He used western red, deep red and ancient thick, which is in line with his painting style of ancient magnolia, thanks to lithographs. As Pan Tianshou said, "The primitive simplicity interest in lithographs is quoted to painting colors. Naturally, it does not fall into the fresh thin, and it does not fall into the powder fertilizer. Can use red and green complex and changeable, is the best expert in using color in freehand brushwork flowers. "
Wu Changshuo makes good use of multicolor, red and black are mutually restricted and coordinated, and white rice paper is used. And his red and black are constantly changing under the action of multicolor, and they are unified in the change, which makes people feel rich and calm. Wu Changshuo's thick colors and his magnificent pictures complement each other, which is an important factor in forming his painting style.
The artistic characteristics of Wu Changshuo's paintings are "bitter iron and lacquered air without drawing shape" and? With the aim of "talking about pictographic characters but not like them", the so-called "holding seal characters as a wild grass" is used to express the expressiveness of calligraphy, with the method of "conscious creation" and "being a layman" to achieve the realm of "quiet mind and natural energy". "Xuan Yubo has a happy chest" to vent the terrible gas in his chest.
Wu Changshuo, an influential master of Chinese painting. Under the background of the integration and exchange of traditional culture, Wu Changshuo has also been influenced, and his greatest feature and advantage is tolerance and transcendence. Although the times have greatly promoted his life, his own efforts are also an important reason for his success.
Different from traditional literati painters, Wu Changshuo has four unique skills: poetry, calligraphy, painting and printing. He can learn from others' strengths, accept everything, and integrate the four musts into one. In particular, he created a brand-new artistic style and atmosphere with the most traditional artistic factors and aesthetic ideals. Wu Changshuo not only realized that painting embodies the spirit of wildness and elegance, but also pushed Chinese painting to a new height, which had a far-reaching impact on modern Chinese painting.