Zhu, the word: Just like another department: the owner of Damengtang, a native of Taierzhuang, Shandong. 20 12 graduated from China National Painting Academy, and studied under Mr. Zhao Genghua as a teenager. 20 14 studied under Mr. Zeng, Vice President of China National Painting Academy, majoring in calligraphy, seal cutting and landscape painting. In 20 14, he was invited by the German government to go to Germany for a cultural exchange between the East and the West for 15 days. Now he is a member of China Calligraphers Association. Deputy Director of Talent Pool of China Cultural and Artistic Talent Management Center, Vice President of Painting and Calligraphy Institute of the Center, Deputy Secretary General of China Fan Art Society, Deputy Secretary General of China Painter Village, Secretary General of Beijing Wanquan Bookstore, and Longxi Consultant of Pizhou Calligraphers Association of Jiangsu Province.
Published "Dream of Caotang-Zhu Ruiqi"; Contemporary art-Zhu Juan
Chinese name: Zhu
Alias: Dameng Caotang
Nationality: China.
Ethnic group: Han nationality
Place of birth: Taierzhuang, Zaozhuang City, Shandong Province
Date of birth: 1989
Occupation: calligrapher
Main achievements: calligraphy creation
Representative works: cursive calligraphy
Brief introduction to art
Zhu, the word: Just like another department: the owner of Damengtang, a native of Taierzhuang, Shandong. 20 12 graduated from China National Painting Academy, and studied under Mr. Zhao Genghua as a teenager. 20 14 studied under Mr. Zeng, Vice President of China National Painting Academy, majoring in calligraphy, seal cutting and landscape painting. In 20 14, he was invited by the German government to go to Germany for a cultural exchange between the East and the West for 15 days. At present, he is the deputy director of the talent pool of China Cultural and Artistic Talent Management Center and the vice president of the Center Painting and Calligraphy Institute, the deputy secretary general of China Fan Art Society, the deputy secretary general of China Painter Village, the secretary general of Beijing Wanquan Bookstore, and the consultant of Pizhou Calligraphers Association in Jiangsu Province. On the basis of traditional brushwork, his calligraphy works are integrated with the aesthetic interest of epigraphy and pursue a natural, beautiful and vivid calligraphy style. His calligraphy is far behind the Han and Wei Dynasties. Looking at the Song and Yuan Dynasties, especially Erwang, Mi Fei and Wei Bei, they are the most diligent and keep writing every day. He has visited famous calligraphers for advice and study many times, and his works have been exhibited in museums and other important calligraphy activities, and he has organized calligraphy exchange exhibitions in different places many times, which has achieved great influence. His works have been published in authoritative newspapers such as China Calligraphy and Painting, and many of them have been compiled into collections, and his works have been collected by domestic and foreign officials, celebrities and collectors.
Calligraphy viewpoint
This article is taken from Pizhou Calligraphy Newspaper Zhu: "Calligraphy has been an art since ancient times. It is not only to spread information, but also to express feelings and emotions. However, its technique, form and writing content have become very important ways. Without them, the effect of expressing mood or emotion will be greatly reduced. However, how to create these seemingly complicated things naturally has become the ultimate pursuit of calligraphers of all ages. I know nothing about the content of writing. Sometimes what calligraphers write can often reflect the calligrapher's thoughts or ideological realm. Many calligraphers like to create poems and songs with their own fixed tastes, and often do not set foot in other styles. In fact, many times, we can judge the calligrapher's taste or education from the content created by the calligrapher, so what calligraphy shows is often external richness. It seems that it is not simply a question of writing level. It is often difficult for a calligrapher to show his knowledge and accomplishment from his calligraphy works. So the essence of a calligrapher's high taste needs to be cultivated slowly for a long time. You can't think that beautiful handwriting can rest easy, which is often a very dangerous thing, so you must distinguish the real difference between beauty and goodness. "
In one of Zhu's reports, he once talked about learning calligraphy about writing. Calligraphy is a traditional culture in China, and so are many poems and songs. Therefore, if two or more cultures can be better integrated, it is necessary to have a deeper understanding and experience, rather than simply finding a poem or a certain content to write, which may make calligraphy lose its true meaning.
For a long time, Zhu realized the true meaning of writing content to calligraphy, which made him more focused on learning the traditional culture of China, and made it his unremitting pursuit to better integrate various cultures.
Exhibition of works
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