The word "rolling" in the first line of the work is simple and vigorous, with extraordinary momentum, just like the rolling water of the Yangtze River, which aroused the charm of the whole work and played the role of protagonist and vanguard. Let's look at the words "Langtao" and "Langtao" in the first line, which are beautiful in shape and smooth in lines, like the rolling waves of the Yangtze River. The word "Cheng" in the second line and the word "Ji" in the third line are all cursive, and their glyphs are very long, both in the position of two or three words. One is to play the role of connecting the preceding with the following, and the other is to enhance the aesthetic feeling. In the fourth line, "autumn moon" and "spring breeze" are all handled by tying lines, and the autumn moon and spring breeze are poetically outlined. In addition, there are ten words beside the three water spots in the whole work, but none of them are the same. He used the brushwork and style of calligraphy art to deal with it vividly, and it was very appropriate to divide it into long and short points, although they were all three water spots with different shapes.