Yu Ke, born in Jinan, Shandong Province, is a national first-class director and a first-class screenwriter. He is a member of Chinese Dramatists Association and Chinese Dancers Association. He used to be the director of the opening and closing ceremonies of the Beijing Olympic Games and the assistant to the director of the technical production department of the 60th anniversary gala of the National Day of the capital, and was awarded the advanced individual of the Olympic Games and the 60th anniversary contribution award of the National Day of the capital. Is a professional and technical personnel, enjoy the State Council allowance.
Chinese name: Yu Ke
Nationality: China.
Ethnic group: Han nationality
Place of birth: Jinan, Shandong Province
Occupation: director, screenwriter
Main achievements: being rated as an advanced individual in the Olympic Games.
Representative Works: Fairy Descending to Earth, Spring outing of the Ancient philosophers.
Gender: male
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In his youth, Yu Ke carried molten iron across the country, drove a lathe and carried a gun. The first art I came into contact with was drama; Then transfer to traditional Chinese opera and folk dance performances; Later, he turned to director and director; He once worked as a drama tutor and director in county-level cultural centers, then in charge of mass culture and cultural market in the Municipal Cultural Bureau, then transferred to the municipal government office, and then returned to the cultural and artistic post as the general planner and director of large-scale artistic activities. During this period, I took an undergraduate course, not art, but law and Chinese language and literature.
First, he became attached to the Kite Club, and the director planned the opening and closing ceremonies and large-scale performances of dozens of national and provincial large-scale festivals.
On 1984, Mr. Ke became attached to Weifang International Kite Club and intermittently conducted the opening ceremony and large-scale cultural performances of the 12th Weifang International Kite Club. As for its personal influence, director Yu Ke said: "In fact, being a director is not as beautiful as laymen think. The hardships we have experienced and the responsibilities we shoulder are unimaginable to ordinary people. "
1987 At the opening ceremony of the 4th Weifang International Kite Festival, 500 people performed in large squares such as "Kite Dance", which initially showed the rudiment of modern large-scale group singing and dancing. 1988 During the 5th Weifang International Kite Fair, the performance time of the opening ceremony was changed from day to night. "I mainly want to highlight what the director wants to highlight with lighting art, and another reason is because lighting covers up the ugliness. Although the lighting effect at that time was not as good as it is now, under the light, the busy figure in the stadium preparation work will not be discovered by the audience. " Director Yu Ke said humorously.
At the opening ceremony of the 7th Weifang International Kite Fair on 1990, Yu Ke, as the deputy director, directed such large-scale performances as Wan, Fairy Descent, Spring outing of the Hundred philosophers and Lohan the Drowner, and initially formed his own directing style.
199 1 At the opening ceremony of the 8th Weifang International Kite Fair, Yuke invited 90, 9 1 national supermodels to Weifang, and held a large-scale fashion song and dance evening in Weifang Stadium, which was divided into messengers in spring, hospitality in summer and elegant demeanor in autumn and winter. Based on the dance of Four Seasons Fashion Group, the stadium was decorated and rendered in large tones, creating a colorful and magnificent scene. The performance in the evening was very successful, and from that time on, it basically laid the position of director Yu Ke.
"Weifang in the early 1990s was not very developed. At that time, models should be very new to Weifang people. It is even more whimsical to use models for large group exhibitions. So all aspects have been greatly resisted. To tell the truth, it took me a lot of effort to get through it. But as directors, we must learn to innovate, and innovation is our primary task. If a director doesn't innovate, then his career as a director is basically over. So I was under a lot of pressure and got support from all sides. The final result proved that I was right, because the party was very successful and won wide acclaim from all walks of life, including some people who strongly opposed me at the beginning. "
In 2000, the opening ceremony of 17 Weifang International Kite Fair, directed by Ke, reached the peak of collective song and dance art in the square. At that time, the theme was Flying to the New Century, which was divided into Soul of Kite, Love of Kite, Kite Tide and Ode to Kite and Flying! Weifang has been staged for five times, with more than 15000 actors. The performance began with the ancient scrolls-'Flying Totem',' Lu Ban, the originator',' Han Xin, the God of War' and' Banqiao, a gifted scholar', and extended all the way to the beautiful home of' silver thread connecting the four seas, kites spreading friendship' in reality, from which the blueprint for Weifang's development began. Among them, the organic combination of Shandong folk art and Weifang kite, with time and space shuttle and literary accumulation as the foil, shows the dream of many years of innovation one by one, which has become an important milestone in Mr. Yu Ke's artistic career.
"Of course, from the end of that session, the opening ceremony of the International Kite Club basically ended with large-scale group singing and dancing, and the opening ceremony began to become a big stage and theater in the North-South style. The performances are mainly big-name stars, and the directors have few original elements. The queues and pictures of the creative design and rehearsal scheduling of the 10,000-person group performance are gone, and the sense of responsibility and bitterness is also reduced a lot. "
When talking about the ups and downs of being a director, Yu Ke has his own opinion: "I think as a director, you must have your own beliefs. No matter in the poorest time, or when the official position is tempted, you can't give up. Only by persistence can we succeed. " Mr. Yu Ke was selected as the director of the opening and closing ceremonies of the Beijing Olympic Games, which proved the result of his persistence for many years. It can be said that the cultural heritage and rich director experience accumulated in the annual Weifang International Kite Festival make him take his time in controlling various large-scale scenes.
1987-2008 Intermittently served as the general director of the opening ceremony of the 12th Weifang International Kite Fair and large-scale cultural (group) performances.
1992: Planning and guidance for the opening ceremony of the Nadam Conference in Hulunbeier.
In 200 1, 2002 and 2003, he was the general director of the opening ceremony of China Vegetable Expo and large-scale cultural performances.
In 2002, he served as the artistic director of the second national children's drama jointly organized by the Central Committee of the Communist Youth League and CCTV.
In 2003, 2004, 2006 and 2007, he served as the general director of the opening ceremony of Lutai Economic and Trade Fair.
In 2004, he served as the deputy director of the opening ceremony of Qingdao International Beer Festival and large-scale cultural (group) performances.
In 2005, he served as the deputy director of the large-scale art (group) performance at the opening ceremony of the Super League (Jinan).
In 2006, he served as the planning and director of the opening ceremony of Jinggangshan Red Tourism Art Festival.
Director of large-scale literature and art (troupe) at the opening ceremony of the National Games of Inner Mongolia Autonomous Region in 2006.
From 2007 to 2008, he was the director of the opening and closing ceremonies of the Beijing Olympic Games.
In 2009, he served as the technical and directing work of the "Light Cube" of the 60th National Day Gala of the capital.
20 10 director of large-scale art (troupe) for the opening ceremony of Guangzhou Asian Games.
Second, the bumpy growth experience accumulated wealth in life and made his cultural and artistic creation.
Teacher Yu Ke is not from a regular art class. After embarking on the road of art, he experienced many ups and downs, overcame various difficulties, and finally became a famous director by self-study.
Yu Ke was born in a cadre's family in a provincial organ. He said that he was satisfied with the memory of 12 years old. /kloc-after 0/2 years old, an unprecedented movement came, and his father devolved, and he followed him to Zhucheng County. In that special era, my father's family was born in a landlord and capitalist family, so Yu Ke naturally became the object of transformation. /kloc-when he was 0/5 years old, he went to the countryside and was assigned to dig toilets and carry hot metal in factories in remote mountainous areas, working every day 12- 16 hours. When working during the day, the adults rolled their eyes and yelled at him; When sleeping at night, rats came to bully him in droves ... He never did heavy work, but he couldn't lift hot metal. The master said that he could lift it by straightening his waist, so he bulged his boring waist and stood up. The molten iron suddenly splashed out, fell everywhere, splashed on his clothes from the ceiling, got into his neck, and shrank his neck in panic. The terrible pain of "Zila" came out with the burning smell of meat, and he endured walking. Yu Ke's tone is a bit heavy. "At that time, I felt that I was an unnecessary person in this world."
In a special period, Yu Ke did a lot of work in the factory, such as turning sand, turning lathe, hot metal chemist, political propaganda and so on, and did a good job. By chance, he participated in the performance of the county Mao Zedong Thought literature and art propaganda team. Because of his diligence, strong interest in art and high talent, he soon became the pillar of the literary propaganda team. That's when the hardships and pains of pursuing art began. He was admitted to the Art Troupe, but failed in the political exam. He cried. He was admitted to Changchun Film Factory as an actor and finally passed the political examination. He shed tears again. However, Yu Ke never gave up.
1978 or so, because of his outstanding performance and the teacher's recommendation, Yu Ke was transferred to the cultural center. In a good cultural atmosphere, he used all possible conditions to study day and night and constantly improve his theoretical level. When the first batch of RTVU students enrolled 1982, they entered the Chinese Language and Literature Department in the scientific research. "Because of part-time study, the assessment of each course is quite strict. There were more than 370 people studying together in which city at that time. After three years, only 13 people can graduate smoothly. I am one of the 13 people. " Mr. Yu Ke said that in the melting pot of the cultural center, he not only absorbed the knowledge of art crazily, but also learned the knowledge of China language and literature, so as to enrich and improve himself step by step.
On the road of art, there are two teachers that he will never forget. The first one is Mr. Han, who teaches drama art, and the second one is Mr. Pang Baolong, who teaches dance art. Mr. Han graduated from the Central Academy of Drama in his early years and has high attainments in drama art. Mr. Pang is the director of the dance department of Shandong Group Art Museum and has rich practical experience in choreography. The inculcation of the two gentlemen, various and multi-level examples, strict discipline and demeanor of being a man have enabled Yu Ke to grow rapidly in artistic knowledge and accomplishment, laying a solid foundation for better improving his artistic level in the future.
But strangely, Mr. Yu Ke's diploma and degree certificate have nothing to do with art, one is Chinese language and literature, the other is law, and there is no certificate of art. However, under the guidance of diligent self-study and tutors, in the early 1980s, he became familiar with the director system of stanislavski in the former Soviet Union and the series of books of China humanistic artist Mr. Jiao Juyin, and the road to directing became smoother and smoother. People who are familiar with Dick say that he is a particularly inspiring person, and his ideas are often unexpected but effective. He said with a smile: "Many people say that I often come up with good ideas in conversations, or I accidentally have a brand-new idea. Once or twice, you can understand it this way. But for a director, most of the inspiration comes from long-term thinking and long-term artistic accumulation. In this way, inspiration can be instantly inspired. "
With outstanding work achievements, Mr. Yu Ke was transferred from the cultural center to the Municipal Cultural Bureau to take charge of mass culture and cultural market, which gave him a more suitable soil for his own development.
1978 (in cooperation with Mr. Han) The musical "Excellent Skills" won the first prize of the song and dance performance of CCTV.
1979 The drama "Who Has Great Skills" won the first prize of song and dance and drama performance in Shandong Provincial Department of Culture.
1980 (in cooperation with Mr. Han) The musical "Let a Hundred Flowers Bloom" won the second prize of the Song and Dance Performance of Shandong Provincial Department of Culture.
198 1 The dance "Kucaihua" won the second prize of mass cultural performance of Shandong Provincial Department of Culture.
1982 (in cooperation with Mr. Han) The musical "My Portrait of Grandpa" won the second prize of the Song and Dance Performance of Shandong Provincial Department of Culture.
1983 The dance "Road" composed and directed won the first prize of mass cultural performance of Shandong Provincial Department of Culture.
1984' s musical "Snow Morning" won the second prize of Shandong Provincial Department of Culture.
1985' s musical "Clever Pencil Head" won the second prize of the Shandong Provincial Education Department's cultural performance.
1986 The drama "Seeking Roots" written and directed by ourselves won the first prize of the Literary Federation's drama performance.
1987 photography "blue sky witness" won the second prize of professional artistic photography of Federation of Literary and Art Circles.
1988 The dance "Doll Music" composed and directed won the first prize of performance (video) by Shandong Provincial Department of Culture and Radio and Television Department, and participated in the CCTV Spring Festival Evening performance that year.
1989 The dance "Doll Music" won the second prize of Taishan literary creation by the provincial party committee and government and the first prize of national performance. In the same year, the individual was awarded the title of advanced child worker by the provincial party committee and government.
1990 The dance "Tiger Baby" composed and directed won the first prize in the performance of Shandong Provincial Department of Culture and Radio and Television Department.
199 1 The musical "To whom is the wreath dedicated" won the second prize of Shandong Provincial Department of Culture and Education.
1992 The dance "Fisherman", composed and directed, won the first prize in the Spring Festival Evening performance of Shandong TV Station.
1993 Lyrics (composed by Liu Huan) The song "Leave Spring and Love" became the theme song of the 12th Weifang International Kite Club (first sung by Liu Huan).
1994 The Musical Adventure of Little Shan Ying, written and directed by the writer, won the Shandong Drama.
The first prize of the performance of the association.
1995 The TV short play "Bright Gun" written and directed by the writer won the special prize in the short play selection of provincial TV stations.
Beloved, shot at 1996, shot by Shandong Federation of Literary and Art Circles.
The second prize of the film.
1997, the sketch "The Fire Continues the Truth" won the prize of the Ministry of Public Security.
Second prize of Spring Festival Evening.
1998 (cooperation with others) choreographed and directed the dance "Children Telling Stories" and won the first prize of the art education performance of the Provincial Department of Education.
1999 The musical "Little Radish Head", which was written and directed by ourselves, won the gold medal in the creation and performance of the Dandelion Art Show of the Ministry of Culture. In the same year, the song "The Soul of a Kite" was published in Song Dynasty (1 1) in 2000 and became the theme song of the 17th International Kite Club (first sung by Tu Meihua).
In 2000, the self-directed musical Mountain Patrol won the second prize of the National Federation of Literary and Art Circles.
200 1 Seven works, including musical Talepool, Young Spacecraft, Flying Kite, Grey Magpie, drama The Stubborn Little Red Army and Love in Every Corner, won the first prize in the performance of quality education by the Provincial Education Department. In the same year, "Fly to the New Century" became the theme song of the 17th Weifang International Kite Festival (sung by Vivienne Liu and Wu Lin).
In 2002, The Joy of Catching Cicada won the first prize of "Beijing Green Nursery Rhyme" by the United Nations.
In 2003, the musical "An Apple" won the first prize of new screenplay creation of Shandong Dramatists Association.
In 2004, the musical "An Apple" won the gold medal in the second national children's drama competition by the Central Committee of the Communist Youth League and CCTV. I was awarded the special contribution award for children's drama in the new century and was rated as a top-notch professional and technical talent at the municipal level.
In 2005, he created and directed the textbook musical "An Apple", which was broadcast on the children's channel "June 1 Party" of CCTV and won the first performance award.
In 2006, the musical "Big Love Flying", which was created and directed, won the second prize of the National College Students' Art Show of China Education Association.
In 2008, he was rated as an advanced individual in the opening and closing ceremonies of the Beijing Olympic Games.
In 2009, he won the contribution award for the 60th anniversary of the National Day of the capital.
Third, stay in Beijing for education, show and develop your artistic expertise and extensive interests, and do something practical for children's quality art education.
Mr. Ke has professional expertise in screenwriter, director, photography, video editing, lyrics and poetry. Has won the 16 national (government) creative award; Won 29 provincial and ministerial level (government) creative awards. In recent years, Yu Ke not only participated in the production of many TV series, such as the shooting of the TV series Struggle in 2006 and the work of the director's assistant; 2006-2007 TV series "Go to the East" (Part I) planning; He also works as a screenwriter and director of Jinfan Art Troupe in Beijing primary and secondary schools. Tutoring schools include Beijing Chaoyang No.2 Experimental Primary School, Beijing Middle School, Beijing Haidian Zhongguancun No.3 and No.4 Primary School, Beijing Daxing No.2 Primary School, Beijing Xinglong Primary School, Shandong University of Science and Technology, Qingdao Jiayuguan School and Weifang Weicheng Experimental School.
In 2003, he created and directed the children's TV series "Special Summer Camp" for Qingnian Road Primary School in Weifang, Shandong (40 minutes); Won the first prize of creation and performance in the first China Children's Art Festival.
In 2004 (in cooperation with Mr. Liang Ming), he planned and directed a special folk music performance "Happy Childhood" for Qingnian Road Primary School in Weifang City, Shandong Province, and gave a report performance in the Great Hall of the People.
In 2005, he created and directed the children's TV series "Children in the Class" for cherry orchard Primary School in Weifang, Shandong (45 minutes); Won the second prize of artistic creation and performance of TV series in Shandong Province.
In 2006, he planned and directed the large-scale comprehensive art evening "Xiangyang Huaerkai" for Xiangyang Road Primary School in jiaozhou city, Qingdao.
In 2007, he planned and directed a large-scale comprehensive performance party of Happy Classroom for Weicheng Experimental School in Weifang City, Shandong Province.
In 2009, he planned and directed the large-scale comprehensive performance party "We Are Together" for Beijing Zhongguancun No.4 Primary School (Peking University Centennial Auditorium).
20 10 planned and directed a large-scale comprehensive performance evening for Jiayuguan School in Qingdao, Shandong Province, entitled "Walking into a Kind Peach Blossom Garden" (Qingdao People's Theatre).
20 10 planned and directed a large-scale comprehensive performance evening for Beijing Chaoyang Xinglong Primary School (Beijing No.80 Middle School Auditorium).
20 1 1 planned and directed a large-scale comprehensive performance evening of "Love Home" for Beijing Chaoyang Guanzhuang Central Primary School (China Communication University Auditorium).
20 1 1 Planning and directing the 27th Teachers' Day large-scale literary celebration party, "People Hold the Morning Sun" (China Communication University Auditorium).
20 12 Planning and directing the renaming ceremony of the Second Experimental Primary School (China Communication University Auditorium) in Chaoyang District, Beijing.
20 12 planned and directed a large-scale comprehensive performance evening of "Beijing Youth Beijing Spirit" for Beijing Daxing District No.2 Primary School (Beijing Daxing Theater).
20 13 Planning and directing a large-scale comprehensive performance evening of "What a Big Home" for Zhongguancun No.3 Primary School in Haidian District, Beijing (China Theatre).
20 13 planned and directed a large-scale comprehensive performance evening of Colorful Childhood for the Second Experimental Primary School in Chaoyang District, Beijing.
20 13 planning director of the opening ceremony of Beijing middle school.
In recent years, he has created and directed musicals Cowboy II, Learn and Play, Grandma's Story, Drama Grandpa's Bird Cage, Saving Energy, Sunshine Teenager, Dancing with the Flower Ridge, Young Eagles Spread Their Wings, Future Teenagers, and new children's Peking Opera, Smart Fight and Youth. At the same time, in the name of the school, it was recommended to Taiwan Province Sun Yat-sen Memorial Hall, Lincoln Center, Columbia University, Singapore and other places for cultural exchange performances, which was successful and well received.
In fact, Mr. Yu Ke has a very intriguing sentence: I write plays not for winning prizes, not for judges, not for art, but for children; It is the last word for children to play their own dramas and enjoy themselves.