The main building is the main hall, with three rooms wide and three deep, hanging from the top of the mountain; Stage, three wide rooms, three deep rooms, resting on the top of the mountain; The east and west attached halls are all buildings with sloping hilltops, which are connected with brick holes. There are three pairs of couplets written by He Yunlu, a famous local Confucian scholar in Qing Dynasty, and Mr. He Yufeng, uncle of revolutionary martyr He Chang. Shanmen tablet was written by Wang Jixian, a well-known academician of Yongning in Qing Dynasty. The font is vigorous and powerful, showing its inner meaning against the background of fine carving, painting and gold plating. Forty miles of quarrelling river is sparkling and rippling like a jade belt fluttering in the wind. Around, Yang danced with the wind, birds sang one after another, and the scenery was very good. If you enter the painting, you will feel relaxed and happy. Kannonji, namely Kannonji, is located at Gushenpo on the Xue Cun River, about 0/0 km west of the county seat. Its founding date has not been tested, and it was renovated in Wanli, Kangxi, Yongzheng, Qianlong, Jiaqing and Guangxu respectively, which is a complete Ming and Qing architectural complex. The east-west temple covers an area of 65,438+0,000 square meters, including the mountain gate, bell tower, Wei Tuo Tower, Guanyin Hall, Zhenwu Hall and Laojun Hall.
The main building, Guanyin Hall, is three rooms wide and two rooms deep. There are eighteen arhats in Zhou, and the billboards are painted with stories of people from various countries in the Eastern Zhou Dynasty. On the west side of the front porch, there are two groups of well-preserved murals of great people, with meticulous brushwork and heavy colors. The woodcarving and color painting on the front eaves of the temple are exquisite, lifelike and unique in style, which are the essence of woodcarving and color painting of ancient buildings in northwest Shanxi. On the front of the mountain gate hangs a plaque inscribed by Kang, a Yi calligrapher in the eighth year of Jiaqing (1803).