He is best at freehand brushwork flowers and is most influenced by Xu Wei and Badashan people. Because of its profound skills in calligraphy and seal cutting, calligraphy, seal cutting strokes, knife cutting, composition and posture are integrated into paintings, forming a unique style full of stone flavor. Wu Changshuo is best at freehand brushwork flowers, and is greatly influenced by Xu Wei and Badashan people. Because of its profound knowledge of calligraphy and seal cutting, it integrates calligraphy and seal cutting, knife cutting, composition and posture into painting, forming a unique painting style full of golden stone flavor. He himself said, "The strength of my life is that I can draw by writing." He often writes Mei Lan with a brush and grapes with weeds. The flowers and trees and flower stones we made are bold in brushwork, transparent in paper back, unrestrained in vertical and horizontal directions, magnificent in layout, almost sketchy in composition, preferring to adopt the pattern of "zhi" and "female", or oblique, combining reality with reality, with prominent themes. I like Zhao's colors. I like to use rich and contrasting colors, especially western red, strong and bright colors. Ren Bonian, a famous painter at that time, marveled at Wu Changshuo's painting with Shi Guwen's seal cutting, and predicted that he would become the mainstay of painting. Wu Changshuo painted Cao Zhuan Shu in calligraphy; The lines are extremely deep. Although from the perspective of object painting, the texture of its lines does not seem to be rich and practical, it is precisely because of abandoning the fetters of form that Wu Changshuo's paintings entered the temple of "meaning", thus forming a "freehand brushwork" expression that influenced modern China painting circles.
The theme of Wu Changshuo's painting is mainly flowers, and he learned painting late. He can only draw people after 40. In the early stage, he studied under Ren Yi, then under Zhao's painting method, and learned from Xu Wei, Yang Zhou Eight Eccentrics and other painting methods, which benefited a lot. He loves plum blossom very much, and often paints with plum blossom, using the brushwork of writing big seal script and cursive script. He has both ink plum and red plum, and the water and color of red plum paintings are just right. It is red and purple, with smooth pen and ink and full of interest. There was once a poem "Bitter railway people know each other", which used plum blossoms to express one's cynical mood. I also like making orchids. In order to highlight the clean and lonely character of orchids, I like to paint with thick ink or light ink and seal script brushwork, which is strong and powerful. Draw bamboo poles lightly with light ink, and draw leaves with thick ink, with varied density, or with pine, plum, stone and so on. Become a "double clear" or "three friends" to express their feelings. Chrysanthemum is also the subject he often paints. He painted chrysanthemums with rocks, or inserted tall ancient bottles to match the situation of chrysanthemums. Chrysanthemums are mostly yellow, or black chrysanthemums and red chrysanthemums. Mo Ju painted with Jiao Mo, and the chrysanthemum leaves splashed a lot, with different shades and distinct layers. In his later years, he painted more peonies, blooming brilliantly, bright carmine, containing more water, and then compared with the dense branches and leaves, it was full of vitality. Lotus, daffodils, conifers and cypresses are also often painted themes. Bamboo shoots, vegetables, gourds, pumpkins, peaches, loquats, pomegranates and other fruits and vegetables are also painted one by one, full of life. The works are vigorous and vigorous with color and ink. In addition, the really interesting poems and free and easy calligraphy inscribed on the paintings, and stamped with simple seals, make the poems, calligraphy and paintings merged into one furnace, which has a great influence on modern flower-and-bird paintings.
Paintings: Tianzhu Flower, Wisteria Map, Apricot Flower, Twelve Screen Flowers, Plum Blossom, Four Screen Flowers, Peony, Turquoise Map, Flower, Wisteria Map, Miscellaneous Album (1) There are two paintings: the rich fairy, the red plum, the rose, the Lu and the orange, autumn scenery, the man who has borne fruit for three thousand years, and the man who has borne fruit for three thousand years.
1865 Yi Chou is a scholar at the age of 22.
1866 Bing Yin is 23 years old and lives in Anji with her father.
1869, went to Hangzhou at the age of 26, studied in Jingjing Jingshe, and studied under the famous Confucian Yu Yue Primary School and Zhang Ci. This year, it was included in Pu Yin Chao Village.
1872 went to Shanghai at the age of 29 and met Gao.
1873, thirty years old, taught Pan Xue to draw plums in Anji County. Then go to Hangzhou to visit Jingjing Club. I met Wu in Hangzhou.
1in the autumn of 874, Jia Xu 3 1 year-old, he went to the Datura Pavilion in Jiaxing, where he learned about the old iron gold tree, talked about poetry and the methods of understanding ancient artifacts.
1875 Ji Hai tried Wulin at the age of 32.
1879, 36-year-old Ji Tuo was printed as a seal in Yun Xuan. When he was taken to Hangzhou, he was educated in Yu Yue. Yu praised him and wrote an inscription for him.
1880, 37-year-old Chen Geng lived in Liang Zuoxuan, Wuyun (Pingzhai) and asked for advice on the seal of Yincun Village, which was deleted by Wuyun and renamed as Jianmao Road Village Seal. Know Wu Qiunong, Jin, Gu Tea Village, Hu Third Bridge, Fang, etc. About Yang Xian (see the mountain).
1882 Renwu is 39 years old and lives in Suzhou. My friend recommended me to be a small official to make a living. Make an engagement with Yu.
1883 Guiwei went to Jingu on business at the age of 40 and met Ren Bonian in Shanghai. I met Yang Xiangyin in Yanjin (now Daxing County, Hebei Province). From analyzing Tianjin to returning to Shanghai, he made friends with Xu Gu and Ren Fuchang. Ren Bonian wrote The Statue of the Radish Pavilion. In Suzhou, introduced by Pan Shouyang, he became friends with collector Pan Zuyin.
1887, Ding Hai arrived in Shanghai at the age of 44, and Ren Bonian took a cool picture under the brown shade.
1889 Ugly 46-year-old from Suzhou. When Bernie visited, he wrote "a portrait of a sour captain" and wrote his own poem. Shi and Tan wrote a preface to Luan Ge.
1890 Geng Yin is 47 years old and lives in Shanghai. Know Wu Dacheng.
189 1 xinmao, a 48-year-old Japanese calligrapher, Yayoi Kusama (myeongdong, Yan, Jiangzhou, 1838- 1922) came to China to make friends with her husband.
1892, Ren Bonian, a 49-year-old in Renchen, wrote "Shade with Bananas".
1893, 50-year-old Guisi edited and published three volumes of Poems Written Before Ren Chen in Shanghai, with the title of Poems by Lu Lu.
1894 Wu Jia presented Weng Tonghe's poems and prints in Beijing at the age of 5/kloc-0. When the Sino-Japanese War broke out, he took part in Wu Dayou's military activities and went north to resist Japan.
1895 Ren Bonian, under the age of 52, wrote "Memories of the Past in the Palm Shade" and "Shanhaiguan Joining the Army". 1 1 month, Ren Bonian died of illness in Shanghai, and he wrote poems and shed tears.
1899 1 1 month, Ji Hai is 56 years old. On the recommendation of Li Ding Baoyuan, he was appointed as the county magistrate of Andong County and resigned in January.
1900 Mr. Kentaro Kawai, a 57-year-old Japanese.
1903 Guimao 60-year-old custom embellishment. Ren Yin's previous poems are compiled into the fourth volume of Lu Poetry with the first three volumes, and the first volume of Biecun is combined into one volume.
At the age of 1904, Chen Jia 6 1 moved to Guihefang 19, which was called "Pisitang". Zhao Ziyun, open the door.
1909, 66-year-old Yu Gao and Yang Dongshan initiated the establishment of Shanghai Yuyuan Painting and Calligraphy Association in Shanghai.
19 12 in 1969, Renzi had a banquet with friends from Hangzhou and Xiling. This year begins with the word line.
19 13. At the age of 70, Xiling Printing Society was established as its president. Qiu, Mei Lanfang will come. Reorder modification. Wang Yiting bowed to the door. Moved to No.923, Li Jiqing, Beishan West Road.
19 14 Jiayin 7 1 year-old joined the Jiulao Association. Shanghai Calligraphy and Painting Association was established and served as its president.
19 15 Mao yi, 72-year-old Shanghai Museum Calligraphy and Painting Society, is the honorary president.
1920, 77-year-old Geng Shen exhibited his paintings and calligraphy for the first time in Nagasaki, Japan, and then Wu Changshuo's paintings were published in Wenqiutang, Tokyo, and Wu Changshuo's paintings were published in Shuangshuyuan, Nagasaki. Zhu Lesan is listed as a disciple.
192 1 Xin You went to the Lingyin Society in Hangxi for dinner when he was 78 years old. The "Han San Lao Monument" was bought by Japanese businessmen. Together with colleagues from Xiling, they went to appeal for a painting charity sale and finally raised 8000 yuan to redeem the monument. Asakura is a bronze statue of Fan.
1923, 80-year-old Pan Tianshou presented a couplet by Zhu. Disciple Chen Shiceng passed away.
1925 Sha Wenruo (Meng Hai), aged 82, was listed as a disciple by Wang Xian.
1927 ding Mao was 84 years old, and/kloc-0 died in Shanghai on October 29th.