Excerpts from Lu Xun's work impermanence
If the gods who patrol on the tournament day are in charge of life and death,-no, the word "right to life and death" is not appropriate. All gods in China seem to have the right to kill at will, but are in charge of people's life and death, just like Chenghuang and Dongyue Emperor. Then, there is a special set of foot colors in his halogen book: ghost pawn, ghost king and impermanence.
These ghosts are probably played by rough people and country people. Ghost pawn and ghost king are red and green, barefoot; Blue face with some fish scales painted on it. Maybe it's Longlin or something. I'm not sure. The ghost pawn holds the steel fork, and the fork rings and vibrates greatly. The ghost king holds a small tiger card in his hand. Legend has it that the ghost king walks with only one foot; But he is a countryman after all. Although he has painted some fish scales or other scales on his face, he still has to walk on two feet. Therefore, the spectators are not in awe of them and pay little attention to them. In addition to chanting Buddha and her grandchildren, a ceremony of "waiting for the screen camp" was held for them as usual.
As for us-I believe: I and many people-what we want most is impermanence. He is not only lively and humorous, but also stands out from the crowd in red, green and green. As long as we saw a tall white hat and the shadow of the broken banana fan in his hand, everyone was a little nervous and happy.
People and ghosts are the most familiar and intimate, and they can often meet him at ordinary times. For example, in the Chenghuang Temple or Dongyue Temple, there is a darkroom behind the main hall, which is called "darkroom". Under the dim light that can only distinguish colors, there are all kinds of ghosts: Rise of the Legend, degenerate ghost, tiger wound ghost, examination room ghost, and the long and white thing you see when you enter the door is him. Although I have been to this "ghost world", I was timid and didn't understand it. It is said that he still has a chain in one hand, because he is the messenger who hooks the soul of the living. According to legend, the "ghost" structure of Yuemiao Temple in Fanjiangdong was originally very special: the door was a trap. When a person enters the door and steps on this end of the trap, the molded step will jump up and the iron rope will strangle you. Later, I scared a person to death and nailed him, so I couldn't move when I was young.
Impermanence is an article written by Lu Xun 1926 in July and published in the thirteenth issue of the first volume of the semi-monthly Mangyuan. During the discussion, the article satirized the "gentleman" under the banner of "justice"
Creation background
1926 after the "March 18th" tragedy, Lu Xun wrote articles such as "In memory of Liu Hezhen Jun", angrily denounced the shameless behavior of the reactionary government, and was persecuted by the reactionary government, so he had to live a wandering life.
I have lived in Yamamoto Hospital and German Hospital successively. Despite his hard life, he also wrote a lot of prose poems and three essays, Twenty-four Filial Pieties, Five Cabins Club and Impermanence. They were later included in the collection of essays written by Lu Xun under the east wall of Beijing apartment before the tragedy.
works appreciation
Impermanence describes the image of impermanence seen in the countryside as a child, as well as impermanence on the stage of drama. It shows that the straightforward and fair image of impermanence is loved by the people because there is no justice in the world, and the wicked can't get what they deserve, but "just judgment is in the underworld." In the discussion, the article focuses on "justice" and "justice"
Lu Xun has made great contributions in many fields, such as literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, introduction of basic science and research on ancient books collation. He had a great influence on the development of China's social ideology and culture after the May 4th Movement, and enjoyed a high reputation in the world literary world, especially in the fields of Korean and Japanese ideology and culture.
Collection of novels: Scream, Wandering, New Stories.
Essays: Tomb Raiding, Hot Wind, Gai Hua Collection, Continued Covering of Flowers Collection, Three Ji Xian, Nanqiang North Collection, Erxin Collection, Lace Literature, Pseudo-Free Book, Quasi-Wind and Moon Talk, Qiejieting Essays, Qiejieting Essays.
Monographs: A Brief History of China's Novels, Outline of China's Literary History, and Historical Changes of China's Novels.
Translation works: Translation under the Wall, Problems of Modern New Literature, Collection of Modern Japanese Novels, Symbol of Depression, Art Theory, Little John, Dead Soul, etc.
Other works: Weeds, Picking Flowers in the Morning, Prefaces and Postscripts of Ancient Books, Prefaces and Postscripts of Translation, Letters from Two Places, Lu Xun's Diary.