Guo Hua (pen name Huazi), male, was born in Gucheng County, Hebei Province. He once served as the executive deputy editor-in-chief of the "Decoration" magazine of the Academy of Arts and Design of Tsinghua University (formerly the Central Academy of Arts and Crafts), deputy library director, editor-in-chief, and member of the Academy Review Committee for "Other Professional and Technical Series" of the Academy. Member of the Chinese Artists Association, invited researcher of the China Shaolin Painting and Calligraphy Academy, erudite scholar of the "American Asian Artists Association" in the United States (San Francisco), and special painter of the Beijing Famous Calligraphy and Painting Academy. After starting to engage in printing and dyeing art design in 1958, he studied silk art design at the Shanghai Silk Research Institute. From 1959 to the summer of 1962, he studied at the former Central Academy of Arts and Crafts, where he studied meticulous flower-and-bird painting and "boneless flowers" at the "Traditional Chinese Painting Teaching and Research Office" of the famous painter Tian Shiguang. During this period, under the arrangement of Mr. Tian, ??he visited many famous figures in the capital such as Chen Banding and Li Kuchan. From the summer of 1962 to 1982, he worked as a designer and designer in the pattern design department of Beijing Printing and Dyeing Factory, and served as the chief of the design department for a long time. During this period, he went to Mount Tai, Yandang, Huashan, Huangshan, Emei, Lushan, Guilin and other famous mountains and rivers to sketch. He designed a large number of decorative patterns using Chinese painting techniques, 10 of which won awards at national professional conferences. In 1983, he participated in the editing work of "Textile Industry Yearbook 1983" at the Publishing House of the Ministry of Textile Industry. From November 1983 to the spring of 1992, he successively served as the executive deputy editor-in-chief of "Decoration" magazine and the deputy director of the library at the former Central Academy of Arts and Crafts. The main academic papers published during this period include: "A Brief Discussion on Curtain Art", "Calligraphy and Arts and Crafts", "Social Aesthetic Psychology and Functional Factors", "Persistent Pursuit of Professional Knowledge - Reading Tendency of Students of the Central Academy of Arts and Crafts" Analysis" etc. In addition, he also wrote entries about arts and crafts for the "Encyclopedia of China". In July 1985, he joined the Chinese Artists Association. In December 1988, the painting "Fragrant Snow" won the Excellence Award at the "Peony Cup International Painting and Calligraphy Grand Prix" sponsored by the Shandong Artists Association and supported by the China Artists Association. On New Year's Day in 1992, three paintings including "Fragrant Branches Embracing the Moon" and "Spring Full of China" were exhibited at the "Chinese Plum Blossoms, Wintersweets and Their Poetry, Calligraphy and Painting Exhibition" held in Beihai Park, Beijing, and received favorable reviews. In the autumn of 1992, he published an academic paper "The Art and Character of Mr. Tian Shiguang" (see "Art History" No. 4, 1992, edited by the China Academy of Arts). In October 1992, at the invitation of the "China Shaolin Painting and Calligraphy Association", he went to Xinyuan County, Henan Province to participate in the "Jing Hao Landscape Painting Academic Symposium". The landscape painting "A Line of Sky" he created was selected into the collection of "Songyue Scenic Spots" edited by the society. In May 1993, he was specially appointed as a researcher by the association. From January 22 to 31, 1994, the "Guo Hua Ink Painting Exhibition" was successfully held at the "China Gallery" in San Francisco, USA. During the exhibition, local TV stations and various newspapers gave enthusiastic reports and reviews. After the exhibition, on February 6 of the same year, he was awarded the highest honorary title of "Educated Scholar" by the "American and Asian Art Society", the largest local art organization, and was invited to demonstrate in public and conduct academic exchanges. Since 1994, the association has invited artists to participate in its "International Artists Exhibition" every year, and their works after the exhibition have been selected into the album. On March 22, 1994, a 2×3-foot plum blossom work was donated free of charge to the "Elderly Self-Help", a charity organization in San Francisco, USA. Ms. Liu Liru from the organization wrote a special letter of thanks on behalf of more than 25,000 elderly people. In October 1994, he was invited to participate in the "Nationally Famous Poets, Calligraphers and Painters' Works Joint Exhibition" held at the National Art Museum of China with his landscape painting "Mountains and Rain". In December 1995, the paper "Calligraphy and Arts and Crafts" won the international bronze medal in "China's First 'Holy Grail of Calligraphy' International Calligraphy and Painting Competition" (sponsored by the Chinese Calligraphy Association, the China Artists Association and other units). At the end of March 1997, he was invited to participate in the "25th Anniversary of the Normalization of Diplomatic Relations between Japan and China, Charity Exhibition to Encourage Disabled Orphans and Chinese Students" organized by Japan's "Japan-China Ink Painting Exchange Association" in Tokyo with 3 works, and was invited to paint 3 paintings in public in the exhibition hall. sky. All the money from the sold works was donated, and for this, the association issued a "Certificate of Appreciation". Japan's "Nara Daily News" on April 16, 1997 made a truthful and friendly report on this. From May 26 to 31, 1997, the "Guo Hua Ink Painting Exhibition" was successfully held at the "Fuji Art Salon" in Ginza, Chuo-ku, Tokyo, Japan. The exhibition received written support from the Cultural Department of the Chinese Embassy in Japan and the Tokyo Overseas Chinese Association. Local Chinese and Japanese newspapers all made enthusiastic reports and comments on this.
On June 14, 1997, at the invitation of Japan's "Japan-China Ink Painting Exchange Association", he participated in the "8th Japan-China Ink Painting Contract Exhibition" held at the Kyoto Museum in Japan with three landscape paintings including "Sunset Snow Field". The work was well received and selected into the association's collection. For this reason, the association issued a "Certificate of Appreciation". On January 23, 1998, at the invitation of Japan's "Japan-China Ink Painting Exchange Association", he participated in the "9th Japan-China Ink Painting Contract Exhibition" held at the Tokyo Metropolitan Museum with two works including "Peaks of Mount Huangshan". After the exhibition, the works were selected into the association's painting collection. Among them, "Peaks of Huangshan Mountain" won the "Special Award" from the association. In July 1998, he was invited to participate in the "10th Japan-China Ink Painting Contract Exhibition" held at the Tokyo Metropolitan Art Museum in Japan with two works including "Fragrant Snow". After the exhibition, the works were selected into the association's painting collection. At the end of 1999, he was invited to exhibit in Hengshui City with his four-foot-long red plum tree "One Tree Only First and the World Comes in Spring". The works were selected into the "Love for China - Collection of Excellent Paintings and Calligraphy Works in Hengshui" edited by the Hengshui Municipal Committee of the Chinese People's Political Consultative Conference. The work was honorably collected by the Hengshui Municipal Committee of the Chinese People’s Political Consultative Conference. In the autumn of 2000, he was invited to send his four-foot white plum "Bamboo and Plum Blossoms" to Taiwan for exhibition. After the exhibition, he was selected into the "Cross-Strait Cultural Exchange Famous Paintings and Calligraphy Collection" edited by the "Chinese Cultural Exchange and Cooperation Promotion Association" (the collection was reported by Taiwan Legend magazine publishing). In November 2002, the landscape painting "Thousands of Pines and Clouds" was selected into the large-scale album "Collection of Works of Famous Contemporary Chinese Painting Masters" sponsored by the Chinese Artists Association. In August 2003, the landscape painting "Flowing Green Pictures" was selected into the Tsinghua University faculty calligraphy and painting collection "The Charm of Mulberry Elm". In May 2004, at the special invitation of the Federation of Literary and Art Circles of Hengshui City, Hebei Province, he participated in the Hengshui City Calligraphy and Painting Exhibition Competition with his landscape painting "Wuling Autumn". After the exhibition, his works were selected into the "Hengshui City Art Calligraphy Outstanding Works Collection". In October 2004, the four-foot-long red plum tree "A Red Plum Tree Drunk on the Snowy Mountain" was selected into the collection "Ode to the Motherland - Special Invitation Exhibition of Famous Contemporary Calligraphers and Painters" organized by the Chinese Artists Association. In September 2006, at the invitation of the "Painting and Calligraphy Herald", "The Eternal Fragrance" created to celebrate the newspaper's 10th anniversary was selected into the newspaper's large picture album. In October 2006, the landscape painting "Five Thousand Rise of Green Land" was selected into the "Collection of Teachers' Works at the Academy of Fine Arts, Tsinghua University". In November 2008, People's Fine Arts Publishing House published "Guo Hua's Ink Painting Collection". In the spring of 2011, he created "Clear as Plum Blossoms, Chinese Tsinghua leaps into the past and present" (ink, 138cm*68cm). This work was selected into the "Tsinghua University Centenary Collection of Calligraphy and Painting". From 1992 to 2003, his works participated in more than 40 joint exhibitions in the National Art Museum of China, Tsinghua University, Tsinghua Academy of Fine Arts, Kunming City, Hengshui City, Taiwan, the United States, and Tokyo and Kyoto in Japan. Among them, many times he was invited by the "American Asian Art Society" in San Francisco to participate in the "International Artists Exhibition" held in San Francisco every year. More than 30 works have been selected into 26 collections published by the China Artists Association, Tsinghua University, Henan, Hebei, Taiwan, the United States, Japan and other places or units. His artistic resume has been included in 9 dictionaries including "Chinese Artists Member Dictionary", "Chinese Art Yearbook", and "Celebrity Dictionary of Chinese Contemporary Calligraphers and Painters".