According to legend, Moon Out is a poem written by Su Shi, but it is not mentioned in any works related to Su Shi. So whether this word was written by Su Shi is debatable. But judging from the artistic conception of the poem, the poet described the scene of the first day of the full moon far away and beautifully. The content of the whole word is: "in the light and the sound of oars, the sky is still cold and the water is still cold." In the dream, the silk and bamboo sang softly, and the outsiders outside the building, the mountains outside the mountain, and the building mountain did not return. People haven't returned yet, so it's too early to forget about Sichuan. The fiddler burst into tears and the flowers rustled all over his shoulders. Shoulders are full, the cold is cold, the window shadows are broken, and the sound of smoke oars, where is Jiangnan. "
The poet sketched a scene of "the moon rising", full of hazy feeling, showing a lonely and deserted scene. First of all, literally, the poet is traveling on the river in a small boat at this time. It is very quiet around, and only the boatman can be heard rowing. The dim light of the ship guides the front, and the cold smoke rises on the river, which makes the poet feel cold both physically and mentally. Because the night was too quiet, the poet fell asleep unconsciously. In my sleep, someone beat bamboo and sang softly: "Outside the building, outside the mountain, outside the building, outsiders have not returned." Tears of sadness filled the pianist's skirt when he heard the song. A breeze blew and the fallen flowers fell on the singers and pianists. At this time, the flute blew sad music, the moon hung high in the sky, and under the irradiation of moonlight, a lonely figure flashed in the window grilles. The poet woke up from his dream and continued on the road ahead with the sound of rowing.
The emotional tone of this word is very sad, which shows the poet's lonely mood.
Su Shi left many literary works, among which ancient poetry was full of praise.
Su Shi's most famous ancient poems should be four: Fu on Red Cliff, Fu on the Back of Red Cliff, When Will the Moon Be There, and Niannujiao Nostalgia on Red Cliff. Many people have heard these four poems even though they don't know Su Shi's other works. For example, in modern times, someone composed a piece of music for him.
Su Shi's poems have narrative themes, such as Qin Hui's Visit to Two Monks, Thoughts on Lonely Mountain in Lari, Drunk Book in Wanghulou on June 27th, and March 29th. There are also works with inscriptions, such as Tijinshan Temple and Tixilin Wall.
Summarizing Su Shi's ancient poems actually left many poems for later generations. It can be seen that Su Shi's favorite epigraph is Huanxisha, with a total of eight songs, followed by Jiangchengzi, among which the most famous five songs should be Jiangchengzi Mizhou Hunting and Jiangchengzi Mao Yi Dreaming on the 20th of the first month.
In addition to the above three poems by Su Shi, there are two poems, one by Shui, two by Dong Xiange, one by He Xinlang, two by Min Ziyulan, one by Linjiang Xian, two by Man Jianghong and one by Fang. There is a youth brigade, a whistle, and a song called Mink Head, which is not as famous as Mink Head in When is the Moon? The water turned around and presented to Zhang Lisi from Huangzhou Kuaizai Pavilion.
Su Shi's Book Theory is his experience in daily study by reading the paintings and calligraphy works of his predecessors. "On Calligraphy" is the teacher's inscription and experience, enriching his understanding of calligraphy and painting knowledge by learning other people's calligraphy and painting works. For example, Zhang Xu's cursive script, Liu Gongquan's calligraphy features, Ou Yangxun's calligraphy works and so on.
Su Shi wrote his own understanding by reading the works of calligraphy masters, and later merged it into a book on calligraphy. Su Shi can express his understanding only by counting the crosses when summarizing the characteristics of other people's paintings and calligraphy works.
In his essay On Calligraphy, Su Shi thinks that Ou Yangxun's calligraphy works are compact in structure and beautiful in shape, especially in small letters. When Su Shi appreciated Zhang Xu's calligraphy works, he thought that Zhang Xu's calligraphy had both form and spirit and elegant fonts, and was called "Shen Yi" by Su Shi. It is also said that Zhang Xu's cursive script is dancing, scattered in shape but not scattered in spirit, and it is a master of cursive script skills. Su Shi saw Zhang Xu's "Long Guan Shi Zhu Ji" in Chang 'an that year, which left a deep impression on Su Shi. In the article On Calligraphy, Su Shi not only appreciated and commented on everyone's calligraphy works, but also mentioned the writing skills of calligraphy. Taking Wang Xizhi and Wang Xianzhi as examples, it shows that it takes a lot of efforts to become a generation of calligraphers. Take Mo Chi by Wang Xizhi as an example. Wang Xizhi kept practicing calligraphy for decades, during which the pool water was dyed black and many brushes were bald. When Wang Xianzhi practiced calligraphy as a child, his father Wang Xizhi knew whether Wang Xianzhi could succeed by watching him hold a pen. In other words, only the correct calligraphy posture and writing skills can improve the level of calligraphy.
Su Shi's essay "On Calligraphy", taking every calligrapher as an example, tells his understanding of cursive script and seal script. The article is easy to understand and the truth is intriguing.