Living in the Qianlong, Jiaqing and Daoguang years of the Qing Dynasty, he had a good personal relationship with Ruan Yuan after he became famous. He lived in Ruan Yuan's place. Later, Ruan Yuanrong returned to his hometown of Yizheng. Zhu Henian settled in Shangxie Street, Xuanwai, the capital, and was buried after his death. Outside Yongding Gate. His son entered the court and became an official, also in the fourth rank. He has been engaged in calligraphy and painting since he was a child. When he was nine years old, he was painting a small landscape painting for the monks in the temple. When the state pastor saw it, he said: "It should be passed down through painting." When he was in his 20s, his family was too poor to support his relatives. A Taoist priest said to him, "A remote place is not enough to live in. He should move to the capital and become famous." So he put eight hundred coins around his waist and walked north, selling paintings along the way to make a living. Food. After entering Beijing, he improved his painting theory. He is good at painting landscapes, figures, ladies, flowers, bamboos and rocks, and is especially famous for his landscape and figure paintings. His landscapes have the legacy of Shi Tao, so Wang Xuehao (1754-1832, courtesy name Mengyang, alias Jiaoqi, a native of Kunshan, Jiangsu Province), a celebrity at that time, said that his paintings "meant to travel leisurely and far away, and are not mixed with current habits". At that time, Yan Qi's residence was called "Painting Niche", and Fa Shishan called himself "Poetry Niche". He was worshiped by others, and his reputation was almost as good as that of Yan and Fa. He was highly praised by the famous painters Ma Lutai (Qiu Yao) and Zhang Wentao (Chuan Shan) at that time. Because his works have their own features, they attracted considerable attention in the painting circles at that time. Zhu Henian had a free and easy temperament, and was fond of socializing with people from all walks of life. He is a simple and righteous man by nature, and he once saved people from dying in danger, so he is very respected by people. People like to associate with him and call him "Duan Friend". At that time, Zhu Henian's works were most appreciated by North Koreans, and every North Korean businessman who came to mainland China did not hesitate to spend a lot of money to buy his works. And because of Zhu Henian's noble character, some Koreans hung up Zhu's portrait and worshiped him as a sage. To this day, North Korean artists still regard getting a work by Zhu Henian as a blessing. The North Korean painter Kim Chuan Hao once obtained an authentic landscape painting by Zhu Henian and said: "My colleagues heard about it and admired it, and came to appreciate it one after another. It was enough for the rest of my life." Zheng Wuchang, a modern painter, said that his "landscapes are free and flowing, not following the ancient paths." The characters painted have concise and fine brushwork, smooth lines of clothing lines, and clever conception. Because of his outstanding achievements in the art of painting, he was known as the "Three Zhus" together with the famous painters Zhu Angzhi and Zhu Ben at that time. Zhu Angzhi was born in the 29th year of Qianlong (1764) and was still alive in the 20th year of Daoguang (1840). His courtesy name was Qingli (Li) and his name was Jinli. He was a native of Wujin, Jiangsu Province. He was good at painting landscapes and flowers, with strong and deep brushwork. He has obtained the essence of the ancients and has a high reputation. Zhu Ben was born in the 26th year of Qianlong (1761) and died in the 24th year of Jiaqing (1819). He was born in Yangzhou, Jiangsu Province and was good at painting landscapes, figures, flowers and birds. The landscape painting is vast, deep and beautiful, with no family names, flowers, birds, and figures, all delicate and handsome, without any sweet and mature air. The "Three Zhus" were all very accomplished celebrities in the mid-Qing Dynasty. It is also recorded that he had a close relationship with Ruan Yuan (1764-1849), a bachelor of Tirenge, a calligrapher and painter, and the author of Jia Tianxia. In the 13th year of Daoguang (1833), Ruan's "Landscape Pictures" and later "Meishishan" were published. "Tea Pictures" and so on were all written by Zhu He in his time.