In addition, Huang Ke and Chen Shuliang both plated gold in Chongqing and Yan 'an before liberation. Of course, they are revolutionaries first, and then artists. The skill is profound, and the style of the works often leaves revolutionary traces. What is lacking is the inherent playfulness of artistic works. Art is pure, the expression and feeling of the author's inner world, and there is no utility. If love is profitable, it will become speculation; if art is profitable, it will lack real interest.
Today, Mr Wang Bomin is a miracle. He pursued truth, goodness and beauty all his life, and his theory and practice have been spiraling up, with fruitful results. His artistic career seems to have a "plan". When he was young, he chose to study art history theory and was full of energy. He spent several decades building the theoretical system of art, and insisted on painting in his spare time, making models of mountains and rivers every day, laying a solid traditional foundation. After the age of 70, when I was older, my energy gradually declined, so I began to specialize in calligraphy and painting, just because young people pursued big theories and created less, but in later years, there were few theories and big creations. In the end, theory and practice were organically combined, and the reform in my later years was naturally handy, logical and outstanding.
Many artists can't fully display their talents if they only pursue theoretical cultivation all their lives and can't keep up with their creation. It is a pity that those who are equivalent to music can only write lyrics and compose music, but can't sing. They hide in the background as "unsung heroes" and have no chance to go to the front desk to make their debut. Another kind of artists, who devote their lives to creation, usually do not pay attention to theoretical cultivation, and their works are easy to repeat simply, just like 1000 people. The work is seriously lacking in ideology and talent is not high. Without the strong support of a profound theoretical system, it is unrealistic to make great achievements. Wang Bomin's theory and creation are eclectic and very successful! Trying to explore artistic achievements, I think the real core artistic value is the contribution of works and art history. Known as "Six Historians" by contemporary art circles, he has compiled and published History of Painting in China, History of Printmaking in China, General History of Fine Arts in China, and Research on Dunhuang Mural Landscape at Home and Abroad. A brief look at his prose, rigorous in scholarship, elegant in writing, thorough in reasoning, simple in explanation, often incisive in words, and the theories of literature, history, philosophy and art are integrated into one pot, reaching a state of perfection. Wang Bomin's masterpieces of fine arts, such as climbing the top of Mount Tai, look at Mount Tai without looking at the world. Throughout today's art world, no one can compare, no one can compare, and everyone comes. Whenever scholars mention the mystery of Mr. Wenbai's memory, Wang Bomin thinks that the only thing he can say is: "That is to cherish time. Although I didn't see the chicken at night, I didn't waste 24 hours a day subjectively. " It is because I cherish my time that I have got more than 10 million words of art history publications.
Although Wang Bomin also has a gold-lettered signboard, which is the business card of a professor and doctoral supervisor in the Chinese Painting Department of China Academy of Fine Arts, whenever we appreciate his poetry, calligraphy and Chinese painting, we feel that it has nothing to do with these floating names. The work is not the rigid thinking and habits of the academic school, but the fragrance of nature and the soil of the field. Appreciate his landscape paintings, which are dripping with ink, free and easy, elegant and smart, with natural charm. Between Su Mo and Yan Song, there are many mountains and rivers, which describe the real mountains, rivers, people and stories, so that the viewers can be immersed in the scene.
Wang Bomin always likes bamboo stones. The desks in the study are often decorated with bamboo stones for entertainment. Bamboo stone paintings have the sense of heroism and car-scrapping of Taizhou people. Hard and delicate rock is often a bamboo leaning on it, full of pride and talent. The painted bamboo leaves are all messy, and they all look around affectionately, swaying with the wind, and the inflow of pictures reveals a strong bookish atmosphere, which is absolutely refreshing!
When Wang Bomin was young, he tasted a poem: Musk ink is as thick as lacquer, and the wolf is a little sentimental, but it's a pity that white water is no harm, and the thirsty pen is weak. This is the self-mockery of young students. At the end of the year, Mr. Wang wrote a poem, saying: Musk ink is as thick as paint, wolves are as strong as needles, it's okay to pity white water, and thirst for a pen makes the spirit grow. Different times reflect his different artistic mood, and a small poem can reflect his sincerity to art, as well as his temper and love for poetry and prose all his life.
A half-life wanderer becomes a man. Wang Bomin was born in Luqiao, Taizhou, and moved to Wenling Chengguan for a long time. He has lived on the lake for a long time and is famous for learning Chinese characters. In his later years, he made great efforts in art and became famous all over the world. At present, it is indeed an endless artistic feast for Taizhou people to bring all their spiritual and material wealth back to their homeland. The establishment of Wenling Wang Bomin Art Museum is not only the personal glory of Wang Bolao, but also a vibrant Taizhou art education base. Tens of millions of students in Taizhou finally found the direction of success and got the coordinates, thus learning to pursue their ideals. Of course, in this strange mountain and strange water, a beautiful place with a reputation as a famous sea mountain since ancient times, there should be more outstanding artists like Mr. Wang Bomin.