The lake and the moon set each other off, and there is no wind mirror on the pool surface.
Looking at Dongting from a distance, there is a green snail in the silver plate.
2. Appreciation: This poem describes the beautiful scenery of Dongting Lake in the moonlight on an autumn night. Microwave is quiet, calm, beautiful and particularly pleasant. The poet let go of his imagination, vividly described the hazy beauty of Dongting Lake in a fresh style, and sketched out a beautiful landscape of Dongting Lake. It shows the poet's love for nature, and also shows the poet's magnificent bearing and lofty and unique feelings.
The poem focuses on the word "Wang", "water and moon blend" and "the lake is as level as a mirror", which you see at close range; "Dongting Landscape" and "Like a Green Snail" are both from afar. Although they are all written in hope, the difference is obvious. The close-up is wonderful and unique; The vision is fascinating and wonderful. The pool surface is like a mirror, the lake surface is like a plate, and Junshan is like a snail. The silver plate and the green snail set each other off, and the bright moon and the lake light set each other off, making the scenery more harmonious and complement each other. Junshan, described by the poet, is like a beautiful jade inlaid on Dongting Lake in the mirror. Its words are also very precise.
The first sentence describes the clear lake and the green light of the plain moon, just like the meeting in Qiongtian, which is an ethereal, ethereal, quiet and harmonious realm. It shows a harmonious picture of Tianshui and jade characters without dust. The word "harmony" has been refined, showing a harmonious picture of water and sky, jade and dust-free, and it seems to convey to readers the rhythm of a water town night-the rhythm of moonlight and lake water.
The second sentence describes that there is no wind on the lake, and the lake covered with mist is like an unpolished bronze mirror. The word "the mirror is not polished" vividly and aptly shows the calm, peaceful and gentle scene of a thousand miles of Dongting, which has a hazy beauty in the moonlight. Because only "there is no wind on the pool surface", the water waves are calm, and the lake and the moon can be coordinated. Otherwise, the lake is noisy and the waves are empty, and the lake light and autumn moon are not interesting, so there will be no "two-phase harmony".
The third and fourth sentences focus the poet's attention on Junshan from the overall picture of the vast lake and moonlight. In Yin Hui under the bright moon, Dongting Mountain is greener, Dongting water is clearer and the mountains and rivers are integrated. It looks like a small green snail in a carved silver plate, which is very attractive. The autumn moon Dongting described by the poet has become a fine treasure of arts and crafts, giving people great artistic enjoyment. "Green snail in a silver plate" is really an incredible punch line. The advantage of this sentence is not only reflected in the accurate warning of metaphor, but also in the poet's magnanimity and lofty feelings. In the poet's eyes, a thousand miles of Dongting is just a mirror and a cup and plate on the case. It is very rare to lift weights lightly, the pool is natural and unpretentious. It is a reflection of the poet's character, sentiment and aesthetic taste to express the relationship between man and nature so cordially and to describe the lakes, mountains and mountains so broadly and clearly. Boldness without thought, full of romance.
3, an autumn night in the mountains _ Author: Wang Wei
The empty mountains are bathed in a new rain, and feel the early autumn at night. The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
4. Appreciation: This poem is a famous landscape work, which embodies the poet's noble feelings and pursuit of the ideal realm in its poetic meaning.
"The empty mountain after the rain stands in the autumn evening." The poem clearly says that there are female fishing boats, but the poet writes "the empty mountain". This is because the dense trees on the mountain cover up the traces of people's activities. The so-called "there seems to be no one on the empty mountain, but I think I heard a voice" (Chai Lu). Because there are few people here, "Who knows that there are people coming in the gorge, and outsiders only see the empty mountains and thick clouds" ("Peach Garden Tour"), naturally someone comes to Mount Fuji. The word "empty mountain" points out that besides, it is like a paradise. In the early days of Shan Yu, everything was new. It was early autumn evening. It is conceivable that the air is fresh and the scenery is wonderful.
"Moonlight in the pine forest, crystal stone in the stream." It was dark, but there was a bright moon in the sky. The flowers have withered, but there are pine trees covered. The mountain spring is clear, flowing through the rocks, like a pure white plain, shining in the moonlight, vividly showing the quiet and clear natural beauty. Wang Wei's Ode to the Four Saints on Economy once praised the noble sentiments of the two sages, saying that "there is no evil wood in the shade, and drinking water must be extreme." The poet himself is such a noble-minded person. He once said: "It is better to drink its water and rest in the wild forest, instead of sitting on the beam and seeing the princes in the rugged." This month, pine trees and clear springs on rocks are exactly the ideal realm he pursues. These two sentences are picturesque, free and easy, and have little strength. This touching writing of natural scenery has reached the level of artistic perfection, which is really beyond the ordinary people's learning.
"The bamboo whispers that the laundry girl returns, and the lotus leaves bend in front of the fishing boat." A burst of joy and laughter broke out in the bamboo forest. It was some innocent girls who washed their clothes and came back with a smile. The graceful lotus leaves spread out to both sides one after another, overturning countless pearl-like crystal drops. It's a fishing boat going down the river, which cuts the tranquility of the moonlight in the lotus pond. There are such carefree, hard-working and kind people under this pine and bright moon and among this green bamboo and violet. This pure and beautiful picture of life reflects the poet's ideal of living a quiet simple living, and at the same time, it shows his aversion to dirty officialdom from the opposite side. These two sentences are skillfully written, but the pen does not show traces, which makes people feel very clever. The poet wrote "Bamboo Noisy" and "Lotus Moving" first, because the Huan girl was hidden in the bamboo forest and the fishing boat was covered with lotus leaves. At first, I didn't see it. It was not until I heard the noise of the bamboo forest and saw the lotus leaves in full bloom that I found the Huannv and the Lotus Boat. This writing is more realistic and poetic.
The two couplets in the middle of the poem are all about scenery, but each has its own emphasis. Zhuan Xu re-writes, fragrant and clear; Neck ties focus on writing people and hope for political communication with people. At the same time, the two complement each other. Spring water, pine, bamboo and purple can be said to be a portrayal of the poet's noble sentiment and an ideal environment for the poet.
Since the poet is so noble, and he found a satisfactory paradise in that seemingly "empty mountain", he couldn't help saying, "My friend's prince, spring has passed, and you are still here. What does it matter? ! "The original" Songs of the South Calling Hermits "said:" When the king returns, he can't stay in the mountains for a long time! " The poet's experience is just the opposite. He felt that "in the mountains" was better than "in the DPRK", clean and simple, and he could stay away from officialdom and lead a totally clean life, so he decided to retire.
An important artistic technique of this poem is to express the poet's personality beauty and an ideal social beauty with natural beauty. On the surface, this poem only uses the method of "Fu" to shape mountains and rivers, and gives a detailed and touching description of the scenery. Actually, it's full of comparisons. The poet expresses his ambition through the description of the scenery, which is rich in content and intriguing.
5, Qiu Si _ Author: Zhang Ji
The annual autumn wind blows to Luoyang city, and my wandering son doesn't know how his relatives in his hometown are; Writing a letter to peace has too much to say and I don't know where to start.
When the letter is written, I am worried that I have not finished what I want to say; When the messenger started, he opened the envelope and gave it to him.
6. Appreciation: quatrains in the prosperous Tang Dynasty, with more feelings in the scenery, blending scenes and less narrative elements; In the middle Tang Dynasty, narrative elements gradually increased, and daily life events often became the common theme of quatrains, and the style changed from vigorous romance to realism in the prosperous Tang Dynasty. Zhang Ji's "Qiu Si" is full of emotions. With the help of a pregnant episode in daily life-the details of thoughts and actions when sending a letter home, it truly and delicately expresses the deep nostalgia of people who are away from home for their loved ones in their hometown.
The first sentence explains the reason of "the writer's book" ("watching the autumn wind"), saying that staying in Luoyang city and watching the autumn wind. Plain narrative, not exaggerated, but meaningful. The autumn wind is invisible, audible, tangible and tangible, but it seems invisible. However, just as the earth can be dyed green and bring boundless spring colors, the cold air contained in the autumn wind can also make the leaves of trees turn yellow and the flowers wither, bringing a wide range of autumn colors, autumn capacity and autumn state to nature and human beings. It is invisible, but it can be seen everywhere. A wanderer in a foreign land, seeing all these bleak and crumbling scenes, will inevitably arouse the loneliness of staying in a foreign land and cause long-term thoughts of his hometown and relatives. This plain and meaningful word "see" gives readers rich hints and associations.
The second sentence is followed by "look at the autumn wind" and the word "think" is written on the front. Hans Zhang in the Jin Dynasty "thought of Wuzhong leek, soup, and lived because of the autumn wind, saying,' Life is expensive but you don't want it. Why do you stay thousands of miles and become famous?' Then I rode home (Biography of Hans Zhang in the Book of Jin). Zhang Jizu was born in Wujun and now lives in Luoyang. The situation is similar to that of Hans Zhang. When he was homesick, he thought about "Looking at the Autumn Wind", which may be associated with the story of Hans Zhang. However, due to various unspecified reasons, Hans Zhang could not "drive home" and had to write home to express his homesickness. This makes the homesickness already deep and strong, and adds the disappointment of wanting to return, and the thoughts become more complicated. The word "desire" is closely related to "watching the autumn wind". The word "desire" is quite interesting. It turns out that the poet's mood is calm, like a clear water. The autumn wind blew his emotional ripples. It expresses the poet's thoughts and modality when laying paper and stretching his pen: I have mixed feelings in my heart, and I feel that I have something to pour out, but I don't know where to start or how to express it at the moment. The writing is fluent, but at the end of the sentence, the word "heavy meaning" suddenly came back, just like calligraphy. Therefore, the poet's feelings here are not downstream, but deeper. This technology, seemingly ordinary, is actually extremely high. The poet is homesick for the autumn wind and wants to write a book. There are thousands of words, and I don't know where to start. "Meaning is important", but using virtual reality. Liu Yuxi said in "Song of the Knife Ring": "Today, facing each other, the pulse is full of gravity." "Ten thousand centers of gravity" and "ten thousand meanings" are extremely complicated thoughts and feelings. Every reader with life experience can understand how much care there is. How to write this book because it is full of meaning? Did you write it? The author didn't make it clear for the reader to imagine, which is endless and thought-provoking.
Three or four sentences, leaving aside the specific process and content of writing letters, just cut out a detail when the letter at home is about to be sent out-"I can't talk about it in a hurry, and pedestrians have to open it again." The poet felt unable to write because of his "heavy meaning", and he was too busy to think about it because of the messages from passers-by. His deep and rich feelings and unspeakable contradictions were "urged", making this letter containing thousands of words almost "I tried to read your reminder, but the ink was too weak" (Li Shangyin's Four Untitled Poems). The book is sealed, as if it had been said; But when passers-by were about to hit the road, they suddenly felt that they were in a hurry just now, for fear of missing anything important in the letter, so they hurriedly opened the envelope. The word "fear again" describes psychological nuances. This "imminent opening" action is not so much to add a few words that I haven't had time to say, but rather to verify my doubts and concerns. The results of Kaifeng test may prove that this kind of worry is purely neurotic. The uncertainty of this "fear" actually prompted the poet to make the decision of "unsealing again" without thinking, which shows that he attaches great importance to this "meaningful" letter from home and deeply misses his loved ones-there are thousands of words, for fear of missing a sentence. If you really think that the poet has remembered something and added something, it will turn the vivid details full of poetry into a dull record. The reason why this detail is pregnant and chewy is precisely because it is produced on the psychological basis of "doubt" rather than "necessity". The phenomenon of "pedestrians come and go" in life is not all typical and worth writing in poetry. Only when it is associated with a specific background and a specific psychological state can it show its typical significance. Therefore, in the case of "looking at the autumn wind", "meaningful" and "fearful", writing the details of "about to start" itself includes refining and typifying life materials, rather than simply describing life. Wang Anshi commented on the poem, saying that "it seems to be the most extraordinary, easy but difficult to achieve" ("On Zhang Shi"), which is a comment that has won the essence of excellent work and bitterness. This poem, which is extremely natural, extremely plain and as natural as life itself, seems to be a vivid example of Wang Anshi's meticulous comments.
The whole poem is coherent, clear, simple and truly expresses the wandering mentality. In feudal society, people who have lived in different places for a long time often have similar experiences. This very ordinary little thing, very ordinary subject matter, once refined by the poet, has a representative significance. Later generations often read it and often sigh with empathy. The so-called empathy, empathy.