; Song refers to the music of the ancestral temple." .
The Book of Songs is characterized by four-character sentence structure, rhythm and rhyme. The four-character sentence pattern not only has a neat formal beauty, but also facilitates the use of two-syllable word combinations. It established the basic rhythmic form of ancient Chinese poetry with two syllables as one 'beat', and also created the rhyme system and rhyming method of poetry.
In the 4th century BC, in the Chu State in the south, another new poetry style appeared that could stand alongside the "Book of Songs": "The Songs of Chu". Chu Ci was originally a general name for ancient Chu people’s poetry. Chu Ci has two meanings, broad and narrow. In the broad sense, Chu Ci generally refers to the poetry of the Chu people at that time and the ancient works in which later generations learned the characteristics of Qu Yuan's poetry; in the narrow sense, Chu Ci refers specifically to Qu Yuan's poetry.
Qu Yuan (approximately 340 BC - 278 BC) was originally a nobleman with the same surname as the King of Chu. Because his ancestor was granted the title of Qu Di, he took Qu as his surname. Qu Yuan had good cultural literacy and lofty political ambitions when he was young, and was deeply valued by King Huai of Chu. However, due to the ignorance of King Chu and the criticism and slander of the small group, Qu Yuan was exiled twice. Finally, when he heard that the capital of Chu State, Ying, had been captured by Qin State, he drowned himself in the Miluo River in northern Hunan and died for his country.
Most of the poems in "Chu Ci" were written when the poet was in exile. The lush vegetation and graceful landscapes of Chu land gave the poet creative inspiration and artistic talent. Lu You wrote in "My Thoughts after Reading Old Manuscripts":
If you use your brushstrokes to get help from the country, how can you write poetry without Xiaoxiang?
"Li Sao" is Qu Yuan's masterpiece, a masterpiece in the history of Chinese literature! The poem has 373 lines and 2,490 words, making it a rare long poem in Chinese poetry. There are also excellent works such as "Heavenly Questions", "Nine Songs", and "Nine Chapters", covering all aspects of heaven and earth, mountains and rivers, mythological stories, historical legends, destiny and personnel, real life, etc., and there are also works to pay tribute to the soldiers who died in the Chu Kingdom. The song of music. They are all true expressions of the poet's thoughts, feelings and spiritual processes in various periods.
The characteristics of "Chu Ci" are very distinct. First of all, it is the romantic spirit of unrestrained, unrestrained and unrestrained. Qu Yuan relied on his rich and profound knowledge, wonderful and broad imagination, majestic and fiery passion, and colorful rhetoric to use his pen to gallop through the vast space of the human world and the divine world, drive the grass and trees, control the wind and clouds, denounce evil, worry about the country and the people, It has strong patriotic enthusiasm and lyrical meaning. Secondly, he created the poetic expression technique of "Vanilla Beauty".
The so-called "vanilla beauty", in addition to being a symbol of a wise minister and a king respectively, is also a symbol of "political ideals" and "noble personality". In a broad sense, the technique of "vanilla beauty" also belongs to the "comparison and xing" technique. Later, "vanilla beauty" became a specialized poetic term.
"Chu Ci" is different from the four-character sentence structure of "The Book of Songs". It is mainly five-character, six-character, and seven-character poems, with a few sentences reaching nine characters. It is a miscellaneous poem. The usage of function words in poems is also quite different from that in The Book of Songs. In addition to the prominent use of the interjection "xi", there are also a large number of structural particles and conjunctions commonly used in prose: zhi, hu, zhe, ye and so on. This gave the poems richer changes in rhythm, and at the same time, its prose tendency directly gave birth to the emergence of Han Fu.
These are the two major sources of Chinese poetry: Southern Poetry and Northern Poetry.