Occupation: Member of Jiangsu Calligraphers Association, drama theorist, writer and collector.
1947 was born in Wenzhou, Zhejiang, and 1969 graduated from the Chinese Department of Nanjing University. The classical opera thesis "On the Structural Art of Records" has become the most important topic in this field.
Main achievements: Calligraphy works and learning stories were reported by People's Daily and Guangming Daily as early as 1980s. The essay Chitaxing won the gold medal in China, and the classical opera paper The Structural Art of Lun Ji became the most important paper in this field.
1989 65438+In February, Jiangsu Pictorial continued to discuss modern calligraphy and published two discussion articles, Jin's calligraphy: an attempt at modernization and aesthetic differences between Chinese and Japanese modernist calligraphy. 【 Method without phasing, spirit as chapter 】
The old drama emphasizes the relationship between pen and ink, and it is precisely on the technical level that it has grasped the button of flower-and-bird painting for thousands of years. It should be said that Lao Xi's pen and ink have a fairly high level. His brushwork is based on calligraphy, which is used in the middle and side. Whether it is a hook flower or a painting bug, it can well show the texture, expression and rhythm of the soul when creating. As for ink painting, that is the strength of old Xi. In his paintings, both large ink blocks and small ink blocks are exquisite, vivid and colorful, and echo each other. The application of ink on paper depends on the capillary. Old Xi can endow ink blocks with such brilliant aura, which is really the result of his handy pen. Water is the carrier of ink, and the shade and dryness of ink are distinguished by water. Lao Xi can properly grasp the influence of water on ink at the moment of waving his hand, which also shows that he has a profound knowledge of water use.