China president giant panda opens. com
Name: Gao Cai
Gender: male
Ethnic group: Han nationality
Native place: Zoucheng, Shandong Province
Faith: Christ
1964 was born in Zoucheng City, Shandong Province.
1982, joined the Air Force of China People's Liberation Army.
65438-0994 Guangzhou Gaocai Culture Advertising Communication Co., Ltd. was established in Guangzhou to act as an advertising agent for high-end media such as CCTV.
1996, becoming the best broker of a famous foreign enterprise group in China.
From 65438 to 0998, he helped China People's Insurance Company Guangdong Branch to set up a special life insurance marketing department, and helped China Life Insurance Company Guangdong No.1 Branch to grow rapidly. The business team he led ranked first among domestic peers in terms of premium turnover for 24 consecutive months.
200 1 as the legal representative of Swiss Jintai (China) investment co., ltd,
In 2003, he also served as the chairman and legal representative of Beijing Zhong Rui Jintai United Network Technology Co., Ltd.
In 2004, he also served as the chairman and legal representative of Zhong Rui Jintai Commercial Management Co., Ltd.
In 2009, he served as the vice chairman of Suijin (Holdings) Co., Ltd. and the chairman of China District of the Organizing Committee of Global Domestic Industry Alliance.
20 10, he became one of the main founders of China Giant Panda Kai. President of Kaiwang (China) Co., Ltd. and Chairman of Kaiwang (Hongkong) Co., Ltd. ..
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Founder of Gaoji Restaurant in Changping, Beijing
Gao Cai, born in June 1965, is the founder of Gaoji Restaurant in Changping, Beijing. In his early years, he studied under Mr. Liu Zhanjiang from Beijing Painting Academy.
He studied calligraphy and painting, and later studied calligraphy under Mr. Yang Fuzhi. His painting and theory were systematically guided by Mr. Song Di. In recent years, he has participated in many large-scale exhibitions in China and participated in exhibitions in Fukuyama, Hiroshima and Osaka, Japan. His works and papers have been published in domestic newspapers and periodicals for many times. His works have been collected by people and institutions at home and abroad such as Hong Kong, the United States, Japan, South Korea and Canada.
He is currently a director of China Contemporary Flower and Bird Painting Research Association, a researcher of China Painting and Calligraphy Creation Research Association, and a researcher of China Famous Painting and Calligraphy Institute. Director of Beijing Changping Artists Association.
Gao Cai is a painter with great personality, and his original works are always at the forefront of the times. He believes that in China contemporary painting world, some painters with pen and ink skills can't find and understand nature from their own unique perspective because they can't cross the aesthetic vision of their predecessors and face nature directly. We can only rely on our predecessors and follow suit.
Gao Cai said: "The uniqueness of aesthetic feeling comes from the difference between aesthetic observation and aesthetic perspective." The uniqueness of artistic works comes from the particularity of aesthetic feeling. The endless call for "innovation" has awakened a batch of artists, urged them to go to nature and life to trace their roots, and misled some people, making them eager for quick success and instant benefit, specializing in fancy and refurbished superficial articles. This kind of so-called artwork that violates the basic laws of plastic arts and artificially creates distortions is not uncommon in real life. "
In Gao Cai's view, a real artist should create colorful and shocking works of art with aesthetic sensibility, extraordinary insight and ingenious expression techniques to reflect the true interest and beauty of nature.
"Interest and beauty come from nature, and the artist's artistic perception of the colorful outside world is also expressed through his own unique understanding. It shows his personal aesthetic feeling, and the accompanying passion and creative impulse, which comes from his communication with nature and God. Works should have sincere feelings, inner impact and touching charm, and at the same time show what artists use to perceive the world and their own spiritual world. Only the particularity of aesthetic taste can show the richness and fullness of the work. " Gao Cai said.
Regarding artistic style, Gao Cai said that it is not easy to establish the style of artistic works. It must go deep into tradition, not be bound by tradition, learn from others, and naturally be free from nature. This requires artists to find their emotional and spiritual belonging, face life directly, and constantly improve their character and self-cultivation. People and painting, painting and people sublimate at the same time, with the charm of China ink painting and western color. The diversity, control and unity of artistic creation tools, themes, forms and contents show that artistic works cannot be separated from people.
Gao Cai said: "Real works of art have the highest realm. It should not be the value and utility of the object shown in the work itself in the world. Painting can't be seen only by ears, but also by heart, which is the highest realm of human thoughts and feelings beyond the natural surface phenomenon. Artists are not businessmen. Painting is for appreciation. To recreate nature artificially, we must understand that life and art are natural, just like' reading thousands of books and taking Wan Li Road'. "
Mr. Xu Beihong once said: "The characters in the new China Chinese paintings should have expressions, and the mountains and rivers should distinguish regions, followed by sectarian portals. The so-called things have a beginning and an end, and those who know the order are reasonable. " This shows the importance of real life in the minds of sages.
Whether it is a creative reinterpretation of traditional works in the current context, or a fusion of the essence of Chinese and Western arts to form a new modern China's works of art, it is an artistic creation. However, no matter from which starting point to carry out new creation, it is inseparable from the observation and understanding of real life. Sketch is the only means and process to understand objects and create new formal beauty. As Mr. Song Di said: "Sketching is a process of exploring and excavating formal beauty. Without this process, it is impossible to have the ability to recreate formal beauty. "