A coarse robe, covering the slender body, swaying skirts, flowing in the air. Long hair, bright in the air and floating in the wind, is a little more elegant and a little less gentle. With Dai, a pair of elegant eyes are like autumn water, cheeks are reddish, and two small dimples are shaking.
Jade spirit opens to the east, and Chang 'e shadows. Lightly apply lead powder, hang it and then continue to meet the front edge. Just like a three-day birth, Chang 'e becomes a pearl with a full moon. The moon stopped playing the flute and Chang 'e sheltered from the wind. Sit down, leave thoughts and worries, and let Chang 'e know. The maid in green has slender hands, and the new Chang 'e gives birth to a toad. Chang 'e put her hair in a bun, and Xia Shu, a jade girl, wove the sky.
Chang 'e:
Chang 'e, a figure in China's ancient mythology, also known as the wife of Heng Mu,,, Chang 'e and Yi, rose to the Moon Palace for stealing the elixir of life. The story of Chang 'e first appeared in the hexagrams of Shang Dynasty.
The complete story about the Goddess Chang'e flying to the moon was first recorded in "Huai Nan Zi Lan Ming Xun" in the Western Han Dynasty. In the Eastern Han Dynasty, Chang 'e established a relationship with Iraq, and Chang 'e became a toad after entering the Moon Palace. After the Northern and Southern Dynasties, the image of Chang 'e returned to her daughter.
In the portraits of the Han Dynasty, Chang 'e has a snake-shaped head with a high bun and long sleeves, and a long tail decorated with short hooked feathers. After the Northern and Southern Dynasties, the image of Chang 'e was portrayed as a peerless beauty. In the Southern Dynasties, Chen once compared the favorite Zhang Lihua to Chang 'e, and the poet Bai Juyi in the Tang Dynasty once praised the girl next door and Chang 'e as rare.
Mid-Autumn Festival:
Legend has it that Chang 'e rose to the Moon Palace because she took the elixir of life and was unable to meet her family from then on. Later, people put a snack similar to the full moon in the yard on August 15 to express Chang 'e's thoughts about her family. Every year, it becomes the Mid-Autumn Festival.
According to legend, after Chang 'e flew to the Moon Palace, she confided her regret to Iraq and said: Tomorrow is the full moon. You make pills out of flour, round like a full moon, put them in the northwest of the house, and then keep calling my name. At midnight, I can go home. The next day, Yi did as his wife said. At that time, the fruit of Chang 'e flew from the middle of the month and the husband and wife reunited.
Image evaluation:
Chang 'e swallowed the elixir of life, flew to the Moon Palace freely and lived in the cold forever. Although she passed away, everyone looked up at the moon and whispered to Chang 'e. In this way, the beauty of the blue sky, the beauty of the moon, the beauty of women, the beauty of tenderness, the beauty of farewell, the beauty of soaring, the beauty of imagination, the beauty of missing and the beauty of artistic conception all add up to form the initial aesthetics of the Chinese nation.