In the Song Dynasty, Su Shi was regarded as a mountain peak on the edge of the ridge, with different heights. I can't recognize the true face of Lushan Mountain because I am there. [ 1]
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(1) Title Cylinder Wall: Written on the wall of sairinji. Sairinji is at the northern foot of Shandong. Title: Writing, Inscription. Xilin: sairinji, in Lushan, Jiangxi. (2) Looking horizontally: Looking from the front. Lushan always runs from north to south, horizontally, from east to west. Side: Seen from the side. (3) different: different. (4) knowledge: knowledge; Safe. (Note: This is not a clear look, there is no meaning of looking, only a clear meaning. (5) True face: refers to the true face of Lushan Mountain. (6) Fate: the same as "original" because; Due to. (7) This mountain: This mountain refers to Lushan Mountain.
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Seen from the front, the mountains of Lushan Mountain are undulating. Seen from the side, the peaks of Lushan Mountain stand tall. From a distance, a close look, a high look and a low look, Lushan Mountain presents various faces. People can't recognize the true face of Lushan Mountain because they are in it!
Su Shi (1037 ~110/) is called "Dongpo lay man" and "Su Dongpo". Meizhou (now Meishan, Sichuan, Meishan City, Northern Song Dynasty) is a native of Luancheng. A famous writer, thinker, politician, painter and gourmet in the Northern Song Dynasty, one of the eight great poets in the Tang and Song Dynasties, and a representative of the unrestrained poets. His poetry, ci, fu and prose all have high achievements, and he is good at calligraphy and painting. He is a rare all-rounder in the history of literature and art in China, and he is also recognized as one of the most outstanding literary and artistic attainments in the history of China for thousands of years. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose and Ouyang Xiu are called Ousu. Poetry and Huang Tingjian are also called Su Huang; Ci and Xin Qiji are collectively called Su Xin; Calligraphy, Cai Xiang, Huang Tingjian and Mi Fei are collectively called "Song Sijia"; His paintings started the Huzhou School of Painting. His works include Seven Episodes of Dongpo and Dongpo Yuefu. Politically belonging to the old party. [2]
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The meaning of this poem is very profound, but the language used is extremely simple. Simplicity is one of Su Shi's linguistic features. Su Shi has no habit of carving when writing poems. What the poet pursues is to express a fresh and unprecedented artistic conception in simple and fluent language; And this artistic conception, from time to time flashing the light of philosophy. Judging from this poem, the language expression is concise, but the connotation is rich. In other words, poetic language itself is a high degree of unity of image and logic. In four poems, the poet roughly describes the image characteristics of Lushan Mountain, and accurately points out the reasons why it is irrelevant to see the mountain. Bright sensibility and clear rationality are intertwined and mutually causal, so the image of poetry is sublimated into a model in the field of rationality, which is why people regard the last two sentences as philosophical epigrams for thousands of times. If the poetic tradition before the Song Dynasty was characterized by expressing ambition and expressing emotion, then in the Song Dynasty, especially Su Shi, a new poetic style characterized by reasoning appeared. This poetic style is a new poetic style created by Song people after Tang poetry. In Su Shi's words, it means "creating new ideas in statutes and leaving wonderful ideas outside the bold". The characteristics of this kind of poems are: shallow language and deep meaning, reasonable things and light taste. This is the case with the title Xilin wall.