Although the artistic effect of pen writing is not as rich as that of brush writing, it is far superior to other hard pens such as pencils and ballpoint pens. Because of its elastic nib, the strokes written are the same thickness and can also give people a sense of beauty.
The beauty of pen words is mainly manifested in line, font structure and composition format: pay attention to the rhythm of priorities with pen to make lines beautiful; Pay attention to proportion, symmetry, stability, balance, change and echo in modeling, and the glyph structure will be beautiful; The layout is neat and changeable, diverse and harmonious, and the composition format is beautiful. These are also the principles and standards for appreciating pen calligraphy. )
The characteristics of pen regular script are: paying attention to Teton, hiding dew, Fiona Fang, speed and so on; The strokes are neat and orderly, with distinct layers, strong and forceful, stopping without continuing, straight without being stiff, smooth and natural; Structurally, it emphasizes the balanced distribution of strokes and radicals, stable center of gravity, appropriate proportion, correct font and standardization.
Pen running script is a kind of writing between regular script and cursive script. That's what people usually write and say. Can be linked, uneven size, save strokes, change the order of strokes, and try your best to change things. It is easy to write with coherent momentum, density and ups and downs, and it is easy to show artistic effects. Of course, writing quickly and easily is very useful (today we will focus on running script). Second, the status quo of contemporary college students learning books
First of all, bad writing habits are difficult to correct.
For a long time, the style of pen and ink has been considered to have no too many rules, and it seems that it can be played at will and out of control. Many students' bad writing habits have been stereotyped for many years, and it is really difficult to correct them in college. For example, many students, especially some girls, are used to careful writing, and it is often difficult to get them to talk. The resulting psychological stereotype makes those calligraphers and professors feel irreparable.
Secondly, pen characters have certain limitations when choosing copybooks.
Pen calligraphy is different from brush calligraphy and has an authoritative basic copybook. Over the years, pen copybooks have mushroomed, overwhelming, but mixed. Even an excellent model may be because people are not used to it psychologically and are not good at evaluating what novices can use. I contacted hundreds of students and found that most of them used the copybooks of Sima Dong and Si Mayan. In fact, their handwriting does not conform to practical standards, nor does it conform to the basic theory of pen writing. Wang Zhengliang, Honggen Shen and Gu Zhongan are all good. )
Thirdly, it is urgent to strengthen the ability of appreciation and cultivate a correct aesthetic view.
On the premise of "flying and dancing" as beauty, the brushwork is messy, artificial and unnatural, and of course the aesthetic consciousness is extremely superficial. Quite a few students have a poor foundation in regular script, at least lines and strokes are indistinguishable. They think regular script is not good-looking, too slow and rigid, and cursive script looks good. Write quickly and freely. They only stare at an unrestrained person, but ignore the truth that "the cursive script is written, and the gods can't recognize it." This irregular cursive writing has the opposite effect, which is not conducive to practicing calligraphy.
Of course, the pen should be smooth and smooth. If you pursue too many setbacks and gyrations, you will lose the characteristics of the pen. Nowadays, many pen copybooks excessively pursue the charm of the brush, and even write pen words with the brush technique. It is no longer a pen line, but a surface (the surface of the area), especially horizontal painting and horizontal painting. To achieve this effect, we must follow the brush strokes.
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An approach speed can be achieved. It is not easy for a skilled teacher and calligrapher to achieve this effect, let alone a beginner in calligraphy. And from a practical point of view, deliberately doing so has the disadvantages of affectation. Third, how to practice pen writing well
First, stimulate motivation and cultivate interest.
Motivation and need are closely linked. It is necessary for primary and middle school students to practice calligraphy to improve their writing level and master cultural knowledge. Adult calligraphy practice is the need to convey information and improve work efficiency; From the artistic point of view, practicing calligraphy is the need to pursue beauty.
Our demand for practicing calligraphy is not innate, but gradually formed through our own understanding, generating emotions and strong interest to stimulate the motivation of practicing calligraphy. Otherwise, if you deliberately practice writing and barely cope, the words you write will definitely be flashy, loose in structure and slow in progress, which will affect your interest in writing. As the saying goes, "words do nothing for a hundred days." Writing is also related to will and quality. If you can't "take time out of your busy schedule and persevere", practicing calligraphy will become empty talk.
Second, change old habits and cultivate new ones.
Writing is a habit, while practicing calligraphy is a process of changing habits. It is a process from understanding to mastering new stroke structure and processing methods, from unfamiliarity to proficiency. Everyone can change some movements consciously in conscious practice, and form this skill imperceptibly.
Third, separate writing from calligraphy, practice calligraphy first and then talk about calligraphy.
Writing is mainly written in words, with a mechanical and passive labor factor, which requires popularity, conciseness, quickness, easy identification and practicality.
Calligraphy focuses on creation, which can show the author's cultural accomplishment, thoughts and feelings, aesthetic consciousness and so on. With the help of the writing process of words, the main purpose is to highlight the author's personality. Of course, without the basic skills of writing good characters, calligraphy creation will become passive water without roots.
Therefore, in order to shorten the time of practicing calligraphy, it is necessary to distinguish writing from calligraphy. Practice calligraphy first and then talk about calligraphy, which will reduce detours.
Fourth, break the myth of regular script and learn running script directly.
"Regular script is the basis of running script and cursive script. To learn running script and cursive script, we must first learn regular script; With the foundation of regular script, cursive script is easy to master. " This seems to have become a common sense. But I think this is a myth that can't stand the test. Even if it can't be completely overturned, it must be revised. Just like in the movie Myth, we should learn from Jackie Chan's friends, take off the monster's eyes, and then let the old king fall and break the myth.
In addition, in history, both running script and regular script evolved from official script. They have their own unique essential characteristics and their own rules in stroke structure.
Regular script is very good, running script is very general; Regular script with good handwriting is also very common, not only among our students, but also among some famous calligraphers (writing brushes) or winners of national calligraphy competitions.
Of course, it will be helpful to write regular script first, but it will take a lot of time to learn it well because it is forbidden to use pens and the law is strict (as I said just now when I talked about the characteristics of pen characters). We can only "turn a deaf ear to the things outside the window and concentrate on writing." Besides, we usually take notes and do homework. Because of the time requirement, we still use our own nonstandard running script, and the strokes and simulated words we just learned have been washed away. Since then, regular script has not been learned well, but it has dampened self-confidence and given up halfway.
Therefore, we should look at the running script from the perspective of running script and practice it with the method of running script. Break myths and stereotypes, find effective, time-saving and labor-saving training methods, and write well and quickly. Fifth, about plagiarism.
Copying is the most basic method of learning (calligraphy) and the only way to climb the peak. "Pro" is the antonym of writing, and "copy" is blind. Copying is not copying the whole article, but deepening the impression of the brain by hand drawing; Through the movement of hands, eyes and brain, I carved a beautiful image in my heart. Copying is a kind of thinking, a kind of comparison and a kind of memory.
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Recall. Formally, it uses its own handwriting to write other people's words; In essence, this is indeed an excellent means to train the ability of image perception, and it is also an essential basic quality for every calligrapher. Compared with brush writing, pen writing emphasizes structure rather than strokes, so it doesn't take much effort to copy with a pen. Reading posts is the premise of copying. Reading a post is like reading a book. "Read a book a hundred times and you will find its meaning." Only by reading and reading carefully can you write like it and remember it well. We should carefully consider the strokes, structure and composition of the words on the copybook. Find out the rules from it, and then you can write with great interest, and write in a similar way. So as to achieve "confidence" and "intention". It should be pointed out that most people are too lazy to imitate (that is, to describe) and think that only primary school students will do so. I don't know that copying is a key step in learning books, and it is also an effective way to avoid unprofitable "copying posts". Only "face" and not "copy", it is difficult to find the shortcomings of your own writing. Only by combining "copying" with "near" and copying can we make rapid progress and make the depicted characters completely consistent with the strokes on the copybook.
Sixth, give some suggestions to students whose fonts are not very good-looking and have been finalized.
Because some students didn't pay attention to the quality of words before, some ugly or even wrong writing methods have been deeply rooted and it is difficult to correct them. Now I want to practice calligraphy, but I often just tinker with the existing fonts and make up my mind to choose a font similar to myself. This is often "the good ones are not learned, and the bad ones are not lost", so that the more you practice, the uglier you get.
So, how should these students practice calligraphy? My experience is: forget the previous fonts, start from scratch, practice the most basic strokes, and then practice the structure. Why do you practice strokes? Because, although the structure is the most important problem of pen words, after all, the structure is also composed of strokes, and Lian Heng and vertical can't be guaranteed, which will definitely affect the beauty of words.
Be careful when practicing; If necessary, break down the words on the copybook into single strokes and radicals to practice; Pay attention to horizontal and vertical; Pay attention to the pen in the center and force it to the end; Pay attention to the principle of parallel staggered structure and focus on the center of words; Get rid of those extra ties and circles.
Now there is a difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into new fonts during posting. The best way to change this situation is to practice block letters for a week or two or more to correct the shape. When the shape is relatively straight, choose the running script copybook that you think looks good to copy. (This method is mainly aimed at "comrades" who have a very poor writing foundation and is not suitable for everyone present. )
As for how to choose copybooks, I also give a few examples here: if the previous font is stiff, choose bold copybooks; If the previous font is sloppy, choose a rigorous copybook; If the previous font is plain, choose smart copybook; If the font is bloated, choose exquisite copybooks? In this way, after two to three months of serious practice, you can learn new fonts. You can also choose a brush copybook to practice pen writing.
"Enthusiasm and self-confidence are the wings of success." Therefore, we must establish long-term confidence! Wang Xizhi first learned books from Wei Shuo, and later discovered Zhong You and other first-generation masterpieces, which changed his beginner's learning and carried forward the past. He changed his simple style of writing into a beautiful and fluent style, and made creative contributions to the opening, closing and cursive writing. Fourth, the problems that should be paid attention to in future writing 1 should be clear and accurate;
2, according to the simplified Chinese characters written by the state;
3. Because the words written by slow pen have no lasting appeal, it is suggested to write with the gesture of continuous writing, that is, to write fast and continuous writing; 4. Pay attention to the strokes and structure of running script and pursue beauty.