Wang Xizhi, Ou Yangxun, Yan Zhenqing, Huai Su, Liu Gongquan, Su Shi, Huang Tingjian, Mi Fei, Zhao Mengfu and Dong Qichang
. Chinese culture has a long history. Chinese calligraphy is the "art of writing". The reason why "writing" can become a real art in China is rooted in the traditional Chinese way of thinking.
The importance of subject matter in creation still exists firmly. It is a perspective chosen by the author to observe history and reality, which reflects the author's life experience, knowledge and artistic vision to some extent, and also determines the reader's reading interest to some extent.
The overall investigation of China ancient calligraphers, and such self-consciousness has been fully demonstrated in this article. Readers can see that the Zhou Dynasty is a "seal script", and it is not only for Wang Xizhi and Wang Xianzhi. Zhang Xu, Yan Zhenqing, monk Huai Su, Yu Shinan, Chu Suiliang, Liu Gongquan, Su Shi, Huang Tingjian and other calligraphers can also see the interpretation of poets such as Su Shi, which contains a broader historical and cultural significance. This long list can be interpreted as a symbol of China's history and China's culture to a certain extent. Yan Zhenqing's face in the middle Tang Dynasty is dignified and majestic, and everyone probably likes it. Yan Zhenqing has been trying to figure it out for a long time after the teacher's guidance. And boldly revised and created it.
When Yan Zhenqing studied calligraphy, he was diligent and earnest. Although he also begged his teacher to teach him the tricks, Zhang Xu's words made him understand that only by studying hard can he achieve anything. This is the inspiration of Zhang Xu to Yan Zhenqing and Zhang Xu to all of us. It can be said that Yan Zhenqing's achievements cannot be separated from Zhang Xu's teacher. Without Zhang Xu's "tricks", Yan Zhenqing might not have studied calligraphy seriously.
The circle of these ancient calligraphers and their calligraphy skills, who live in temples, hide in the city, or hide in the mountains, is actually a kind of combing of China's history and China's culture. These calligraphers' fate and happiness are in harmony with the colorful and sad songs of a period of history. China's paintings and calligraphy emphasize personality, morality and knowledge cultivation, and think that artists have a lofty personality and can only think about clouds and prosper if they know the great future. When you read thousands of books and walk on Wan Li Road, you will be able to make a vertical and horizontal trend of Wan Li under your wrist. Ceng Yun, in the Song Dynasty of Qing Dynasty, said, "Cai Jing in Song Dynasty, Qin Gui in Ming Dynasty, and Yan Song in Ming Dynasty are respected for their titles, and calligraphy and literature are all high-quality. Why can later generations spurn them, but they will not pass on the truth because they have lost a lot of money, and the rest skills are worthless?" The ancient calligraphers in China concentrated too much on the traditional national culture and values and spiritual orientation. It is a strict test for the connoisseur's aesthetic ability and historical insight.
Not only do he deeply study calligraphy works, but also refer to encyclopedic books. Ping Fu Tie: "From word processing to writing, it is extremely casual and unpretentious. The size of the font is tilted, and the extensive strokes reveal his uncut eagerness. Compared with the meticulous and gorgeous" Wen Fu ",it is totally different. Or