Jingjue ancient city
The first volume of the ghost blowing lamp, the exquisite ancient city, can be divided into two parts The first part ends in the underground military fortress of Darkmouth in Yerengou, mainly to build a framework and platform, and the main line has no clear clues. This part is intended to be written in the genre of folklore and rural gossip. The so-called folk stories are probably the legends of zombies and black donkey hooves in the deep forests.
Since the archaeological team entered the desert to find the ancient city of Jingjue, they have been exposed to distinct geographical and cultural elements, such as the western desert, Peacock River, Shuang Sheng Mountain, the Thirty Six Kingdoms, the female corpse of Loulan, Dunhuang murals and so on. When these elements are mentioned, a mysterious breath comes to my face. Therefore, in this part of the ancient city of Jingjue Temple, the mystery is the core of the story. In the end, the queen of Jingjue Temple did not appear and was considered mysterious to the end. This book involves some elements, such as archaeological puzzles.
As the first volume, the biggest defect now is that some parts are too simple and sloppy, and the logic is loose, and they are compiled with the writing, without considering how the following story unfolds; Satisfactory, the description and narration are more realistic and vivid.
The style that looks real and mysterious in the countryside is what I want to express most when I write the first volume.
Longling mysterious cave
In fact, the story of the second volume of Ghost Blowing Lights is divided into three parts. First, Longling inverted bucket found the ghost tomb of the Western Zhou Dynasty; The second is the treasure hunt of a captain in Black Water City; Third, the coffin shop of the stone tablet shop presents the king's temple on the surface. Although there are three stories in one volume, in this volume, the author mainly wants to highlight the core element of terror. Some people may say that Ghost Blowing Lights is a thriller, but in fact, the author thinks it is not at all, and it has little to do with "terror" as a whole. Speaking of thriller, this is just one of the many elements in this book, not the main element. The only suspense is "Longling Cave", which is full of suffocating buttons of traditional scripts. This is a sensational book.
Yunnan chonggu
The third volume of Ghost Blowing Lights, Yunnan Worm Valley, was written while watching the World Cup, which was particularly impressive and was a severe test of energy, physical strength and determination. Exploration is the core of Wang Xian's Tomb. The author likes watching movies very much, and once liked Abyss and Alien. The so-called adventure is exploration and adventure. Then I watched the trailer for the remake of King Kong. There was an expedition that used a turntable to load (rob) guns and fought centipedes in the valley. I really like this scene. Outdated expeditions, canoeing, the wreckage of the crashed Air Force (Jun Jun) plane, the ghostly Morse signal, the Chicago typewriter, the immortal giant insects, the corpse hole effect that devours everything, the jungle thorns and fossil caves with harsh natural environment, so the Yunnan Worm Valley began. This is the traditional exploration element of the treasure map, which is a combination of old and new exploration elements with strange supernatural and sci-fi colors.
In Insect Valley in Yunnan, the story type turned to "exploration" in an all-round way. There are not many characters in this volume, and the main space is used to tell about the sinister terrain and all kinds of strange traps. At first, the author had no idea about the human skin map contributed by Chen Man, a blind man. With the progress of writing, I was a little surprised to uncover the mystery one by one. The earliest designed tomb offering the king is an ancient tomb that only the sky were to fall. It's also whimsical. A large passenger plane crashed in front of the gold team and opened the grave, but then I thought it would be bad for many friends to go out by plane in the future. In addition, the ghost signal part used the US (mi) transport plane that assisted the China Air Force during the Anti-Japanese War, so in the end, the sky and the earth were described as a bombed plane that was destroyed decades ago. The sense of gravity and fatalism in this plot could not be predicted in advance.
Kunlun jingong
The first volume of Ghost Blowing Lights and the fourth volume of Shenkunlun Temple are full of myths. China has a vast territory and rich resources, and different cultures and legends have been bred in different regions. All China myths must be inseparable from Kunlun Mountain, which is the backbone of heaven and earth, the birthplace of ancestors, the shrine of the Queen Mother of the West and the lair of the northern demons. It seems that Kunlun cannot be called Kunlun without myths and legends. According to ancient records, the real image of the Queen Mother of West Kunlun is a monster. According to the author's personal imagination, it may be a big fish. I have seen the world's largest freshwater fish in the Natural History Museum, and it really feels like a dragon.
The plot of this book involves the legend of King Gelsall. The epic poem of the heroic king making the enemy orb is itself a long rap poem with strong mythology, so this article on Kunlun Mountain is mixed with many other elements close to mythology. The fish king in the windy lake, the boundless fire, the ice of the poor god, the thunder mountain in the dark, the crystal mountain, the evil Haicheng and the door of disaster are as bizarre as entering the fantasy world. Kunlun Temple is like an adventure in the divine world. Although there are many mythical elements, it still maintains a consistent principle and tries to be close to the real world. Of course, there will be no real myths such as flying underground, immortal and immortal spells.
Due to the schedule and contract, the first film of Ghost Blowing Lights was behind Kunlun Temple, and even if it ended, the final ending was in Beijing Beihai Park, which was a perfect ending. The last chapter, chapter 234, contains all the contents completely, and the physical book is perfect. Of course, this finale belongs only to the first one.
In the first four volumes of Ghost Blowing Lights, my favorite plot appeared in Xifen Tibetan, but due to space problems, that part was included at the end of the Yunnan volume of the physical book, describing Hu Bayi's battle with iron bars and war horses in the deserted temple in the moonlight in Xifen Tibetan. In fact, these chapters should be counted as part of the wolf anyway.
Yellow leather grave
According to the original plan, the four volumes of the second part of Ghost Blowing Lights will describe four different key elements. Therefore, writing a prequel is mainly to enliven my thoughts and words, so that I won't lose patience because of too rigid time clues.
Huangpi Tomb is a volume with a very strong background. The core elements are all kinds of strange legends about weasels, graves and coffins of nonhuman creatures, and the unique river and lake system in Northeast China, which are of great interest to the author. However, due to the special background, many words and contents are inevitably restricted. Unlike the active 1980s, the protagonist in this period was immature, but his enthusiasm was unstoppable.
In Hailar and Dalian, the author visited the remains of the Japanese invaders, including crematoriums, prisons, European hospitals, research institutes, etc., and was deeply impressed by them, so he set the story background in them. In this volume, the author is satisfied with the description between Huang Pizi's mind-reading and incineration, as well as the strange incident that the old sheepskin was struck by lightning after death. As far as the real thing is concerned, I think the strange soup is very strange and real. The big disadvantage is that I forgot some interesting things, and the part of people and bears was handled too hastily.
Back to the South China Sea market.
As a continuation of the first story, in the first few volumes, the author thinks that there are many risky occupations in China's traditional industries, and the biggest risk is the people who collect pearls in the sea. The prototype of pearl pickers in the South China Sea comes from Beihai, Guangxi. During the Qin and Han dynasties, it seems that few people wrote about it.
So in this volume, pearl picking in the sea and the legend of this industry are the key elements. Some people think that the splendid Mayan culture was built by ancestors who crossed the sea in China during the Western Zhou Dynasty, because there are many similarities between them, and the myth of shooting at the sun is a very important content in Chinese civilization.
I once wanted to describe the magic arrow at the bottom of the sea as a real giant weapon, but Captain Touching Gold and the eggs lost in the chaotic sea of Hui Gui market finally launched the magic arrow that shocked me for a hundred years and shot through the sea overhead, thus escaping from the sky. But I forgot this idea when I wrote it later, but it is also a very thrilling adventure to escape with the help of Long Bing, a real maritime wonder.
It is not fiction to kill the evil fish in the water with watermelon filled with lime and sail on the boundless sea with the help of octopus. It once existed in the south of China. What I am satisfied with in this volume is the description of the black market on the island, and some scenes about sunken ships are also good, such as Gankun jumping off a building and so on. What I am most dissatisfied with is the corpse of a pirate in the bottom of a sea willow. This part is relatively rough and should have a lot of room for development. Things in the Sea of Mother-of-Pearl should also be written, but the length and number of words in each volume are also difficult to overcome. There should be neither too much plot nor too little content. Without an overall outline, it is difficult to control, and the amateur and professional level may be here.
Angry and sunny Xiangxi
In this volume, the author's working hours are very relaxed, and more time will make him write more calmly. So from the text alone, the author thinks that Angry Sunshine Xiangxi is the most exquisite of the eight volumes. Because there are more and more restrictions on modern themes, he decided to return the prequel to the Republic of China and let go of his hands and feet to dig hard.
In the past, I drew a smooth map and randomly compiled three systems, touching mountains and touching gold, moving mountains and unloading mountains. With the continuous development of the story, I gradually outlined the origins, anecdotes, legends and technologies of these industries, because the previous books were mainly about reading Feng Shui tomb raiding, which led many people, even those who followed the trend to write so-called tomb raiding novels, to only know Feng Shui to find Long Mai, but did not know that there were many strange ways of tomb raiding among the people.
Therefore, this volume focuses on the means of grave robbery other than reading the word tactic. Legendary stories of the Republic of China are interesting only if they have the consciousness of telling stories, chivalrous characters, various slang and are full of historical folk stories. I have written an article about Black Water City before, which is tentative and dare not write in a big way. But with my previous experience, it is natural to write with ease. Among them, I made up a brand-new concept code, that is, the mountain sutra, including the system of Changsheng Mountain and Moon Gate, is completely fictitious.
Wuxia Guanshan
As the last volume of the book, the task of "Wu Xia Guan Shan" is relatively heavy, and the most deadly thing is the number of words. According to the number of words agreed in the contract, the first three volumes of the second volume are about 30,000 words short, which should be added to the last volume. Therefore, this volume is too long and has half a book, but even so, the length of the last volume is not enough.
As the main line of the book, the four bronze symbols in the plan symbolize four life states that exist in different forms between heaven and earth. I want to draw a symbol from each one, but in that case, at least five volumes are needed, so I have to simplify some plots.
In addition, in this volume, I also intend to explain the real reason why the 16-character Yin-Yang Fengshui Jiejing became a remnant volume and the story of the last master touching the golden spell. The book "Ghost Blowing Lights" started with the remnant volume of "16-character Yin and Yang Feng Shui Secret" and will eventually be destroyed in the past. Besides exploring Xian Di Village, the last volume also includes these plots.