God rewards those who work hard, which means that no matter how hard you work, no matter how hard you work, you will gain. This idiom has now been created into official script works by many people. It has very high artistic characteristics and has had a certain influence on our country's calligraphy. Below are the official script calligraphy works of the idiom "Tiandao rewards Qin" that I compiled. Appreciation of the exquisite official script works of God Rewarding Qin
Broadly speaking, calligraphy refers to the writing rules of language symbols. In other words, calligraphy refers to writing text according to the characteristics and meaning of the text, using its calligraphy style, structure and organization to make it a beautiful work of art. With the development of cultural undertakings, calligraphy is not limited to using brushes and writing Chinese characters. , its connotation has been greatly increased.
Beautiful official script pictures of the idiom "God rewards those who work hard"
In terms of writing style, Chinese characters are not just a type of calligraphy. Some ethnic minority characters have also entered the calligraphy art world. Mongolian script is an example. From the perspective of calligraphy style and composition, in addition to the authentic traditional calligraphy schools, there are also calligraphy styles with the same curves and straight lines (lines) in our country. The "intentional" school that combines movement and stillness is the so-called modern calligraphy. It is based on traditional calligraphy with innovations, highlighting the word "change", integrating poetry, calligraphy and painting, and striving to unify form and content, making the work a three-beautiful masterpiece of "beautiful meaning, beautiful sound and beautiful form".
The calligraphy of the Tang Dynasty was at its peak
The culture of the Tang Dynasty was extensive, profound and brilliant, reaching the level of Chinese feudalism. The highest peak of culture can be said to have reached its peak in the early Tang Dynasty. More ink writings from the Tang Dynasty have been handed down to this day than from previous generations, and a large number of tablets have left behind valuable calligraphy works. The calligraphy of the entire Tang Dynasty was both inheritance and innovation from the previous generation. The development of regular script, running script, and cursive script in the Tang Dynasty has entered a new realm. The characteristics of the era are very prominent, and the impact on future generations far exceeds that of any previous era.
In the early Tang Dynasty, when the country was strong, calligraphy emerged from the regular script inherited from the Six Dynasties, and everyone used Ouyang Xun. Yu Shinan. Chu Suiliang, Xue Ji and Ouyang Tong are the four mainstream calligraphers. The overall characteristics are rigorous and neat in structure, so later generations have said that "Tang Zhongjianji" is said to be "the crown of calligraphy and ink" in later generations. It was respected as "the crown of calligraphy and ink" for a while until the prosperous Tang Dynasty when singing and dancing flourished. Confucianism and Taoism were combined. Li Yong changed the right army's practice and became unique. Zhang Xu, Huaisu pushed the expression form of cursive script to the extreme with his crazy and drunken state. Zhang Xu was called the "Sage of Cursive" in history. Sun Guoting was famous for his elegance in cursive script. He Zhizhang, for example, Li Longji also strived to create a true, straightforward and rich style. New realm. However, Yan Zhenqing took the ancient method into the new meaning and created the new method out of the ancient meaning. Dong Qichang said that the people of the Tang Dynasty took the method from the calligraphy, and the Duke of Lu was very prepared. In the late Tang and Five Dynasties, the country's power declined and Shen passed on his master. Liu Gongquan changed his style again. Show off your pride by being thin and strong. He further enriched Tang Kai's method, and by the Five Dynasties, Yang Ningshi also took advantage of Yanliu's strengths. The two kings of Shanggui took a sideways approach and exerted all their efforts, so they only showed signs of peace at the time of chaos, which was also a reflection of the Tang Dynasty. During the Five Dynasties, the trend of Kuang Zen was very strong, which also affected the calligraphy world. Although "Kuan Chan calligraphy" did not show its scale in the Five Dynasties, it had a great influence on the calligraphy of the Song Dynasty.
The calligraphy art of the Tang Dynasty can be divided into three periods: the early Tang Dynasty, the middle Tang Dynasty and the late Tang Dynasty. The early Tang Dynasty focused on inheritance, respected laws and regulations, and deliberately pursued the beauty of Jin Dynasty calligraphy. The Middle Tang Dynasty continued to innovate and was extremely prosperous. Calligraphy in the late Tang Dynasty also made progress.