Poems on Folk Houses in Western Sichuan (Give a few ancient poems describing folk houses)

1. Give some ancient poems describing folk houses. The villagers in Qingpingle live in Xin Qiji, with low eaves and green grass beside the stream.

When you are drunk, your voice is charming and your hair is white. The eldest son is weeding in the bean field on the east side of the stream, and the second son is busy knitting chicken cages.

I like children and scoundrels best, lying on the head of the stream peeling lotus flowers. Xijiangyue Xin Qiji moon surprises magpies, and the breeze chirps in the middle of the night.

The cool evening breeze seems to have spread to cicadas in the distance. In the fragrance of rice and flowers, people talk about the harvest of a year, and frogs croak in their ears, as if in a bumper harvest year.

In the old days, Maodian was near the forest, and the road turned to the stream bridge. The village lives in Cao Ding, Gao Qing. In February, long warblers fly, and the willows on the embankment are drunk with spring smoke.

The children came back from school early, so they were busy flying kites in the east wind. Returning home, I lived in the wilderness of Tao Yuanming in Wei and Jin Dynasties, and there were few people in the poor lanes.

This day is still Chai Men closed, and the pure mind blocks the vulgar thoughts. When complicated market music, pull weeds.

When we meet, we don't talk about worldly affairs, only that the garden is long in Sang Ma. My field is growing higher and higher, and my cultivated land is expanding day by day.

Often worried about sudden frost, crops wither like shrubs. Returning to the garden and living in the Wei and Jin Dynasties, Tao Yuanming has no rhyme, and he loves autumn mountains.

I sneaked into the official career network and have been away from the game for more than ten years. Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.

Land reclamation in the south and return to the countryside. The house is surrounded by about ten acres of land, thatched cottages.

The elm tree is behind Liu Yin and in front of Luotang in Li Tao. The neighboring village of the neighboring village is faintly visible, and there is smoke in the village.

Several dogs barked in the alley, and the mulberry tree was barked by a rooster. There is no dust and debris in the yard, and the quiet room is comfortable and leisurely.

Trapped in a cage without freedom for a long time, I finally returned to the forest today. Pastoral Ci Tang Huai Li Bai Jia Yi three years autumn, Wanli, Ban Chao.

How to lead a white calf? Drinking water is good for clean water. Tang Meng's animal husbandry is harmful to dust, but the first thing is to raise the sky.

Cloth is close to three paths and thousands of trees have been planted. Yu Yue was pushed to move, but he was in his thirties and hasn't met him yet.

It was too late to write the sword, and it was dusk in Yuan Qiu. Pregnant in the morning, often confused during the day.

The sky is full of envy, vying for food shame. Looking at Jinmamen, I will take the road of firewood.

Country songs have no confidants, and eventually no friends or relatives. Who can recommend Ganquan Fu for Yang Xiong?

In spring, the village is the spring pigeon singing of the Tang family, and the apricot blossoms are white at the edge of the village. Hold an axe to cut far and wide, and hoe the spring pulse.

Yan knows his lair, so he looks at the new calendar. If you are in a hurry, you will not be royal, and if you are far away, you will travel far.

This is a question of going to the countryside. Don Wang Weiping lives on Qi's water, and there are no mountains to the east. The sun hides outside the mulberry trees, and the river between the wells is clear.

The shepherd boy looked at the village, and the hound came back with people. What's with silence? Fei Jing has a day off.

Autumn rain in the countryside is Tang Geng's business. In the desert, there are heavy clouds and dark clouds, and the rustling rain hangs down. For the ancient road submerged by forest, it is all wasteland.

When these five crops are harvested, several families in the isolated village cook. Turbulent flow all over the nursery, rotten leaves write autumn branches.

New firewood wets dusk, and old fishing moves in the morning. Last year, chrysanthemums were in full bloom in Dongli.

Four-season rural hybrid Fan Song becomes a big Li Jinxing fat, and wheat flowers are white and cauliflower is thin. No one has ever crossed the fence, only dragonflies and butterflies are flying.

The countryside is mixed in the four seasons. In the Song Dynasty, Fan Chengda blackbirds threw themselves into the forest, and the tourists were sparse, and the mountains in front of them went to firewood. The child paddled like a leaf, weaving a duck array and returning alone.

The newly-built farm in Fan Chengda in the Song Dynasty has a flat mud mirror, and every household grows rice while first frost. Laughter thundered and flail rang all night.

Four Seasons Pastoral Miscellaneous Prosperity Song Fan Chengda Ritian Yunye Ji Ma, each village takes charge. Although the children don't plow and weave, they also learn a kind of melon in the shade of mulberry trees.

Four-season mixed (1) plums are golden and apricot fat, while wheat and cauliflower are thin. No one has ever crossed the fence, only dragonflies and butterflies are flying.

The countryside is full of excitement in all seasons. (2) Farming in the field during the day and being numb at night, the children in the village are in charge. Although the children don't plow and weave, they also learn a kind of melon in the shade of mulberry trees.

Pass by my old friend Zhuang Menghaoran, prepare chicken rice for me, old friend, you entertain me on your farm. Green Woods surround the village and green hills are located outside the city.

Open the window facing the valley vegetable garden and pass the glass to talk about crops. Please come here to see chrysanthemums when the ninth festival comes.

Shanxi Village Tour [Song Dynasty] Lu Youxiao laughed at the farmhouse muddy wine, and raised enough chickens and dolphins in good years. There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay.

Looking high at the wild, what does the migration depend on? Trees are all autumn colors, and mountains are only sparkling. The shepherd brought the calf back, hunted horses and brought birds back.

Care for no acquaintances, Long song pregnant with Cai Wei. At night, the bell of Lu Men Song Meng Haoran Mountain Temple came at night, and fishermen boarded the ferry.

People walked along the shore to Jiangcun village, and I also returned to Lumen by boat. The moonlight at the deer gate made the mountain tree appear, and I suddenly came to the seclusion of exile.

Thatched doors and pine paths are lonely and quiet, and only strangers come and go. Wang Wei's sunset shines on the ruins of a farmhouse by the Weihe River, and cattle and sheep go home along the path.

A rugged old man in a thatched door leaned against a cane and thought about his son, the shepherd boy. There are whistling pheasants? Full ears of wheat, sleeping silkworms and peeled mulberry leaves.

Jojo and Fu Tian greet each other cordially. No wonder I long for a simple life and sigh the old song, oh, back to the past! .

Looking high at the wild, what does the migration depend on? Trees are all autumn colors, and mountains are only sparkling. The shepherd brought the calf back, hunted horses and brought birds back.

Care for no acquaintances, Long song pregnant with Cai Wei. In the countryside in April (Tang Dynasty), the green hills in Weng Juan were covered with white mountains, and the sound of Zigui was raining like smoke.

In April, there were few idle people in the countryside, and sericulture was planted in the fields. Zhang (Tang Dynasty) fisherman, flying in front of Mount Cisse, peach blossoms and flowing water, rich mandarin fish, bamboo slips and green coir, don't have to return in the oblique wind and drizzle.

2. Du Fu Caotang, the residence of the Tang Dynasty poet Du Fu when he lived in Chengdu.

Du Fu Caotang (Chengdu Du Fu Caotang Museum) is located on the Huanhua River outside the west gate of Chengdu, Sichuan Province. It was the former residence of Du Fu, a great realistic poet in China in the Tang Dynasty, when he lived in Chengdu. After Du Fu left Chengdu, the thatched cottage no longer existed. Wei Zhuang, a poet of Shu Kingdom five generations ago, discovered the former site of the thatched cottage, rebuilt it and preserved it. It has been rebuilt and expanded in the Song, Yuan, Ming and Qing Dynasties, and has evolved into a famous cultural shrine with simple and elegant architecture and beautiful gardens. Chengdu Du Fu Cottage is famous for its poems, which have been praised by poets throughout the ages. 196 1 year in March, was announced by the State Council as the first batch of national key cultural relics protection units. 1985 In May, Chengdu Du Fu Caotang Museum was established, which is the largest, most well-preserved, most distinctive and most famous of the existing traces of Du Fu's whereabouts.

In the late winter of 759 AD, Du Fu went to Chengdu to escape the Anshi Rebellion. The following spring, with the help of his friends, he built a hut by the Huanhua River in the western suburbs of Chengdu, which is the Chengdu Caotang mentioned in his poem. He has lived here for nearly four years. He was awarded the title of "Yuan Wailang of the Ministry of Supervision" and was called Du Gongbu. He left more than 240 poems, such as Delighting in Rain on a Spring Night, books, etc. Among them, The Hut was Blown by the Autumn Wind is a swan song. Du Fu lived and made friends in Chengdu, and his poems, paintings and calligraphy were endless. "Two orioles singing green willows, a line of egrets on the sky. The window contains autumn snow in Xiling, and the Wu Dong Wan Li boat stops at the door. " This poem "Four quatrains (the third)" vividly depicts the spring scenery of the Bo family that the poet saw in the thatched cottage. In 765, Yanwu died of illness, and Du Fu had to say goodbye to his family. Two years later, he went to the Three Gorges and lived in Jing and Hunan.

Today's Du Fu Cottage was rebuilt many times in the Song, Yuan, Ming and Qing Dynasties. The largest two were rebuilt in the thirteenth year of Hongzhi in Ming Dynasty (1500) and the sixteenth year of Jiaqing in Qing Dynasty (18 1 1), which basically laid the foundation for the scale and layout of today's Cottage. Du Fu Caotang Museum completely retains the pattern of Jiaqing reconstruction in Qing Dynasty, covering an area of more than 300 mu. This garden is a very unique "mixed" China classical garden. In the thatched cottage, nanmu towering, Meizhu forest, winding streams, staggered bridges and pavilions, Chai Men flower path, winding path leading to a secluded place, elegant and beautiful garden pattern. Chun Mei, Xiahe, Qiuju and Donglan are fragrant in four seasons.

Du Fu Caotang Museum is divided into: cultural relics scenic area (former site of Caotang), garden scenic area (Meiyuan) and service area (Caotang Temple). It is one of the most concentrated tourist attractions in Chengdu. The buildings in the former site of Caotang started from the main entrance and were arranged on a central axis in turn, namely, Dayi, Stone Tang Poetry, Chai Men and Ministry of Industry. The plaque "Caotang" on the main entrance was written by Prince Guo Zi, the 17th son of Emperor Kangxi of the Qing Dynasty. The History Museum of Poetry is the central building of Du Fu Caotang Memorial Hall. In the center of the Museum of Poetry and History is Du Fuxiang carved by sculptor Liu Kaiqu, and there are couplets and plaques inscribed by celebrities in past dynasties. There is a portrait of Du Fu in the shrine of the Ministry of Industry, next to which are poets Lu You and Huang Tingjian, both of whom once lived in Sichuan. On the east side of the shrine of the Ministry of Industry is the tablet pavilion of Shaoling Caotang, formerly known as Shaoling. The tomb of Emperor Gaozu Xuan Di is called Ling Du, and the tomb of Queen Xuan Di is called Shaoling because it is smaller than the tomb. Du Fu once lived here for a long time. In his poems, he called himself "Ling Du's grandfather" and "Shaoling's grandfather", so he was called "Du Shaoling". Behind the shrine of the Ministry of Industry, there is a "Caotang Scenic Area", which was restored and rebuilt in modern times from 65438 to 0997 according to the description of Du Fu's poems, imitating the pattern of Ming Dynasty and drawing lessons from the characteristics of western Sichuan folk houses. Du Fu's thatched cottage also has an antique and unique "thatched cottage" screen wall with red walls and bamboo inlaid with broken porcelain.

1985, Du Fu Caotang was renamed Du Fu Caotang Museum, with a collection of more than 30,000 books and more than 2,000 cultural relics. Including fine engraving, photocopying, manuscripts and various modern printed editions of Du Fu's poems in the Song, Yuan, Ming and Qing dynasties, as well as foreign language translations in five languages published by Korea and Japan and more than 20 Chinese paintings in/kloc-0, it is the most abundant and well-preserved place in Du Fu's life.

Chengdu Du Fu Caotang is the first batch of national key cultural relics protection units announced by the State Council in 19961. The word "thatched cottage" at the main entrance of thatched cottage was written by Aisingiorro Yunli.

Visit information of Du Fu Caotang Museum in Chengdu

Address: No.38, Chengdu Tsinghua Road, Xiwai Caotang Road, Chengdu

Opening hours: 7: 30-19: 00 in summer; 8: 00- 18: 00 in winter

Transportation: Take bus 30 1, 82, 84, 35, 17.

Price: 60 yuan

3. The poem describing Kuanzhai Lane is just a wall. What's wrong with him? The Great Wall of Wan Li is still there today, but I haven't seen Qin Shihuang.

This poem comes from a letter from Fu Yijian. Its vernacular explanation is: Why do you write a letter thousands of miles away for a wall? The Great Wall of Wan Li still exists today, except Qin Shihuang. After the letter was read by my family, I felt ashamed and offered to give up three feet. After the neighbors knew it, they were also deeply ashamed and gave up three feet, thus forming the six-foot lane today. Known as Fu Lao in Shuicheng, Fu has also become the most famous surname in Shuicheng.

Extended data

The story of "Liuchi Lane" became a historical story because of the land dispute between the Zhang family and its neighbors.

During the reign of Kangxi in the Qing Dynasty, Zhang Ying served as a university student and minister of rites in Wenhua Hall. The official residence of my hometown Tongcheng is adjacent to the Wu family, and there is an alley between the two courtyards for both sides to use. Later, the Wu family wanted to build a new house and take this road. The Zhang family disagreed. The two sides were at loggerheads and took the lawsuit to the local county government. Considering that both families are famous families, the county magistrate dare not end it easily.

At this time, the Zhang family angrily wrote an urgent letter asking him to come forward to solve it. After reading the letter, Zhang Ying thought he should be modest to his neighbors. In his reply to his family, he wrote four sentences: "A thousand miles of books are just separated by a wall. Why not let him be three feet?" The Great Wall of Wan Li is still there today, but I haven't seen Qin Shihuang. "After the family saw it, they understood the meaning and offered to give up three feet of space. Wu Jia was deeply moved by this scene and offered to give up the three-foot homestead, hence the name "Six-foot Lane".

Zhang Ying, Zi Dunfu,No. Lepu, a native of Tongcheng, Anhui Province, was an official in the Qing Dynasty and the protagonist of the story of Liuchi Lane.

Neighbor Wu, whose identity is not specifically recorded in history, is generally regarded as a civilian who is engaged in business or studying.

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