: Introduction
(1) Regular script style characteristics:
The evolution of regular script from official script can be roughly divided according to the overall style: Wei stele, Jin Kai, Tang Kaishu, Sui stele Inheriting Wei stele and Tang regular script
A: Wei stele
Wei stele, Northern Wei regular script stele, general name, seal script and official script, rich stylization, clumsy and powerful cliff sculpture, exquisite and elegant epitaph
B ：Jin Kai Script
Except for Wang Xi and Wang Xian, the works of famous Jin Kai scribes including San Zhong Yao are basically regular script models
C: Tang Kai Script
Tang Kai Script Basically, the two types of continuous development of European style and Chu style are the development of Wei and Li; the Yan style is composed of Zhuan and Li; Liu style, Yan style and European style are standardized in Tang Kaidu Ji rule
Two: Regular script Lin Xi Zhang
Regular script, official script, and seal script all have the basics of running cursive. If you want to write regular script, you need to have basic skills in seal and official script. The artistic form of seal script is an important component. Dots, lines, and frames. The beauty of the structure, the local composition, the beauty of the overall composition, and the beauty of Zhao Ti regular script seal.
1: Uniformity
As a whole, the regular script chapter first neatly arranges the characters and the spacing between words and lines to give stability and solemn visual effects. The form is suitable for Strictly speaking, regular script has the disadvantages of being harmonious or monotonous
2: Unified
Characteristics of Zhao style regular script with variations in running script. The shape of the characters is deliberately arranged and varied to create a harmonious relationship. The art of Shoujing's love letter first dyes its overall effect. The overall composition is composed of several parts. The details of each character should be ignored. The shapes, shortness, and weight of each character change. Rhythm, etc. need to be carefully considered and rigorously designed, and persistence must be exercised over time to be able to freely carry out chapter processing. It seems that there is no design at a higher level of Meida calligraphy art.
Regular script chapter and its main form are complicated. Regular scripts such as halls, couplets, banners, horizontal drapes, fans, etc. should be arranged so that the word spacing and line spacing are basically equal to the word spacing; the rule is to write from right to left vertically and horizontally with a small number of words.
Writing from right to left ;Modern writing is written horizontally from left to right. For special needs, it is better to write vertically from right to left
3: Regular script practice guidance
Here are the examples of Zhao style characters:
1: Zhao style calligraphy stroke structure:
(1) Hidden dew and knot:
When writing regular script strokes, it is generally necessary to start the stroke against the edge and close the stroke to hide the edge. The extremely subtle Zhao style character dares to talk about going against the trend
The starting point of Zhao style calligraphy pays more attention to going against the trend and going against the trend without completely hiding the edge and finishing the stroke
The meaning of front is deliberate The insistence on roundness in the writing is damaged by the beauty of the animals but adds to it
The kind of energy is relaxed and relaxed
(2) The strokes of the strokes of Zhao style calligraphy are evened out:
Zhao style calligraphy strokes The changes in self-height and weight are obviously more uniform than those of Yan, Liu and Liu, and the horizontal and vertical weights are fixed. The weight of the bottom stroke and the lightness of the strokes are completely determined randomly according to the needs of the characters.
(3) Ups and downs:
Zhao Ti's horizontal and vertical paintings are undulating and beautiful
(4) Dot painting echoes:
Zhao Ti's regular script draws on running writing and running script strokes, and the stipples echo the strokes in front and back, and even write in rows. There is a thread-like reflection between strokes
2: Structural characteristics of Zhao character:
(1) The shape of the character Zhao is flattened, the strokes of Zhao style are round and graceful, and the frame is like European style or Liu style and high Zhao style. The characters in the Zhao style are straight and horizontal, stable and stable, and the structure is rigorous and dignified. The characters in the running script are used between the regular script and regular script to show the beauty of the flow