Li Qingzhao in the Northern Song Dynasty
Red-scented jade and mushroom in autumn, light-dressed Luo, and left for Lanzhou alone.
who sent the brocade book in the cloud?
when the word Yan returns, the moon is full of the west building.
flowers drift and water flows.
one kind of lovesickness, two kinds of leisure worries.
there's nothing I can do to get rid of this situation.
I just frowned, but I went to my heart.
Notes on the source ① Jade hairpin: a mat with brilliance as jade. ② The word "wild goose" refers to the formation of "one" or "human" when the geese fly. It is said that geese can pass books. Comment on this is a word to express parting feelings, focusing on the lovesickness after parting. Although there is not a word of parting in the last film, every sentence is pregnant and extremely subtle. The next film is a direct expression of lovesickness and other worries. Words express thoughtful and loving feelings in simple and clear language, touching and touching. The whole word is gentle and natural, and taking a break for three sentences is especially appreciated by experts. Comments on Yi Shizhen's "The Story of Heaven's Library": Yi 'an has not been married for a long time, and Ming's sincerity is a negative journey. Yi Anshu couldn't bear to say goodbye, so he found the words "A Cut of Plums" in Jinpa Book to send it. Wang Zhuo's Bi Ji Man Zhi: Yi An writes long and short sentences, which are full of twists and turns, light and sharp, and full of gestures.
Li Qingzhao (184 ~ 1155)
China was a poet in Song Dynasty. Self-styled Yi 'an layman. Jinan Zhangqiu (now Shandong) is a native. His father, Li Gefei, was a well-known scholar in Qi and Lu areas at that time. Mother Wang knows books and is good at writing. Zhao Mingcheng, the son of Tingzhi Zhao, assistant minister of official department, is a textual research scholar. Li Qingzhao lived a comfortable life in his early years, and he was proficient in writing and music. After marriage, he and Zhao Mingcheng devoted themselves to the arrangement of calligraphy and painting epigraphy, and compiled the Record of epigraphy. Nomads from the central plains, according to the family fled south. After Ming Cheng died, most of the books and cultural relics were lost in the war, and he was lonely and wandering around, and the situation was extremely miserable. It is said that Qingzhao had remarried, which was controversial by later scholars. There is no record of her life in her later years, except that she wrote the Sutra of Beating the Horse and its preface, and also visited Mi Youren with Mi Fei's ink to ask for an inscription.
Li Qingzhao is a meticulous poet, capable of writing, and better at ci. His creation shows different characteristics in the early and late stages with the changes of life in the Northern Song Dynasty and the Southern Song Dynasty.
in the northern song dynasty, Li Qingzhao showed a broader ideological realm and life field than ordinary women in feudal society in a few poems, such as two long poems, Ode to Zhongxing in Wuxi and Zhang Wenqian, which satirized the past and advocated learning from the historical lessons of Tianbao Rebellion in Tang Dynasty. In addition, in her early years, she also wrote "On Ci", and put forward the theory that Ci is different from others. She thought that Ci was divided into five tones, five tones and six rhythms, and it was also divided into clear and turbid, which was an important theory of Ci in the Song Dynasty. His poems talk about history and the world, as well as literature and art, with a wide range of themes.
Li Qingzhao's early poems truly reflected her boudoir life, thoughts and feelings, and showed natural scenery and parting thoughts from worries. Such as [like a dream] two songs, lively and fresh, with beautiful meaning. Words such as [I remember playing the flute on the Phoenix Platform], [I cut the plum] and [Drunken Flower Yin] describe a lonely life, express my love for my husband, and show that the author loves nature and looks forward to a beautiful love life, which has a certain literary value.
In the Southern Song Dynasty, Li Qingzhao's works changed greatly compared with those in the previous period, showing the patriotic spirit of caring about the fate of the country and expressing her determination to adhere to national integrity. For example, Poems on History, Poems by Han Gong of Shang Shu Mi, Poems on Summer, etc., have all improved their ideological content and are highly realistic. After Nandu, the style of Ci is also very different from that of the previous period, and it turns into a desolate and painful one, expressing the feelings of nostalgia and nostalgia when injured. Such as [Bodhisattva Man], [Die Lian Hua] and the slow word [Yong Yu Le], have placed strong thoughts on the motherland. She fully expressed her deep sadness in her lonely life in her poems. Such as [Wulingchun], [Slow Voice], [Qingpingle], etc., the pain of national subjugation is integrated with the miserable life of the individual, and the sadness and melancholy are rendered to the extreme. It can be said that this is an artistic summary of the suffering of the times and the unfortunate fate of the individual.
the artistic achievements of Li Qingzhao's ci poetry are very high, which occupies an important position in the history of literature. His ci has a strong lyricism, and he can use clever ideas to select some life fragments to write in his ci, showing the author's inner world in detail, such as [Wuling Chun], "Things are people who don't rest on everything, and tears flow first when they want to talk", "I'm afraid that the boat will sail in two streams, and I can't carry many worries". She is also good at depicting concrete things in a simple way, "only frowning, but thinking" ([cutting the plum]), which is subtle and tactful, simple and natural. Qingzhao's ci style is mainly graceful and restrained, but there are occasional bold works, such as [Fisherman's Pride], "The sky meets the clouds and the mist", which is called "muddy and elegant, without a spark of powder". The language of Qingzhao Ci is exquisite and unique. For example, the flower trees in her works are "green and fat, red and thin", the weather is "thick smoke and dark rain" and "the wind is soft and the sun is thin". She is also good at using dialect words that are as clear as home, such as "How can you be black when you are alone by watching the window?" Easy to come by, natural and fresh. Her words are full of musical beauty, and she also pays attention to the interlacing of tongue and teeth and the use of overlapping words. The most typical example is that [slow voice] begins with 14 overlapping words, and its originality is praised. Qingzhao Ci is called Yi 'an Style, which is widely circulated.
Li Qingzhao's Collected Works of Yi 'an Jushi and Yi 'an Ci have been lost. Today, there are only four printed editions of Shuyu Ci, Wang Zhongwen's Collation of Li Qingzhao's Collection, People's Literature Publishing House, Huang Mogu's Collection of Li Qingzhao and Qilu Bookstore.