Calligraphy evaluation method

First, at first glance, position is very important.

When reading official script (if you can't distinguish Wei-Jin official script from official script, you can't find Lian Bi), you should keep a distance of 2 meters, and when reading cursive script (that is, cursive script), you should keep a distance of 3 meters. After standing, you can stretch out your right index finger to copy the feeling, which is more direct.

It's really a good word. When reading it, it can be said that it deeply understands the beauty of "neutralization", so it is better to quote the sentence "peace, not splendor, not perfection" in Book Score.

Second, when you see good words, don't say beautiful.

When you see a good word, if you say very loudly, "What a beautiful word!" Most of the harvest is to laugh at the supercilious look. Whether a work of art is beautiful or not is not the core criterion for evaluating it. For critical, experienced and professional appreciators, it is not even a compliment, but means "frivolous" and "grandstanding".

We must evaluate the works well, and we must comprehensively say from the aspects of composition, structure and pen use. Praise "composition", mainly evaluate the collocation of pen and ink and blank, and say that "layout is ethereal" or "cloth is vivid" and "image is interesting" can quote a famous sentence: "This work is really sparse, which can make the horse run, and the secret place is not ventilated. Always black and white, curiosity is out. " I remember this was said by Deng, but it is more elegant to call him "Wanbaishan".

Third, the evaluation font is not suitable, and you should use a pen.

This is the advanced state of pretending. Because calligraphy can "forget yourself and change yourself", it requires "pen and pen as the center and source". "Writing with a pen" is simply the cadence and urgency of writing with a pen. "Familiar, accurate, energetic and meticulous, combined with Fiona Fang" is enough to make calligraphers sit up and take notice of you.

Fourth, in regular script, Tang Kai reached the peak.

Yan Liu Ou Zhao is well known, but talking about unfamiliar works can improve your style. Talking about Yan Zhenqing's name is Yan Lugong, and his favorite is Big and Small Magpies and Confessions in Books. Liu Ti only talked about "Shence Army"; European style can be said to be Huangfu's birthday tablet; Zhao Ti Danba Monument and Sanmen Ji are both good. If someone is sincere, you can say, "After all, Yu Shinan and Chu Suiliang are the ancestors!" They are all dead.

Five, chat cursive script, find another way

Two kings, Zhang and Huai are common sense, which is well known and not new. I suggest talking about Sun's Book Score, Mifei's running script Full of Rhythm, and Huang Tingjian's Runge Collection ... You think the Preface to Lanting is a masterpiece, but you love Yan Zhenqing's Sacrifice to a Nephew more. Don't say "two kings", just like the right army (be sure to call it that! ) "Yuan Huan Tie" and "Duck Head Pill Tie".

Six, talk about official script, need to be cautious.

Entry-level "Chen Shi" and "Yi Ying" are not enough to support your clothing. If you have to say it, you can sigh that "the ritual tablet is more lovely." There are many kinds of Han steles with different styles, so it's safer to pull them far away: "Chaohou Xiaozi stele is the aesthetic innovation of official script" and "Wang stele" seem simple, but they are varied ... Special reminder: if you say official script today, you love the king more than love!

Seven, Weibei said, you weigh it first.

People who dare to say that Weibei is generally a layman. Famous historical sites such as Zhang Hei, Zhang Menglong, etc. All belong to doers. As long as we insist that "the statue of stone is magnificent, that is the ultimate rule." I'm just about to copy with big white clouds to show off. If it is true, we can end the conversation with the sentence "The anonymous epitaph on the North Monument is the cutest, but unfortunately it is not widely circulated".

Eight, talk about seal script, first divided into big seal script.

The long is a short biography, and the folk is a big biography. When it comes to the big seal script, it must be called "ancient brush" to show the X-shape. The calligraphy works of Dazhuan are mostly based on patriarchal clan system, such as Pan, Mao, Da and Da. Putting these four samples out can basically cover the origin of teachers. For example, the national seal calligrapher, you can only say that Wu Yong (Wu Changshuo) is unparalleled in learning stone drums with his pen.

The shortcut to talk about Biography is to talk about Biography of Han Dynasty and ignore Qin Zhuan. It is your favorite to sit on the Yuan 'an and Yuanchang Monuments in Han Dynasty and walk all the way to Kuanbo. We must take the initiative to talk about Sun's Temple of Heaven. You have to say, "This tablet is amazing, but when I copy it, I often confuse the meaning of regular script, which is really annoying." In addition, it would be better to say that "besides Zhao, the change of printing style in the next year is also inspired by this monument"!

Talking about Weibei instead of "Er Cuan" is the lack of accent. When it comes to Long Yan, you must say "Hunpu Jin Yu, Wei and Jin Dynasties are the ancestors of calligraphers." The word "China Merchants Bank" was written by scholar Lai Shaoqi. Some people say that he is the "lacquer book" of Jin Nong who studies the "Eight Eccentrics of Yangzhou". You have to refute: "Jin Nong is also a scholar!" It's done.