He used to be a special member of the Palace Museum, a member of the National Cultural Heritage Administration Appraisal Committee, an associate researcher and deputy curator of the Jilin Provincial Museum, a librarian of the Central Museum of Literature and History, an honorary tutor of China Art History of the Department of Chinese Studies in yenching university, an honorary president of the Beijing Chinese Painting Research Association, and an honorary director of the China Calligraphers Association. In the early days of People's Republic of China (PRC), Zhang Boju donated many precious cultural relics to the country.
His main works are Cong Bi Ci, Spring Wandering Ci, Wandering Ci, Fog Ci, No Noun, Continued Ci, Ji Meng Shi, Ji Meng Shi Zhu, Hong Xian Chronicle Shi Zhu, Hong Xian Shi Zhu and so on.
achievements of art
In order to inherit and develop China's classical art, Zhang Boju founded Beijing Guqin Research Association, Beijing Opera Basic Art Research Association, China Calligraphy Research Association and Poetry Research Association in the early days of the founding of the People's Republic of China. Until his death, he was still obsessed with the preparatory work of China Rhyme Club.
In addition, Zhang Boju's research on China's calligraphy art is quite profound, and he has a book "China Calligraphy"; He is also good at calligraphy. His calligraphy originated from Wang Xizhi's Seventeen Articles, which combines truth, grass, official script and seal script in one furnace. In his later years, he formed his own unique style, with elegant pen, such as silkworm spinning silk, which is called "bird feather body".
Zhang Boju's calligraphy style is similar to the seal of flowers, birds and insects, more like earthworms. But it uses a pen in the center, and its bone strength is contained. Zhang Boju's paintings are also unique. His Chu Liu Ze Fang, Hong Mei and Shi Lan are all representative works of Zhang Boju's calligraphy and painting art.
Reference to the above content: Baidu Encyclopedia-Zhang Boju