In the Tang Dynasty, the structural method represented by regular script was based on "uniformity", which was the inevitable result of Jin people's summary. Therefore, beginners often start from the Tang Dynasty, which took advantage of its legal advantages. Yan Zhenqing's theory of "foreseeing the layout of the glyph and making it stable" is indeed a sign that the Tang people have a rational understanding of the law of tying ropes. As for what he said, "or born unexpectedly, so that there is different potential", it is really a place where calligraphers in the Tang Dynasty showed high skill in structural changes, and it is also a higher understanding of reason. The structural change of Jin people is purely a natural interest, while the structure of Song people is mainly "intentional creation".
We know that. It is difficult to see a person's true nature when he sits still and stands still. Calligraphy, called art, is more infectious, and so is it. The reason why Jin people's calligraphy is charming is that they are spontaneous and unpretentious. Mr. Zong Baihua commented on them like this:
"Naturalism and individualism in life and personality", "Understanding nature with an empty mind and metaphysical meaning".
Indeed, Jin people are chic and don't stick to things. This beautiful and free soul has found an art that is most suitable for expressing itself. This is a cursive script in calligraphy. Running grass is a magical machine, and there is no way. It all depends on the ease of painting when writing, the interest of each stroke, from beginning to end, in one go, like a free March. Just like people who have always been open-minded, they are free and easy to reach out and walk, unlike the Tang Dynasty. Therefore, to put it simply, the charm of Jin people is all free and easy, and they are painted freely. Therefore, it is both natural and inevitable to "be born unexpectedly and make it different".